Portret van Jacob Huysmans

De 34 bekendste schilderijen van Jacob Huysmans, een selectie uit de galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 35 werken van Jacob Huysmans in onze catalogus

Kortom

Van alle originele werken die Jacob Huysmans heeft nagelaten, is Cupid preparing his Bow (after Van Dyck) (1673) het bekendst, in de collectie van het Kingston Lacy, Wimborne Minster. Direct daarna volgen Catherine of Braganza (1638-1705) (1667) en Catherine of Braganza (1638-1705) (1663). Onze catalogus bevat 35 werken van Jacob Huysmans; de galerie heeft de 34 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1633 – 1696, Antwerp Baroque Meeste werken: Royal Collection

De top 10 schilderijen van Jacob Huysmans: de selectie van de galerie

De selectie van Jacob Huysmans gaat verder, van 11 tot 34

De onderwerpen die de aandacht van Jacob Huysmans troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Jacob Huysmans worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Jacob Huysmans Schilderijen uit deze lijst
Royal Collection, LondenRoyal Collection Londen 3 Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705), Frances Stewart, later Duchess of Richmond (1647-1702)
National Portrait Gallery, LondenNational Portrait Gallery Londen 2 John Maitland, Duke of Lauderdale, Izaak Walton
National Trust, AntonyNational Trust Antony 2 Anne Morice (d.1713 1714), Lady Pole, Sir William Morice (1602–1676), PC, MP
National Trust, GranthamNational Trust Grantham 2 Sir Richard Mason (1619–1685), MP, Anne Margaret Long (c.1637–1711), Lady Mason
Kingston Lacy, Wimborne MinsterKingston Lacy Wimborne Minster 1 Cupid preparing his Bow (after Van Dyck)
Kenwood House, LondenKenwood House Londen 1 Portrait of Catharine of Braganza (1638-1705), Queen of England
Dulwich Picture Gallery, LondonDulwich Picture Gallery London 1 Portrait of a Lady
Lyme ParkLyme Park 1 Possibly Elizabeth Chicheley, Mrs Legh

Jacob Huysmans decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Jacob Huysmans

Waar is Jacob Huysmans het meest bekend om?Onthul het antwoord

Cupid preparing his Bow (after Van Dyck) (1673), Kingston Lacy, Wimborne Minster. Catherine of Braganza (1638-1705) (1667) en Catherine of Braganza (1638-1705) (1663) volgen.

Hoe oud was Jacob Huysmans toen Cupid preparing his Bow (after Van Dyck) werd gemaakt?Onthul het antwoord

40 jaar oud: Cupid preparing his Bow (after Van Dyck) dateert uit 1673, en Jacob Huysmans werd geboren in 1633.

Wat zijn de tien beroemdste schilderijen van Jacob Huysmans?Onthul het antwoord

Cupid preparing his Bow (after Van Dyck), Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705), Portrait of Catharine of Braganza (1638-1705), Queen of England, John Maitland, Duke of Lauderdale, King Charles II (1630-1685), Queen Catherine (of Braganza) (1638-1705) (after Sir Peter Lely), Portrait of a Lady, Dr Peter Barwick (1619–1705) en Possibly Elizabeth Chicheley, Mrs Legh. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Jacob Huysmans nagelaten?Onthul het antwoord

Onze catalogus bevat 35 werken van Jacob Huysmans, daterend van 1660 tot 1696.

In welke musea hangen de meesterwerken van Jacob Huysmans?Onthul het antwoord

Voornamelijk in Royal Collection (Londen), National Portrait Gallery (Londen) en National Trust (Antony). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Jacob Huysmans de beroemdste werken?Onthul het antwoord

In 1660s: 9 van de 34 werken op deze pagina werden toen gemaakt, waaronder Catherine of Braganza (1638-1705).

Wat zijn de eerste en de laatste beroemde originelen van Jacob Huysmans?Onthul het antwoord

Op deze pagina is het vroegste Portrait of a Lady (1660) en het laatste Lady Elizabeth Pope (1660–1719), Lady Lee, Later Countess of Lindsey, as Diana (1696).

Welke onderwerpen koos Jacob Huysmans het vaakst?Onthul het antwoord

Opulence (3), Portraiture (2) en Formal (2), verspreid over de 34 werken op deze pagina.

Bij welke kunststroming behoort Jacob Huysmans?Onthul het antwoord

Baroque, te oordelen aan de originelen op deze pagina.

Welke werken van Jacob Huysmans hangen in het Royal Collection?Onthul het antwoord

Catherine of Braganza (1638-1705), Catherine of Braganza (1638-1705) en Frances Stewart, later Duchess of Richmond (1647-1702): het Royal Collection, Londen herbergt 3 van de werken op deze pagina.

Jacob Huysmans: leven en werk

The Radiant Brush of Jacob Huysmans: A Master of Baroque Splendor

In the vibrant, turbulent landscape of seventeenth-century Flanders, few names evoke the dramatic flair of the Baroque era quite like Jacob Huysmans. Born in Antwerp around 1633, Huysmans was a man destined for the canvas, emerging from a lineage where artistic talent was woven into the very fabric of family life. With an uncle and brother who were accomplished landscape painters, his upbringing was steeped in the visual language of light and form. Under the rigorous tutelage of celebrated history painters such as Gillis Backereel and Frans Wouters, he mastered the ability to breathe life into subjects, learning to balance meticulous anatomical observation with the grand, expressive gestures that would later define his signature style.

The trajectory of Huysmans’ life took a transformative turn when he migrated toward England, arriving in London around 1662, just as the nation was emerging from the shadows of political and religious upheaval. To establish himself within the competitive English art market, he initially practiced the art of the "pastiche," creating skillful, smaller-scale interpretations of the legendary Anthony van Dyck. This strategic homage allowed him to harmonize his Flemish training with the established tastes of the English aristocracy, eventually paving the way for a career that would see him stand as a formidable rival to the court painter Peter Lely. While Lely was celebrated for a more restrained and sober approach, Huysmans offered a lush, exuberant alternative that captured the imagination of the era's most powerful figures.

Royal Patronage and the Splendor of the Court

The true zenith of Huysmans’ career was reached through his profound connection to Queen Catherine of Braganza. As a fellow Roman Catholic, the Portuguese-born Queen found in Huysmans an artist who could translate her royal dignity into something both divine and earthly. His relationship with the court was not merely professional but deeply embedded in the cultural and religious currents of the Restoration period. The famous diarist Samuel Pepys famously noted the brilliance of Huysmans’ workshop, describing his skill as something that could rival or even exceed the great Lely. Through his portraits of the Queen—depicting her both in regal splendor and in more allegorical, tender roles like a shepherdess—Huysmans helped craft the visual identity of a monarch who captivated an entire nation.

Beyond the royal family, Huysmans’ brush touched the lives of the highest echelons of English nobility. His ability to render the tactile richness of silk, the heavy weight of velvet, and the shimmering glow of pearls made him the preferred chronicler of aristocratic status. Notable works from his repertoire include:

A Legacy Written in Light and Shadow

The historical significance of Jacob Huysmans lies in his role as a bridge between the classical traditions of the Flemish masters and the evolving tastes of the English Baroque. He did not merely copy the past; he infused it with a new, energetic vitality. Even when faced with the displacement caused by the Great Fire of London, which saw him residing temporarily in Chichester, his artistic output remained a testament to resilience and stylistic evolution. His work remains a vital window into a period where art was used as a tool for both political legitimacy and religious expression.

Today, when we gaze upon a Huysmans portrait, we are not just looking at a likeness of a person, but at a carefully constructed drama of light, shadow, and status. His ability to blend the grandeur of history painting with the intimacy of portraiture ensures his place in the pantheon of great European masters. He remains an artist whose legacy is defined by the exuberant spirit of an era that sought beauty amidst the complexities of a changing world.