Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 78 William Sidney Mount darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių William Sidney Mount garsiausias yra Loss and Gain (1848), esantis Museums at Stony Brook kolekcijoje, Stony Brook. Tiesiog už jų seka School Boys Quarreling (1830) ir Bar-room Scene (1835). Mūsų kataloge yra 78 darbų autoriaus William Sidney Mount; galerija išsaugojo 76 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
Bar-room Scene is an oil on canvas work by William Sidney Mount, executed about 1835. The artist, born in 1807 in Long Island, United States, established himself as a pioneer of American genre painting. His focus remained largely on the rural landscapes and social interactions of his native region.
In Portrait of Laertes Chapin, William Sidney Mount employs a vertical bust-length composition to establish a sense of formal dignity. The sitter is positioned slightly off-center, facing forward with a subtle three-quarter turn that provides a sculptural quality to the subject's features. This arrangement directs the viewer's attention toward the interplay of light and shadow across the face and neck.
In the Portrait of Laura Colton Chapin by William Sidney Mount, the subject sits in a quiet three-quarter view, her gaze turned slightly toward the viewer. She is framed by hair styled into intricate, tight ringlets that trace the line of her forehead, all topped by a dark, decorative headpiece. The color palette remains dominated by deep, somber tones. Her dress appears as a heavy, smooth black, which contrasts against…
In this 1832 oil on canvas, the artist William Sidney Mount gazes out from the past, presenting a formal portrait of a young man. The subject looks directly at us, capturing a moment of quiet dignity. This work, titled Self Portrait, offers a rare glimpse into the early years of William Sidney Mount as he establishes his presence through the medium of paint. He presents himself with a sense of…
In the Portrait of Julia Ann Seabury by William Sidney Mount, the subject is presented in a bust-length composition. She is positioned slightly off-center, with her gaze directed toward the viewer's right. The color palette is dominated by warm, natural tones, including the creamy white of her chemise, the red of her shawl, and the soft pinks and ochres used for her skin and the surrounding environment. The background consists…
In the Portrait of Maria Seabury by William Sidney Mount, a young woman is captured in a bust-length view. She sits slightly off-center, her steady gaze meeting the viewer with a quiet dignity. A bright white chemise and a red shawl provide a sharp contrast against the muted tones of the environment. These colors anchor her presence within the frame, separating her from the hazy atmosphere behind her.
At the Well is a work by William Sidney Mount, executed about 1848. The artist, born in Long Island, United States, was a pioneer of American genre painting, focusing his attention on the rhythms of rural life rather than grand historical narratives.
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Portrait of Hannah Muncy Smith1852 · Rhode Island School of Design Museum of Art
12
Julia Parish Raymond1851 · Museum of Fine Arts
13
After Dinner1834 · Yale University Art Gallery
14
Martin Euclid Thompson1830 · Metropolitano meno muziejus
15
The Painter's Triuimph (also known as Artist Showing His Own Work)1838 · Pennsylvania Academy of Fine Arts
16
Dancing on the Barn Floor1831 · Museums at Stony Brook
17
The Long Story (also known as The Tough Story)1837 · National Gallery of Art
18
Dance of the Haymakers1845 · Museums at Stony Brook
19
The Truant Gamblers (also known as Undutiful Boys)1835 · New York Historical Society
20
Ringing the Pig (also known as Scene in a Long Island Farm-Yard)1842
21
Saul and the Witch of Endor1828 · Smithsonian American Art Museum
22
Farmer Whetting His Sythe1848 · Museums at Stony Brook
23
Catching Rabbits1839 · Museums at Stony Brook
24
Caught Napping1848 · Brooklyn Museum
25
Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene1852 · Metropolitano meno muziejus
26
Crane Neck Across the Marsh1841 · Museums at Stony Brook
27
Gideon Tucker1830 · Metropolitano meno muziejus
28
Self Portrait With Flute1828
29
Farmers Nooning1836 · Museums at Stony Brook
30
Portrait of Reuben Merrill1832
31
Catherine Adele Smith1846
32
The Trap is Sprung1844
33
The Card Players1847
34
The Novice1847
35
Mount’s trompe l’oeil painted music stand1855
36
Cradle of Harmony Violin1851
37
Quarter of Twelve1855
38
Portrait of William Vickham Mills Smith1849 · Detroito meno institutas
39
Setauket Military Band1855
40
Just in Tune1849 · Museums at Stony Brook
41
Cracking Nuts1856
42
Fruit Piece: Apples on Tin Cups1863
43
The Residence of the Honorable William H. Ludlow1859
44
The Picnic1856
45
Spring Bouquet1857
46
The Banjo Player1856
47
Thomas Strongs House, Setauket, Long Island1864
48
The Bone Player1856 · Museum of Fine Arts
49
Right and Left1850 · Museums at Stony Brook
50
Rustic Dance After a Sleigh Ride1830 · Museum of Fine Arts
51
The Stone Bridge1843 · Thyssen-Bornemisza muziejus
52
Christ Raising the Daughter of Jairus1828 · Museums at Stony Brook
53
Long Island Farmhouses1862 · Metropolitano meno muziejus
54
The Painter's Triumph1838
55
Courtship (also known as Winding Up)1836 · Nelson-Atkins Museum of Art
56
Coming to the Point1854
57
Coming to the Point1854
58
Cider Making1841 · Metropolitano meno muziejus
59
Dregs in the Cup (also known as Fortune Telling)1838
60
Fair Exchange, No Robbery1865 · Museums at Stony Brook
61
Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')''1845
62
Raffling for the Goose (also known as The Raffle)1837 · Metropolitano meno muziejus
63
The Sportsman's Last Visit1835 · Museums at Stony Brook
64
Long Island Farmer Husking Corn1833 · Museums at Stony Brook
65
The Fence on the HillMuseum of Fine Arts
66
The Barn by the PoolMuseum of Fine Arts
67
Mrs gideon tuckerMetropolitano meno muziejus
68
The raffleMetropolitano meno muziejus
69
Long island farmhouses
70
Great grand fathers tale of the revolution
71
Catching Crabs
72
Self Portrait (also known as The Artist Sketching)Harvard Art Museums
73
Kitchen in the Mount House, Stony Brook
74
Catching the Tune1866 · Museums at Stony Brook
75
Cider Making1840 · Metropolitano meno muziejus
76
The Power of Music1847 · Cleveland Museum of Art
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | William Sidney Mount darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Museums at Stony Brook |
Stony Brook | 15 | Loss and Gain, School Boys Quarreling, Dancing on the Barn Floor |
 Metropolitano meno muziejus |
Niujorkas | 9 | Martin Euclid Thompson, Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, Gideon Tucker |
 Museum of Fine Arts |
Bostonas | 5 | Julia Parish Raymond, The Bone Player, Rustic Dance After a Sleigh Ride |
 High Museum of Art |
Atlanta | 2 | Portrait of Laertes Chapin, Portrait of Laura Colton Chapin |
 Houston meno muziejus |
Hjustonas | 2 | Portrait of Julia Ann Seabury, Portrait of Maria Seabury |
 Detroito meno institutas |
Detroitas | 2 | The Banjo Player, Portrait of William Vickham Mills Smith |
 Art Institute of Chicago |
Čikagos | 1 | Bar-room Scene |
 New Britain Museum of American Art |
New Britain | 1 | At the Well |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In the dim, flickering light of a subterranean cavern, William Sidney Mount captures one of the most harrowing moments in biblical lore. Saul and the Witch of Endor is not merely a depiction of a historical or religious event; it is an immersive descent into the supernatural. Created in 1828, this oil on canvas masterpiece transports the viewer to a moment of profound spiritual desperation. As King Saul, disguised in…
To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…
To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…
The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.
Loss and Gain (1848), Museums at Stony Brook, Stony Brook. Toliau seka School Boys Quarreling (1830) ir Bar-room Scene (1835).
41 metų amžiaus: Loss and Gain sukurta 1848 m. Nr. William Sidney Mount gimė 1807.
Loss and Gain, School Boys Quarreling, Bar-room Scene, Portrait of Laertes Chapin, Portrait of Laura Colton Chapin, Self Portrait, Portrait of Julia Ann Seabury, Portrait of Maria Seabury, At the Well ir The Banjo Player. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 78 William Sidney Mount darbų, skirtų laikotarpiui nuo 1828 iki 1866.
Daugiausia – Museums at Stony Brook (Stony Brook), Metropolitano meno muziejus (Niujorkas) ir Museum of Fine Arts (Bostonas). Viršuje esančiame muziejų sąraše yra visi jie.
1830s laikotarpiu: 22 iš 76 šioje pusėje esančių darbų buvo sukurtos tada, iš jų School Boys Quarreling.
Šioje pusėje seniausias darbas yra Saul and the Witch of Endor (1828), o naujausias – Catching the Tune (1866).
American art (9), Rural life (9) ir 19th century (6) iš 76 šioje pusėje esamų darbų.
Oil On Canvas, iš 76 šios puslapio darbų – 28.
Genre painting, vadovaujantis šios puslapio originalais kūriniais.
Loss and Gain, School Boys Quarreling ir Dancing on the Barn Floor: Museums at Stony Brook, Stony Brook kolekcijoje yra 15 šioje pusėje esančių darbų.
