Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 67 Wilhelm Leibl darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Wilhelm Leibl garsiausias yra Trys moterys bažnyčioje, esantis Hamburger Kunsthalle kolekcijoje, Hambargas. Tiesiog už jų seka Interior (1897) ir Portrait of a boy with a large ruff (1869). Mūsų kataloge yra 67 darbų autoriaus Wilhelm Leibl; galerija išsaugojo 67 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
This exquisite painting captures a quiet, contemplative moment of three women engaged in reading within a serene church setting. The scene exudes a sense of reverence and introspection, inviting viewers to reflect on the profound simplicity of daily life and spiritual devotion. The artist masterfully portrays the women’s expressions and gestures, emphasizing their inner worlds and the shared moment of quiet fellowship.
A heavy, somber stillness settles over the room, where the air feels thick with the scent of old wood and damp earth. To the right, a woman stands partially swallowed by deep, velvety shadows, her presence felt more through the sudden brightness of her white apron than through any sharp detail of her features. She exists in a moment of profound solitude, a solitary figure caught in the dimness of…
In this oil on canvas, titled Portrait of a boy with a large ruff, the artist Wilhelm Leibl presents a quiet study of youth. Created about 1869, the work captures a specific moment of stillness through a careful application of paint. The scale of the piece, measuring 75.8 x 61.0cm, allows for an intimate encounter with the subject, inviting a close observation of the textures present on the surface.
Women from Dachau (Girl with a black headscarf) is a portrait executed by Wilhelm Leibl in 1879. The work originated in Berbling, located in the Voralpenland region. Leibl produced this piece during a period of intense creative focus, capturing a subject who was the daughter of a local resident living near the artist's own residence.
A formal, realistic portrait of a man, rendered in a traditional academic style. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze is directed forward. A dark, somber background and clothing provide a stark contrast to the warm, natural flesh tones of the face. The composition is a bust-length portrait, capturing the subject with a direct, eye-level perspective that establishes an immediate connection.
A somber, three-quarter view portrait emerges from a dark, indistinct background, focusing on the head and upper torso of a middle-aged man. The composition relies heavily on chiaroscuro, with light entering from the upper left to strike the subject's forehead and hands, leaving the remainder of the figure in deep shadow. This directional lighting creates a profound sense of three-dimensional volume, carving the man's features out of the gloom. He…
The painting titled Dachau Woman and Child is a significant work by the German realist Wilhelm Leibl. Created around 1873 or 1874, this oil on panel work captures a quiet, intimate moment from the Bavarian countryside. The subjects are not anonymous figures of a generic scene, but rather the miller’s wife of Plon, depicted with a directness that defines the artist's approach to his subjects.
In this intimate portrait titled Farmboy, the artist Wilhelm Leibl presents a quiet, unadorned moment from the late 19th century. Created about 1876, the work captures a sense of stillness that feels both immediate and deeply personal. The subject is a shy boy, appearing somewhat awkward and vulnerable as he slouches in a chair that seems slightly too large for his frame. There is a certain heaviness to his posture,…
In "Man in a Top Hat" by Wilhelm Leibl, a middle-aged or elderly man meets the viewer's gaze from an eye-level perspective. The subject's head and shoulders fill most of the frame in a close-up bust portrait, creating an immediate sense of presence. He wears a top hat that casts a soft shadow over his features, while a full beard covers his weathered face. His expression remains somber and contemplative,…
The artwork is titled Portrait Study of a Young Bearded Man, a monochrome portrait study by the German artist Wilhelm Leibl. Created about 1870, the piece captures a singular moment of observation. It focuses on the face of a young man, rendered in a palette of black, grey, and bright white highlights.
The Critics1868
12
Head Portrait of a Young Man1866
13
Portrait of a Lady in Black Dress with White Ruff1870 · Staatliche Kunsthalle Karlsruhe
14
Portrait of Lina Kirchdorffer1871 · Bavarijos valstybinės paveikslų kolekcijos
15
The Painter Sattler with dogge1870 · Bavarijos valstybinės paveikslų kolekcijos
16
Pastoral Scene (after Rubens)1870 · Bavarijos valstybinės paveikslų kolekcijos
17
Portrait of Mrs Gedon1869 · Bavarijos valstybinės paveikslų kolekcijos
18
Portrait of Johann Heinrich Pallenberg1871 · Wallraf-Richartz-Museum
19
The Painter Victor Müller1870 · Wallraf-Richartz-Museum
20
Young Parisian woman1869 · Wallraf-Richartz-Museum
21
Rosine Fischler, Countess Treuberg1877
22
The painter Johann Sperl1872 · Wallraf-Richartz-Museum
23
Portrait of Freiherr Max von Perfall auf Greifenstein (1814-1877)1877 · Bavarijos valstybinės paveikslų kolekcijos
24
The painter Jean Paul Selinger1880 · Bavarijos valstybinės paveikslų kolekcijos
25
a Farmer couple1879
26
Head of a youth1879
27
Head of a Man1879 · Harvard Art Museums
28
The Newspaper Reader1891
29
Peasant Boy1888
30
In a farmhouse interior1890 · Bavarijos valstybinės paveikslų kolekcijos
31
Julius Mayr1890 · Neue Pinakothek
32
Boy's Head1896 · Lenbachhaus
33
Portrait of a Young Man with Hat on Green Background1896
34
Head of peasant girl1897
35
Girl standing at a window1899 · Wallraf-Richartz-Museum
36
Portrait of the Artist's Sister, Katharina (later Frau Kirchdorffer)Staatliche Kunsthalle Karlsruhe
37
Left Hand1867 · Staatliche Kunsthalle Karlsruhe
38
Head of a Blind ManLenbachhaus
39
The Chemist J JaisNationalmuseum
40
The Painter Fritz Paulsen1870 · Alte Nationalgalerie
41
Death's-head Hawkmoth with Mushroom on White Cloth1868 · Staatliche Kunsthalle Karlsruhe
42
Skull with Shroud1868 · Staatliche Kunsthalle Karlsruhe
43
Portrait of the Painter Louis Eysen1870 · Städel Museum
44
Left Hand of the "Girl with the Carnation"1880 · Staatliche Kunsthalle Karlsruhe
45
Right Hand of the "Girl with the Carnation"1880 · Staatliche Kunsthalle Karlsruhe
46
Peasant Girl with a White Headcloth1885 · Metropolitano meno muziejus
47
Two Hands with Red Cloth on Blue Apron1890
48
Frauenportr.
49
Portrait of a boy
50
head of a girl
51
Friedrich rauert
52
early spring (study)
53
Big Portrait Privy Councillor Seeger
54
Savoyard boy sleepingErmitažas
55
Portrait Of Mrs Helene Auspitz
56
Die Spinnerin
57
Countess Rosine Treuberg
58
Portrait of Carl SchuchBavarijos valstybinės paveikslų kolekcijos
59
The Old Farmer
60
Girl With A White HeadscarfBavarijos valstybinės paveikslų kolekcijos
61
The Village Politicians
62
Kopf eines BauernmaedchensStaatliche Kunstsammlungen Dresden
63
The Dissimilar CoupleStädel Museum
64
Portrait of Pal Szinyei MerseSzépművészeti Múzeum
65
The Veterinarian Dr. Reindl in an ArborLenbachhaus
66
Head of a Peasant Girl
67
The spinner
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Wilhelm Leibl darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 11 | Interior, Portrait Study of a Young Bearded Man, Portrait of Lina Kirchdorffer |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 8 | Portrait of Ernst Schoenlin (?), Portrait of a Lady in Black Dress with White Ruff, Portrait of the Artist's Sister, Katharina (later Frau Kirchdorffer) |
 Wallraf-Richartz-Museum |
Kelnas | 5 | Portrait of Johann Heinrich Pallenberg, The Painter Victor Müller, Young Parisian woman |
 Alte Nationalgalerie |
Berlinas | 4 | Women from Dachau (Girl with a black headscarf), Dachau Woman and Child, Farmboy |
 Lenbachhaus |
Miunchenas | 4 | The Painter Julius Bodenstein, Boy's Head, Head of a Blind Man |
 Städel Museum |
Frankfurtas | 2 | Portrait of the Painter Louis Eysen, The Dissimilar Couple |
 Hamburger Kunsthalle |
Hambargas | 1 | Trys moterys bažnyčioje |
 Germanisches Nationalmuseum |
Nurnbergas | 1 | Portrait of a boy with a large ruff |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In this oil on canvas, titled Portrait of a boy with a large ruff, the artist Wilhelm Leibl presents a quiet study of youth. Created about 1869, the work captures a specific moment of stillness through a careful application of paint. The scale of the piece, measuring 75.8 x 61.0cm, allows for an intimate encounter with the subject, inviting a close observation of the textures present on the surface.
Women from Dachau (Girl with a black headscarf) is a portrait executed by Wilhelm Leibl in 1879. The work originated in Berbling, located in the Voralpenland region. Leibl produced this piece during a period of intense creative focus, capturing a subject who was the daughter of a local resident living near the artist's own residence.
The gaze of the viewer meets the quiet presence of The painter Jean Paul Selinger, a work that captures a specific moment of stillness. This oil on canvas portrait presents the artist Jean Paul Selinger, rendered with a directness that feels immediate. The subject sits in a moment of introspection, his features defined by the steady hand of the painter Wilhelm Leibl. One senses the weight of the man's presence…
A heavy, somber stillness settles over the room, where the air feels thick with the scent of old wood and damp earth. To the right, a woman stands partially swallowed by deep, velvety shadows, her presence felt more through the sudden brightness of her white apron than through any sharp detail of her features. She exists in a moment of profound solitude, a solitary figure caught in the dimness of…
Trys moterys bažnyčioje, Hamburger Kunsthalle, Hambargas. Toliau seka Interior (1897) ir Portrait of a boy with a large ruff (1869).
Trys moterys bažnyčioje, Interior, Portrait of a boy with a large ruff, Women from Dachau (Girl with a black headscarf), The Painter Julius Bodenstein, Portrait of Ernst Schoenlin (?), Dachau Woman and Child, Farmboy, Man in a Top Hat ir Portrait Study of a Young Bearded Man. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 67 Wilhelm Leibl darbų, skirtų laikotarpiui nuo 1866 iki 1899.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Staatliche Kunsthalle Karlsruhe (Karlsruhe) ir Wallraf-Richartz-Museum (Kelnas). Viršuje esančiame muziejų sąraše yra visi jie.
1870s laikotarpiu: 20 iš 67 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Women from Dachau (Girl with a black headscarf).
Šioje pusėje seniausias darbas yra Portrait of Ernst Schoenlin (?) (1866), o naujausias – Girl standing at a window (1899).
Man (23), Portrait (20) ir Woman (15) iš 67 šioje pusėje esamų darbų.
Oil On Canvas, iš 67 šios puslapio darbų – 27.
Realism, vadovaujantis šios puslapio originalais kūriniais.
Interior, Portrait Study of a Young Bearded Man ir Portrait of Lina Kirchdorffer: Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 11 šioje pusėje esančių darbų.
Gustavo Courbeto parodos ir alla prima tapinimo demonstravimai – dirbama tiesiogiai iš gnature, drąsiais ir skubiais brushstrokes – giliai atgimino Leibl'io ir kitų jaunų vokiečių menininkų sielose. Šis požiūris išlaisvino juos nuo tada dominavusio kruopštaus akademinio stiliaus, pasktdav į skausmingai tiesioginį, intuityvų ryšį su savo kūslinių objektų temomis. Leibl'io anksčiau jau egzistavęs Nrūgštųjų Olandijos meistrų žavėjimas, ypač jų gebėjimas meistriškai valdyti šviesą ir charakterį, per Courbeto įtaką gavo naują išraišką. Jo tapyba pradėjo stiliai laisvesnė, pasisveikinant sluoksniuota dažų tekstūra tumiomis fonių spalvomis, o tai leido užfiksuoti prėslas su nenyprastu skubiu vaizdiškumu. Trumpas 1869 metų viešniavė Parisiuje, kurį padarė Courbeto patarimas, pristatė Leibl'iui Édouard'ą Manet'ą, dar plačiau išplėčiant jo menistinę horizontus. Tačiau Prancūzijos ir Prusia karas 1870 metais privertė menininką anksti grįžti į Vokatiją, nutraukdamas tai, kas galėjo tapti ilgalaike Paryžiaus įžovėjimo ir mokymosi laikotarpiu.
