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The Derby Day (1858) yra viena矚 most žiūrėlių pritraukiančių William Powell Frith tapierių; originalas saugomas Tate Britain, Londras. Po to akmuo patenka į Dr Johnson and Mrs Siddons in Bolt Court (1887) ir John Knox Reproving Mary, Queen of Scots (1844). Iš 154 William Powell Frith darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
William Powell Frith's “The Derby Day,” painted in 1858, isn’t merely a depiction of a horse race; it’s a meticulously crafted panorama of Victorian society at its most vibrant and, frankly, its most stratified. Exhibited to immediate acclaim at the Royal Academy, this large oil painting captures a single afternoon – a fleeting moment frozen in time – yet offers an astonishingly detailed window into the lives, aspirations, and social…
In this work, titled Dr Johnson and Mrs Siddons in Bolt Court, the artist William Powell Frith presents a quiet, intimate encounter between two significant figures of the era. The painting captures Dr. Samuel Johnson and Mrs. Siddons in a moment of shared presence. It is a study of character and connection, rendered with the meticulous observation that defined Frith's approach to his subjects.
A Dramatic Encounter: Examining William Powell Frith’s “John Knox Reproving Mary” The painting "John Knox Reproving Mary," executed by William Powell Frith in 1844, stands as a cornerstone of Victorian genre art and a masterful depiction of a pivotal moment in Scottish history. More than just a visual record, it's an exploration of contrasting ideologies – piety versus pragmatism – skillfully rendered through meticulous observation and dramatic composition. The artwork…
The young man in this oil on canvas is William Powell Frith, captured in a moment of quiet introspection. Painted in 1838, the work presents the artist as a nineteen-year-old student, peering out from a time when his professional path was just beginning to take shape. At this stage, he is a resident of 6 Charlotte Street, a location that marks his early presence in the London art scene. The…
William Powell Frith’s masterful depiction of a bustling railway station is more than just a painting; it's a vibrant snapshot of nineteenth-century England, teeming with life and narrative. Completed in 1862, the original canvas captivated audiences with its meticulous detail and unprecedented scale for genre painting. This hand-painted acrylic reproduction faithfully captures that spirit, inviting viewers to step back in time and immerse themselves in the energy of Paddington Station.
The oil painting titled Self-Portrait at the Age of 83 was executed by the artist William Powell Frith. Created in 1901, this work functions as a self-portrait, capturing the likeness of the artist himself. The subject depicted in the composition is William Powell Frith, presented in a bust-length view that focuses on the facial features and head of the sitter.
Mr Honeywood Introduces the Bailiffs to Miss Richland as His Friends (also known as rom Oliver Goldsmith's 'The Good Natured Man', Act III, Scene 1)1850
12
Feeding Time (My Lady's Pets)1860 · Rhode Island School of Design Museum of Art
13
Ešthamo Ferio Barkas1862 · Williamson Art Gallery - Museum
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William Powell Frith1867 · National Portrait Gallery
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Queen Alexandra (1844-1925) when Princess of Wales1867 · Royal Collection
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Olivia unveiling1874
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The Marriage of the Prince and Princess of Wales (later King Edward VII and Queen Alexandra)1878 · Royal London Hospital
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Retribution1880 · Birmingham Museum and Art Gallery
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Self Portrait1883
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After The Bath
21
Lovers
22
Portrait of a Lady La Marquise1885 · Auckland Art Gallery Toi o Tāmaki
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The railway station
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My First Attempt from Nature1837
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An English Merry Making, a Hundred Years Ago1846
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Dolly Varden1842
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The Merry Wives of Windsor1843
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The Highwayman1848
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Measuring Heights (from Oliver Goldsmith's 'The Vicar of Wakefield')1842
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The Sleeping Model1853 · Karališkoji meno akademija
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Mary, Queen of Scots Bidding Farewell to France, 15611851
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Monsieur Jourdain's Dancing Lesson (from Molière's 'Le Bourgeois Gentilhomme', Act II, Scene 1)1850
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Little Dorrit1859
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The Two Central Figures in Derby Day1860 · Metropolitano meno muziejus
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Many Happy Returns of the Day1856 · Mercer Art Gallery
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Madame Jourdain Finds Her Husband Entertaining Dorimène and Dorante1860
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Hugh and Dolly Varden (from the novel 'Barnaby Rudge' by Charles Dickens)1863
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The Salon d'Or, Homburg1870 · Kanados Nacionalinė galerija
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Isabelle Asleep1867
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Little Seamstress1865
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The Knight and the Maid1868
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Mary Elizabeth Maxwell, née Braddon1865 · National Portrait Gallery
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In Naples, Portrait of the Artist1875 · Hospitalfield Centre For Art - Culture
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For Better, For Worse1881
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The Invalid1890 · Nottingham Castle Museum And Art Gallery
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L'adieu de Marie Stuart1893 · Mercer Art Gallery
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The Road To Ruin -
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The Road To Ruin
49
The Crossing Sweeper
50
At the Opera
51
The Toilet
52
Evening Prayer -
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Many Happy Returns of the Day
54
Coming Of Age In The Olden Time -
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The Fair Toxophilites -
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Evening Prayer
57
When we devote our youth to god
58
The Lover's Seat -
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The Gossips
60
La Coranto -
61
A scene from Molieres LAvare
62
A may day celebration
63
Juliet o that i were a glove upon that hand
64
The ardour
65
Žmogaus dydžio portretas1883 · New Walk Museum - Art Gallery
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Lancaster Sands, Lancashire1848 · Touchstones Rochdale Arts And Heritage Centre
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The derby day
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The Village Clergyman
69
John Knox Reproving Mary -
70
Coming Of Age In The Olden Time
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Portrait Of A Lady Resting With Her Dog
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Dolly Varden
73
Coming Of Age In The Olden Time -
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Claude Duval
75
The minstrel,
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London Flower Girl
77
The Toilet -
78
The Miniature
79
John Knox Reproving Mary
80
Wandering Thoughts
81
Hogarth Brought Before The Governor
82
A Question Of Faith
83
The proposal
84
The new frock
85
Sir Roger De Coverley And Addison
86
Othello And DesdemonaFitzwilliam Museum
87
The Flower Seller
88
Lovers -Art Institute of Chicago
89
Study of Miss Mortimer holding a Parasol
90
The Lover's Seat
91
The Fair Toxophilites
92
The Artist's Model
93
Bedtime
94
The signal
95
Village merrymaking
96
Tenby prawn seller
97
Lord Foppington Relating his Adventures
98
Sterne's Maria
99
Poverty And Wealth
100
The novice
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | William Powell Frith darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 National Portrait Gallery |
Londras | 3 | William Powell Frith, William Powell Frith, Mary Elizabeth Maxwell, née Braddon |
 Royal Collection |
Londonas | 4 | Anne Page, Queen Alexandra (1844-1925) when Princess of Wales |
 Birmingham Museum and Art Gallery |
Birminghamas | 2 | Garden Flowers ( Making A Posy ), Retribution |
 Mercer Art Gallery |
Harrogate | 2 | Many Happy Returns of the Day, L'adieu de Marie Stuart |
 Sheffield City Art Galleries |
Šefildas | 2 | John Knox Reproving Mary, Queen of Scots |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Feeding Time (My Lady's Pets) |
 Auckland Art Gallery Toi o Tāmaki |
Aucklandas | 2 | Portrait of a Lady La Marquise |
 Tate Britain |
Londras | 1 | The Derby Day |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The young man in this oil on canvas is William Powell Frith, captured in a moment of quiet introspection. Painted in 1838, the work presents the artist as a nineteen-year-old student, peering out from a time when his professional path was just beginning to take shape. At this stage, he is a resident of 6 Charlotte Street, a location that marks his early presence in the London art scene. The…
A Dramatic Encounter: Examining William Powell Frith’s “John Knox Reproving Mary” The painting "John Knox Reproving Mary," executed by William Powell Frith in 1844, stands as a cornerstone of Victorian genre art and a masterful depiction of a pivotal moment in Scottish history. More than just a visual record, it's an exploration of contrasting ideologies – piety versus pragmatism – skillfully rendered through meticulous observation and dramatic composition. The artwork…
William Powell Frith's “The Derby Day,” painted in 1858, isn’t merely a depiction of a horse race; it’s a meticulously crafted panorama of Victorian society at its most vibrant and, frankly, its most stratified. Exhibited to immediate acclaim at the Royal Academy, this large oil painting captures a single afternoon – a fleeting moment frozen in time – yet offers an astonishingly detailed window into the lives, aspirations, and social…
In this work, titled Dr Johnson and Mrs Siddons in Bolt Court, the artist William Powell Frith presents a quiet, intimate encounter between two significant figures of the era. The painting captures Dr. Samuel Johnson and Mrs. Siddons in a moment of shared presence. It is a study of character and connection, rendered with the meticulous observation that defined Frith's approach to his subjects.
In the quiet corners of late nineteenth-century England, domestic life was often defined by a delicate balance of social propriety and deep-seated familial devotion. William Powell Frith’s 1890 masterpiece, "The Invalid," serves as a profound window into this era, capturing a moment that is simultaneously heavy with the weight of illness and lightened by the warmth of human connection. The painting presents a domestic tableau where a family gathers around…
The oil painting titled Self-Portrait at the Age of 83 was executed by the artist William Powell Frith. Created in 1901, this work functions as a self-portrait, capturing the likeness of the artist himself. The subject depicted in the composition is William Powell Frith, presented in a bust-length view that focuses on the facial features and head of the sitter.
The Derby Day (1858), Tate Britain, Londras. Toliau seka Dr Johnson and Mrs Siddons in Bolt Court (1887) ir John Knox Reproving Mary, Queen of Scots (1844).
39 metų amžiaus: The Derby Day sukurta 1858 m. Nr. William Powell Frith gimė 1819.
The Derby Day, Dr Johnson and Mrs Siddons in Bolt Court, John Knox Reproving Mary, Queen of Scots, William Powell Frith, The Railway Station - William Powell Frith, King Henry And Anne Boleyn Deer Shooting, Self-Portrait at the Age of 83, The Duel Scene from 'Twelfth Night' by William Shakespeare, Garden Flowers ( Making A Posy ) ir Anne Page. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 154 William Powell Frith darbų, skirtų laikotarpiui nuo 1837 iki 1901.
Daugiausia – National Portrait Gallery (Londras), Royal Collection (Londonas) ir Birmingham Museum and Art Gallery (Birminghamas). Viršuje esančiame muziejų sąraše yra visi jie.
1860s laikotarpiu: 11 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Feeding Time (My Lady's Pets).
Šioje pusėje seniausias darbas yra My First Attempt from Nature (1837), o naujausias – Self-Portrait at the Age of 83 (1901).
Victorian era (13), Portraiture (5) ir Victorian society (4) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 7.
Romanticism, judging by the originals on this page.
William Powell Frith, William Powell Frith ir Mary Elizabeth Maxwell, née Braddon: National Portrait Gallery, Londras kolekcijoje yra 3 šioje pusėje esančių darbų.
