Kortom
Van alle originele werken die Domenico Corvi heeft nagelaten, is The Glorification of Andrea Doria (1750) het bekendst, in de collectie van het Minneapolis Institute of Art, Minneapolis. Direct daarna volgen Camillus and the Schoolmaster of Falerii (1764) en Allegory of Painting (1764). Onze catalogus bevat 8 werken van Domenico Corvi; de galerie heeft de 8 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
De top 10 schilderijen van Domenico Corvi: de selectie van de galerie
De musea waar de originele werken van Domenico Corvi worden bewaard
De 6 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Domenico Corvi | Schilderijen uit deze lijst |
|---|---|---|---|
| Rome | 2 | Camillus and the Schoolmaster of Falerii, The Vestal Tuccia | |
| Minneapolis | 1 | The Glorification of Andrea Doria | |
| Baltimore | 1 | Allegory of Painting | |
| Edinburgh | 1 | David Allan, 1744 - 1796. Artist | |
| Rome | 1 | Self-portrait | |
| Boston | 1 | Virgin and Child |
Domenico Corvi decennium voor decennium: het origineel dat elk tijdperk definieert
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Vragen van verzamelaars over de schilderijen van Domenico Corvi
Waar is Domenico Corvi het meest bekend om?Onthul het antwoord
The Glorification of Andrea Doria (1750), Minneapolis Institute of Art, Minneapolis. Camillus and the Schoolmaster of Falerii (1764) en Allegory of Painting (1764) volgen.
Hoe oud was Domenico Corvi toen The Glorification of Andrea Doria werd gemaakt?Onthul het antwoord
29 jaar oud: The Glorification of Andrea Doria dateert uit 1750, en Domenico Corvi werd geboren in 1721.
Hoeveel schilderijen heeft Domenico Corvi nagelaten?Onthul het antwoord
Onze catalogus bevat 8 werken van Domenico Corvi, daterend van 1750 tot 1803.
In welke musea hangen de meesterwerken van Domenico Corvi?Onthul het antwoord
Voornamelijk in Capitoolse Musea (Rome), Minneapolis Institute of Art (Minneapolis) en Walters Art Museum (Baltimore). De bovenstaande museumtabel bevat een volledig overzicht.
In welke jaren schilderde Domenico Corvi de beroemdste werken?Onthul het antwoord
In 1760s: 2 van de 8 werken op deze pagina werden toen gemaakt, waaronder Camillus and the Schoolmaster of Falerii.
Wat zijn de eerste en de laatste beroemde originelen van Domenico Corvi?Onthul het antwoord
Op deze pagina is het vroegste The Glorification of Andrea Doria (1750) en het laatste Self-portrait (1803).
Welke werken van Domenico Corvi hangen in het Capitoolse Musea?Onthul het antwoord
Camillus and the Schoolmaster of Falerii en The Vestal Tuccia: het Capitoolse Musea, Rome herbergt 2 van de werken op deze pagina.
Domenico Corvi: leven en werk
The Life and Career of Domenico Corvi
Domenico Corvi was an Italian painter active during the close of the 18th century. Born in Viterbo, he moved to Rome to work under Francesco Mancini. His early career involved works in Viterbo and Palestrina, as well as the decoration of churches in and around Rome. In 1750, he won first prize at the Accademia di San Luca, later becoming a full member in 1756. During this time, he returned to his native Viterbo to participate in decorating the church of the Gonfalone, contributing roundels of the apostles Saints Simon and Jude and a scene of the Beheading of Saint John the Baptist.
Corvi's professional journey included significant commissions for various patrons. His works include:
- A series of canvases in Vedana, including an altarpiece of Saint Michael Archangel for the church of Trinità dei Monti.
- Scenes for the Palazzo Barberini in Rome, depicting the Life of the Blessed Margherita Colonna and subjects from Venetian history.
- A painting in Turin, San Domenico, titled Victor Amadeus I, Duke of Savoy, Expelling the Plague with the Lamp of the Madonna delle Grazie in 1630.
- The painting The Miracle of Saint Joseph Calasanz Resuscitating a Child, located in the Wadsworth Atheneum.
- Works for the Borghese family, such as an altarpiece of Saint Leo IV Extinguishing the Fire in the Borgo and a ceiling with the Sacrifice of Iphigenia.
Later Works and Official Roles
In his later years, Corvi engaged in church decoration throughout Italy, spanning from Ravenna to Pisa, and from Venice to Spoleto. His ecclesiastical commissions included large canvases for the Cathedral of St. Ursus in Solothurn, Switzerland, featuring The Last Supper, the Coronation of the Virgin, the Incredulity of Saint Thomas, and the Pentecost.
Corvi held several official positions within the Accademia di San Luca. From 1757, he served as the director of the Scuola del Nudo at Campodoglio. His pupils included Giuseppe Cades, Francesco Alberi, and Vincenzo Camuccini. He died in Rome.



