Portret van Claude Cahun

De 12 beroemdste schilderijen van Claude Cahun, elk uniek

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 12 werken van Claude Cahun in onze catalogus

Kortom

Selfportrait is het schilderij van Claude Cahun dat de meeste aandacht trekt; het origineel bevindt zich in het Museum Folkwang, Essen. Daarna gaat de blik naar Untitled (1928) en Untitled (Claude Cahun in Le Mystère D’Adam) (1929). Van de 12 werken van Claude Cahun in onze catalogus zijn dit de 12 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1894 – 1954, Nantes Surrealism Meeste werken: Tate Britain

Top 10 schilderijen van Claude Cahun, door de ogen van de galerie

1
Selfportrait door Claude Cahun

Selfportrait

Black and White Photography · Museum Folkwang, Essen

The gaze meets us through "Selfportrait," a profound work by Lucy Renee Mathilde Schwob. In this image, the artist turns the lens upon herself, capturing a moment of intense personal inquiry. Born in 1894 in Nantes, France, Schwob navigates the boundaries of identity through her lens. She moves through the world under a different name, having adopted the pseudonym Claude Cahun. This choice of identity becomes a central part of…

2
Untitled (1928) door Claude Cahun

Untitled

1928 · Gelatin Silver Print

Untitled is a photograph created in 1928 by Claude Cahun and Marcel Moore. This work emerged from a collaborative practice between the two artists, who shared a life and a commitment to disrupting conventional representations of identity.

3
Untitled (Claude Cahun in Le Mystère D’Adam) (1929) door Claude Cahun

Untitled (Claude Cahun in Le Mystère D’Adam)

1929 · Gelatin Silver Print

The gaze meets a figure caught in a moment of profound transformation within the photograph titled Untitled (Claude Cahun in Le Mystère D’Adam). Created in 1929, this work emerges from the collaborative spirit of Claude Cahun and Marcel Moore. The image exists as a silver gelatin print, a medium that captures the subtle shifts of light and shadow across a carefully constructed persona. It is a piece where the boundaries…

4
Untitled (1936) door Claude Cahun

Untitled

1936 · Black and White Photography · Tate Britain, Londen

Claude Cahun, born in Nantes, France, in 1894, crafted Untitled around 1936. This photographic work emerges from a period of intense experimentation within the Surrealist movement. The artist, who lived until 1954, used the lens to navigate the boundaries of identity. In this specific piece, the camera captures a stillness that feels both deliberate and strange.

5
Self Portrait 1950 (1950) door Claude Cahun

Self Portrait 1950

1950 · Black and White Photography

Self Portrait 1950 is a work by the artist Claude Cahun. This piece is a self-portrait that captures the artist in a moment of personal inquiry. The individual depicted is the creator herself, using the lens to document her own presence. The image is a monochromatic study of form and light, presented in black and white.

6
Studies for a keepsake (1926) door Claude Cahun

Studies for a keepsake

1926 · Black and White Photography

Studies for a keepsake is a Surrealist work created by Claude Cahun. The artist, born Lucy Renée Mathilde Schwob, used this pseudonym to navigate the boundaries of identity. The piece emerged about 1925. It exists as a quiet interrogation of the self through the lens of the Surrealism movement.

7
Self-portrait, 1928 (1928) door Claude Cahun

Self-portrait, 1928

1928 · Photography

In this 1928 photographic print, titled Self-portrait, 1928, we encounter the deliberate and staged presence of Claude Cahun. This work belongs to the Surrealist movement, a period defined by an interest in the subconscious and the disruption of conventional reality. Cahun, a figure who navigated the boundaries of identity with profound intent, uses this medium to document a specific, constructed persona.

8
I am in training, don't kiss me (1927) door Claude Cahun

I am in training, don't kiss me

1927 · Black and White Photography

Created in 1927, I am in training, don't kiss me is a self-portrait by the French artist Claude Cahun. In this work, the artist adopts the persona of a weight trainer. The subject is positioned with a barbell resting on the lap, presenting a figure that challenges traditional gendered archetypes through a combination of masculine and feminine signifiers.

9
What do you want from me? (1928) door Claude Cahun

What do you want from me?

1928 · Gelatin Silver Print · Metropolitan Museum of Art, New York

What do you want from me? is a Gelatin Silver Print Photographic Print created by Lucy Renee Mathilde Schwob. The artist, who adopted the pseudonym Claude Cahun, produced this work in 1928. This piece is a significant example of Surrealist photography, reflecting the artist's lifelong interrogation of identity and the fluid boundaries of the self.

De beroemde schilderijen van Claude Cahun, nummer 11 tot 12

De onderwerpen die de aandacht van Claude Cahun troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Claude Cahun worden bewaard

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Claude Cahun Schilderijen uit deze lijst
Tate Britain, LondenTate Britain Londen 2 Untitled, I Extend My Arms
Museum Folkwang, EssenMuseum Folkwang Essen 1 Selfportrait
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 What do you want from me?
Arts Council Collection, LondenArts Council Collection Londen 1 Drunken Bellarmine

Claude Cahun door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Claude Cahun: vragen voor de galerie

Wat is het bekendste werk van Claude Cahun?Onthul het antwoord

Selfportrait, Museum Folkwang, Essen. Untitled (1928) en Untitled (Claude Cahun in Le Mystère D’Adam) (1929) volgen.

Welke tien schilderijen van Claude Cahun zijn het meest bekend?Onthul het antwoord

Selfportrait, Untitled, Untitled (Claude Cahun in Le Mystère D’Adam), Untitled, Self Portrait 1950, Studies for a keepsake, Self-portrait, 1928, I am in training, don't kiss me, What do you want from me? en Self Portrait. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Claude Cahun zijn er bekend?Onthul het antwoord

Onze catalogus bevat 12 werken van Claude Cahun, daterend van 1926 tot 1950.

Waar kunnen de beroemdste originelen van Claude Cahun worden bekeken?Onthul het antwoord

Voornamelijk in Tate Britain (Londen), Museum Folkwang (Essen) en Metropolitan Museum of Art (New York). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Claude Cahun de bekendste schilderijen?Onthul het antwoord

In 1920s: 6 van de 12 werken op deze pagina werden toen gemaakt, waaronder Untitled.

Welk beroemd schilderij van Claude Cahun is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste Studies for a keepsake (1926) en het laatste Self Portrait 1950 (1950).

Welke onderwerpen had Claude Cahun de voorkeur?Onthul het antwoord

Black and white (8), Person (5) en Face (4), verspreid over de 12 werken op deze pagina.

Met welke materialen schilderde Claude Cahun het meest?Onthul het antwoord

Black and White Photography, voor 5 van de 12 werken op deze pagina.

Bij welke stroming behoort het werk van Claude Cahun?Onthul het antwoord

Surrealism, te oordelen aan de originelen op deze pagina.

Welke originele werken van Claude Cahun kan ik zien in het Tate Britain?Onthul het antwoord

Untitled en I Extend My Arms: het Tate Britain, Londen herbergt 2 van de werken op deze pagina.

Claude Cahun: een portret van de kunstenaar

Claude Cahun: A Surrealist Pioneer Challenging Gender Conventions

Claude Cahun (Lucy Renée Mathilde Schwob), born Nantes, France in 1894, was a singular figure in the surrealist movement and beyond—a photographer, sculptor, writer, and performer who relentlessly interrogated notions of identity and gender. Her artistic practice wasn’t merely about depicting images; it was about embodying them, inhabiting multiple personas, and actively disrupting societal expectations. Cahun adopted the pseudonym ‘claude cahun’ in 1914, a deliberate act of defiance that signaled her commitment to exploring fluid boundaries between male and female experience.
  • Early Life & Influences:
  • Born into an aristocratic family with liberal leanings, Cahun's upbringing fostered intellectual curiosity and a rebellious spirit. She studied at the École Supérieure des Beaux-Arts in Paris alongside Marcel Moore, whose influence would prove crucial to her artistic vision—particularly his advocacy for collage as a method of disrupting conventional representation.

Surrealist Photography & Collage Technique

Cahun’s photographic work stands apart from its contemporaries. Rejecting the polished realism favored by many artists, she embraced a deliberately unsettling aesthetic—often employing double exposures and photomontage to create images that simultaneously reveal and conceal. As Cahun herself stated, “The abstraction, the dream, are as limited for me as the concrete and the real.” This approach mirrored the broader surrealist preoccupation with accessing subconscious realms and challenging rational thought. Her collages weren’t simply assembled images; they were carefully constructed narratives designed to destabilize viewers' perceptions and provoke contemplation about gender roles and societal norms. The use of found objects and manipulated textures underscored her belief in transforming everyday materials into instruments of artistic expression.

Performance & Persona: “Elle” as a Constant Presence

Perhaps Cahun’s most distinctive contribution to art was her exploration of performance and persona. She consistently referred to herself as ‘elle,’ asserting that her true gender was fluid—a concept radical for the time. This deliberate adoption of feminine pronouns wasn't merely stylistic; it represented a profound philosophical stance against binary categorization. Cahun wrote extensively about inhabiting multiple identities, crafting elaborate costumes and theatrical presentations that questioned conventional notions of masculinity and femininity. Her performances served as a powerful critique of patriarchal structures and an affirmation of individual autonomy.

Resistance During WWII & Artistic Legacy

During World War II, Cahun actively participated in the French Resistance movement, utilizing her artistic skills to disseminate propaganda and support underground networks. She created clandestine photographs documenting the plight of refugees and prisoners of war—images imbued with compassion and defiance. Her work during this period exemplifies her unwavering commitment to social justice and her belief in art’s capacity to inspire action. Cahun's legacy extends beyond her visual creations; she remains an icon for gender equality and artistic experimentation, inspiring generations of artists to challenge conventions and embrace ambiguity.

Notable Works & Recognition

Cahun’s oeuvre includes iconic photographs like “I Extend My Arms” and “Selfportrait,” which exemplify her signature style—characterized by meticulous detail, unsettling juxtapositions, and a masterful manipulation of light and shadow. Her photomontages, such as “Untitled,” are considered seminal examples of surrealist collage technique. Cahun’s work has been exhibited internationally and celebrated for its intellectual depth and emotional resonance. She continues to be studied and admired as one of the most innovative and courageous artists of her era—a true pioneer who reshaped our understanding of gender identity and artistic expression.