Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 117 Willem De Kooning darbai mūsų kataloge
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Žmogus ir ratai (1952) yra Willem De Kooning paveikslas, kuriuo gausiausia žmonių žavisi. Po to akmuo patenka į Ieškojimas (1950) ir Door to the River (1960). Iš 117 Willem De Kooning darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
Šis ikoninis kūrinys, sukurtas tarp 1950 ir 1952 metų, yra esminis pasiekimas garsioji Willem de Kooning „Moties“ (Woman) sergijoje. Tai ne tik paprastas portretas, bet ir intuicyti gyvybiškos moters formos tyrimas – o tai, savęs išplėstai, žaudus ir gryna karo po wojos visuomenės nerbimo, sulaužytos tapatybės bei pirmykščio emocijų vaizdas.
Willem de Kooning's 1950 masterpiece, *Excavation*, is not merely a painting; it’s an excavation—a visceral unearthing of form and feeling. Housed at the Art Institute of Chicago, this monumental work stands as a pivotal moment in the evolution of Abstract Expressionism, marking a decisive break from traditional representation and plunging into the depths of the artist's internal world. More than just an abstract composition, *Excavation* feels like witnessing a primal…
For those seeking to experience the power and dynamism of Willem de Kooning’s “Door to the River” firsthand, high-quality reproductions are available through AllPaintingsStore.com and AllPaintingsStore.com. Further exploration of de Kooning’s oeuvre, including his seminal work “Interchange,” can be found on Wikipedia: Wikipedia.
In this 1945 work, titled Still Life, Willem de Kooning moves away from traditional representation to explore the core tenets of abstract expressionism. The painting emerged during the turbulent aftermath of World War II, a period that heavily influenced the artist's approach to form and emotion. It captures a moment of profound experimentation, where the boundaries between the subject and the space around it begin to dissolve.
In the center of the canvas, three women gather to sing, their voices seemingly caught in a shared, wordless note. This 1966 work by Willem de Kooning captures a moment of harmonious vocalizing, where the figures emerge from a thicket of pigment. The scene feels alive with the energy of a performance, as if the air itself vibrates with the sound of their song. One woman leans toward the left,…
Willem de Kooning kūrinys „Asheville“ nėra tiesiog veido vaizdinys; tai psichologinės turbulencijos į embodimentas. Šis portretas, sukurtas 1948 m., tuo metu, kai menininkas pasiekė savo abstrakčiojo ekspresionizmo periodo kulminaciją, užfiksuoja intensyvaus susidūrimo su savimi momentą – tai peržiūrintas vidinės kovos ir neišspręstų nerimų vaizdas.
Created in 1954, Willem de Kooning's *Marilyn Monroe* is not a conventional portrait of the iconic actress. Instead, it’s a visceral and emotionally charged interpretation that reflects the artist’s engagement with popular culture and his signature Abstract Expressionist style. This painting offers a fascinating glimpse into De Kooning’s approach to figuration and his ability to convey complex emotions through abstract means.
Willem de Kooning’o kūrinys „Lankas“, įsiglintas Tate galerijoje 1969 metais, stovi kaip abstrakčiojo ekspresionizmo pamadas – judėjimo, kuris negrįžtamai pakeitė pokario karo meno peizažą. Šis monumentalus aliejus ant pluošto paveikslas peržengia paprasto vaizduojamumo ribas; jis įkvepia gilią emocijų ir fiziškumo tyrimą, užfiksujodamas laiko sustingimą, kuris kartu yra kupinamas neįtikėtino dinamizmo.
Three figures emerge from a thicket of paint, their mouths open in a shared, wordless note. The canvas holds a moment caught from a television broadcast, where pop singers once flickered in the glow of 1966. One woman leans toward the left, her face caught in a sudden expression, while another turns her gaze away, lost in the rhythm. A third figure stands near the edge, part of a crowded,…
In the annals of mid-century modernism, few works capture the raw, unbridled energy of the post-war era quite like Willem de Kooning’s “Zurich.” Painted in 1947, this masterpiece serves as a profound testament to the dawn of Abstract Expressionism. Rather than offering a literal window into a Swiss cityscape, the work presents a psychological landscape—a swirling, monochromatic vortex that speaks to the fractured consciousness of a world recovering from global…
Abstraction1950
12
The Acrobat1942 · Munch Museum
13
Clam Diggers1963
14
Seated Woman1940
15
The Visit1967
16
Woman and Bicycle1952
17
Gotham News1955
18
Suburb in havana1958
19
Untitled (10)1950
20
Untitled (21)
21
Seated woman 2,1940, private
22
Saturday Night1956
23
Woman V, 1952-53 (oil ^ charcoal on canvas)1953
24
Spalva1948
25
Two Women in the Country1954
26
Litho 2 (Waves 2)1960
27
Composition
28
Sphinx1964
29
Seated Man1939
30
Woman with a Green and Beige Background
31
Untitled1950 · Art Institute of Chicago
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Untitled1950
33
Untitled1949
34
Zot1949
35
Woman1950
36
Untitled III1981
37
Woman1949
38
Two Standing Women1963
39
Legend and Fact1940
40
Pink Lady1965
41
Two Standing Men1938
42
Seated figure (male classical)1939
43
Night1948
44
Standing Man1942
45
Woman, Sag Harbor1964
46
Untitled (17)1965
47
Parc rosenberg,1957, private
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Asheville1948 · The Phillips Collection
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Woman Verso Untitled1948
50
Special Delivery1946
51
Queen of Hearts1946
52
White Nude1967
53
Untitled1964
54
Woman with a Hat1966
55
Special Delivery1946
56
Secretary1948
57
Medis Neapole
58
Summer couch (detail) mid1900
59
With Love1971
60
Painting,1950, private
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Untitled (11)1958
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Two trees on Mary Street . . . Amen!1975
63
Brooding Woman1965
64
Woman Red Hair, Large Mouth, Large Foot1965
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Meg1955 · Dallas Museum of Art
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Figure and Landscape No. 21951
67
Landscape at Stanton Street1971
68
Reclining Man (John F. Kennedy)1963
69
Fire Island1946
70
Untitled1962
71
Untitled (23)1968
72
Untitled (verso: Untitled)1959
73
Woman1964
74
Excavation,1950, art institute of chicago
75
Woman i (detail),1950-52, moma ny
76
The Marshes1971
77
Untitled (woman)1971
78
Untitled (19)1967
79
Untitled -2, from Quatre Lithographies1986
80
Untitled (14)1964
81
Merritt Parkway1959
82
Two Figures1964
83
The Glazier1940
84
Detour1958 · Bavarijos valstybinės paveikslų kolekcijos
85
Queen of Hearts1943
86
Untitled XIII1985 · Cleveland Museum of Art
87
Two Woman IV1952
88
Devil at the Keyboard1976
89
The Wave
90
Untitled I1981
91
Untitled XII1983
92
Whose Name Was Writ in Water1975
93
The Wave1943 · Smithsonian American Art Museum
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Two Standing Men1938 · Metropolitano meno muziejus
95
Lily Pond1959 · Toledo meno muziejus
96
Woman VIII1961 · Smithsonian American Art Museum
97
Woman1965
98
Woman in the Pool1968 · Phoenix Art Museum
99
Woman1964
100
Woman1964
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Willem De Kooning darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Art Institute of Chicago |
Čikagos | 3 | Ieškojimas, Untitled |
 Smithsonian American Art Museum |
Vašingtonas | 2 | The Wave, Woman VIII |
 Munch Museum |
Oslo | 1 | The Acrobat |
 The Phillips Collection |
Vašingtonas | 1 | Asheville |
 Dallas Museum of Art |
Dallas | 1 | Meg |
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 1 | Detour |
 Cleveland Museum of Art |
Klevlandas | 1 | Untitled XIII |
 Metropolitano meno muziejus |
Niujorkas | 1 | Two Standing Men |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Willem de Kooning's “Seated Man,” painted in 1939, isn’t merely a depiction of a man at rest; it’s a potent distillation of the artist’s evolving approach to capturing human emotion and experience. This oil on canvas, measuring a modest yet significant 97 x 87 cm, currently resides within the Hirshhorn Museum and Sculpture Garden in Washington D.C., offering viewers an intimate glimpse into the mind of a pivotal figure in…
In this 1945 work, titled Still Life, Willem de Kooning moves away from traditional representation to explore the core tenets of abstract expressionism. The painting emerged during the turbulent aftermath of World War II, a period that heavily influenced the artist's approach to form and emotion. It captures a moment of profound experimentation, where the boundaries between the subject and the space around it begin to dissolve.
Šis ikoninis kūrinys, sukurtas tarp 1950 ir 1952 metų, yra esminis pasiekimas garsioji Willem de Kooning „Moties“ (Woman) sergijoje. Tai ne tik paprastas portretas, bet ir intuicyti gyvybiškos moters formos tyrimas – o tai, savęs išplėstai, žaudus ir gryna karo po wojos visuomenės nerbimo, sulaužytos tapatybės bei pirmykščio emocijų vaizdas.
For those seeking to experience the power and dynamism of Willem de Kooning’s “Door to the River” firsthand, high-quality reproductions are available through AllPaintingsStore.com and AllPaintingsStore.com. Further exploration of de Kooning’s oeuvre, including his seminal work “Interchange,” can be found on Wikipedia: Wikipedia.
A Portrait of Turbulent Emotion: Willem de Kooning’s “With Love” Willem de Kooning's "With Love," created in 1971, isn’t merely a painting; it’s an embodiment of the artist’s signature style—Abstract Expressionism—a movement that sought to liberate art from representational constraints and prioritize raw emotion as its primary driver. Produced by Hollander Graphic Workshop and Xavier Fourcade Gallery, this striking print captures a fragment of De Kooning's monumental canvas, offering viewers…
Created in 1981 by Willem de Kooning, Untitled III stands as a monumental testament to the fervor and transformative power of Abstract Expressionism. This canvas is an embodiment of feeling, presenting a visceral outpouring of emotion captured through bold strokes and vibrant hues. The painting invites viewers to delve into the artist’s subconscious, grappling with themes of vulnerability and resilience.
Žmogus ir ratai (1952). Toliausiai eina Ieškojimas (1950) ir Door to the River (1960).
48 metų amžiaus: Žmogus ir ratai sukurta 1952 m. Nr. Willem De Kooning gimė 1904.
Žmogus ir ratai, Ieškojimas, Door to the River, Still Life, Women Singing II, Asheville, Marilyn Monroe, Lankas Tate galerijoje, Women singing ii tate gallery ir Zurich. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 117 Willem De Kooning darbų, skirtų laikotarpiui nuo 1938 iki 1986.
Daugiausia – Art Institute of Chicago (Čikagos), Smithsonian American Art Museum (Vašingtonas) ir Munch Museum (Oslo). Viršuje esančiame muziejų sąraše yra visi jie.
1960s laikotarpiu: 29 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Door to the River.
Šioje pusėje seniausias darbas yra Two Standing Men (1938), o naujausias – Untitled -2, from Quatre Lithographies (1986).
Woman (16), Emotional intensity (15) ir American art (11) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 39.
Abstraktusis ekspresionizmas, vadovaujantis šios puslapio originalais kūriniais.
Ieškojimas ir Untitled: Art Institute of Chicago, Čikagos kolekcijoje yra 2 šioje pusėje esančių darbų.
