Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 43 Vincenzo Foppa darbai mūsų kataloge
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St Luke (1510) yra viena矚 most žiūrėlių pritraukiančių Vincenzo Foppa tapierių; originalas saugomas San Maurizio al Monastero Maggiore, Milanas. Po to akmuo patenka į Adoration of the Child with St. Benedict and Angels (1478) ir Mary with child (1447). Iš 43 Vincenzo Foppa darbų mūsų kataloge šios 43 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
Vincenzo Foppa’s fresco depicting St Luke, housed within the magnificent San Maurizio al Monastero Maggiore in Milan, is more than just a devotional image; it's a captivating glimpse into the artistic landscape of early 16th-century Italy. Created around 1510, this work stands as a testament to Foppa’s mastery of Renaissance techniques and his unique contribution to the burgeoning Lombard school of painting. The scene immediately draws the eye with its…
The scene unfolds within a landscape of rolling hills and distant, winding paths. In the foreground, the Virgin Mary kneels in profile, her heavy mantle of dark blue and gold trim pooling around her. She gazes at the Christ Child, who lies upon the earth. To her side, St. Benedict stands in dark robes, his hands steadying a red book. The air feels still, held in the soft, even light…
The quiet presence of Mary with child meets the viewer through the hand of Vincenzo Foppa. This work emerges from a time of profound transition, dating to about 1447. The figures exist within a space that feels both intimate and sacred, captured by an artist who shaped the visual language of Northern Italy. Foppa brings a specific, localized sensibility to this depiction, marking the beginning of a significant era in…
This formal, religious portrait of Saint Paul is an arched panel executed in an Early Renaissance style. The composition features a three-quarter view of the saint, who is positioned slightly off-center, dominating the frame. He is depicted holding his traditional attributes: a sword and a book. The figure is set against a flat, decorative plane of brilliant, reflective gold leaf, which creates a divine and eternal atmosphere.
A solemn figure emerges from a background of gold leaf, presented in a vertical, arched panel that emphasizes a sense of divine presence. This portrait of a high-ranking cleric, likely part of a larger polyptych, utilizes the formal language of the Early Renaissance to establish a sense of spiritual weight. The subject is depicted in a medium close-up, his gaze steady and composed, embodying the quiet dignity of his office.…
This Renaissance-era religious panel painting, dating to 1462, presents a symmetrical and hierarchical composition centered on the Madonna and Child. The Virgin Mary serves as the central vertical axis, flanked by two angels, while a donor figure kneels in prayer in the foreground. The scene is set within a compressed space, where depth is achieved through the overlapping of figures and the architectural structure of the throne. The background and…
The portrait presents a vertical, centered close-up of a male figure, focusing on the head and upper torso. The subject is depicted with hands crossed over the chest in a gesture of resignation. A crown of thorns rests upon the head, with small droplets of blood visible on the skin. The lighting is directional, originating from the upper left, which casts soft shadows across the right side of the face…
This work is Saint Bernardino of Siena, a portrait executed by the Italian painter Vincenzo Foppa. Created about 1495, the painting captures the likeness of a significant religious figure from the Renaissance. The subject is the Italian Catholic priest and Franciscan missionary preacher, Bernardino of Siena, whose presence is rendered with a quiet, scholarly dignity.
In Saint Anthony of Padua, Vincenzo Foppa centers a single monk within a vertical, stable composition. The figure occupies the immediate foreground, framed by a golden, ornate archway that forms a structural niche. This architectural boundary creates a shallow perspective, pushing the subject toward the viewer. The saint is draped in a long, flowing white habit that dominates the central space with its heavy, cream-colored folds. A soft light descends…
The air in the room seems to settle around the central figures, held in a stillness that feels both heavy and sacred. Mary sits upon a throne, her presence commanding yet gentle, draped in a mantle of deep, cool blue that flows downward in sculptural folds. This heavy drapery pools at the base of the composition, grounding the scene with a sense of physical weight. Behind her head, a saturated…
Madonna and Child1476 · Pinacoteca di Brera
12
Madonna and Child1480 · Metropolitano meno muziejus
13
The Adoration of the Kings1500 · National Gallery
14
Virgin and Child (detail)1490 · Museo Poldi Pezzoli
15
Miracle of the False Madonna1468 · Sant'Eustorgio
16
St Augustine1465 · Castello Sforzesco
17
Miracle of the Cloud and Miracle of the False Madonna1468 · Sant'Eustorgio
18
Virgin and Child1490 · Museo Poldi Pezzoli
19
Portrait of Giovanni Francesco Brivio1495 · Museo Poldi Pezzoli
20
Virgin and Child1460 · Staatliche Museen zu Berlin
21
St. John the BaptistFondazione Brescia Musei
22
LamentationGemäldegalerie
23
St. ApolloniaFondazione Brescia Musei
24
Madonna and Child with an Angel1479 · Galleria degli Uffizi
25
Saint TheodoreSforzų pilis
26
St michael archangel (detail)
27
Adoration of the Christ ChildSanta Maria Assunta in Chiesanuova
28
St Michael ArchangelErmitažas
29
St Stephen the MartyrErmitažas
30
Madonna and Child with St John the Baptist and St John the Evangelist1485 · Pinacoteca di Brera
31
Virgin and Child between St. Chaterine of Alexandria and St. Bernardino of Siena, Saints Sebastian, George and RochFondazione Brescia Musei
32
Madonna of the Book1460 · Castello Sforzesco
33
Altarpiece1476 · Pinacoteca di Brera
34
Portrait of an Elderly Gentleman1500 · Philadelphia Museum of Art
35
Madonna and Child with an Angel1479 · Castello Sforzesco
36
Crucifixion of Christ1475
37
Saint Jerome penitent1500 · Accademia Carrara
38
Nativity of Christ1492
39
Martyrdom of Saint SebastianSforzų pilis
40
Bottigella Altarpiece1480 · Musei Civici
41
St Sebastian1489 · Pinacoteca di Brera
42
Crucifixion1456 · Accademia Carrara
43
The Young Cicero Reading1464 · Wallace Collection
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Vincenzo Foppa darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Pinacoteca di Brera |
Milanas | 4 | Madonna and Child, Madonna and Child with St John the Baptist and St John the Evangelist, Altarpiece |
 Museo Poldi Pezzoli |
Milanas | 3 | Virgin and Child (detail), Virgin and Child, Portrait of Giovanni Francesco Brivio |
 Castello Sforzesco |
Milanas | 3 | St Augustine, Madonna of the Book, Madonna and Child with an Angel |
 Fondazione Brescia Musei |
Brešija | 3 | St. John the Baptist, St. Apollonia, Virgin and Child between St. Chaterine of Alexandria and St. Bernardino of Siena, Saints Sebastian, George and Roch |
 Minneapolis Institute of Art |
Minneapolis | 2 | Saint Paul, Saint Sirus |
 National Gallery of Art |
Vašingtonas | 2 | Saint Bernardino of Siena, Saint Anthony of Padua |
 Sant'Eustorgio |
Milanas | 2 | Miracle of the False Madonna, Miracle of the Cloud and Miracle of the False Madonna |
 Sforzų pilis |
Milanas | 2 | Saint Theodore, Martyrdom of Saint Sebastian |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The quiet presence of Mary with child meets the viewer through the hand of Vincenzo Foppa. This work emerges from a time of profound transition, dating to about 1447. The figures exist within a space that feels both intimate and sacred, captured by an artist who shaped the visual language of Northern Italy. Foppa brings a specific, localized sensibility to this depiction, marking the beginning of a significant era in…
In this 1456 depiction of the Crucifixion, we find ourselves drawn into a scene of profound stillness. The central figure of Jesus hangs upon the cross, his arms outstretched in a gesture that defines the composition. To his left and right, figures—perhaps angels or holy witnesses—are positioned near the wood, their presence adding a layer of spiritual weight to the central event. Behind the cross, a cityscape emerges, providing a…
This formal, religious portrait of Saint Paul is an arched panel executed in an Early Renaissance style. The composition features a three-quarter view of the saint, who is positioned slightly off-center, dominating the frame. He is depicted holding his traditional attributes: a sword and a book. The figure is set against a flat, decorative plane of brilliant, reflective gold leaf, which creates a divine and eternal atmosphere.
The scene unfolds within a landscape of rolling hills and distant, winding paths. In the foreground, the Virgin Mary kneels in profile, her heavy mantle of dark blue and gold trim pooling around her. She gazes at the Christ Child, who lies upon the earth. To her side, St. Benedict stands in dark robes, his hands steadying a red book. The air feels still, held in the soft, even light…
This painting, titled Madonna and Child, is a significant work by the Italian artist Vincenzo Foppa. Originating from Brescia, Foppa was a central figure in the Lombard school, active by 1456 until his death in 1515/16. This specific piece dates to ca. 1480, a period when the artist was refining the visual language of Northern Italy.
This work is Saint Bernardino of Siena, a portrait executed by the Italian painter Vincenzo Foppa. Created about 1495, the painting captures the likeness of a significant religious figure from the Renaissance. The subject is the Italian Catholic priest and Franciscan missionary preacher, Bernardino of Siena, whose presence is rendered with a quiet, scholarly dignity.
The air in the room seems to settle around the central figures, held in a stillness that feels both heavy and sacred. Mary sits upon a throne, her presence commanding yet gentle, draped in a mantle of deep, cool blue that flows downward in sculptural folds. This heavy drapery pools at the base of the composition, grounding the scene with a sense of physical weight. Behind her head, a saturated…
Vincenzo Foppa’s fresco depicting St Luke, housed within the magnificent San Maurizio al Monastero Maggiore in Milan, is more than just a devotional image; it's a captivating glimpse into the artistic landscape of early 16th-century Italy. Created around 1510, this work stands as a testament to Foppa’s mastery of Renaissance techniques and his unique contribution to the burgeoning Lombard school of painting. The scene immediately draws the eye with its…
St Luke (1510), San Maurizio al Monastero Maggiore, Milanas. Toliau seka Adoration of the Child with St. Benedict and Angels (1478) ir Mary with child (1447).
83 metų amžiaus: St Luke sukurta 1510 m. Nr. Vincenzo Foppa gimė 1427.
St Luke, Adoration of the Child with St. Benedict and Angels, Mary with child, Saint Paul, Saint Sirus, Madonna and Child, Two Angels, Donor, Ecce Homo, Saint Bernardino of Siena, Saint Anthony of Padua ir The Virgin and Child Enthroned. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 43 Vincenzo Foppa darbų, skirtų laikotarpiui nuo 1447 iki 1510.
Daugiausia – Pinacoteca di Brera (Milanas), Museo Poldi Pezzoli (Milanas) ir Castello Sforzesco (Milanas). Viršuje esančiame muziejų sąraše yra visi jie.
1460s laikotarpiu: 9 iš 43 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Saint Paul.
Šioje pusėje seniausias darbas yra Mary with child (1447), o naujausias – St Luke (1510).
Landscape (10), Woman (8) ir Child (8) iš 43 šioje pusėje esamų darbų.
Tempera On Panel, iš 43 šios puslapio darbų – 13.
Early lombard school ir Renaissance, vadovaujantis šios puslapio originalais kūriniais.
Madonna and Child, Madonna and Child with St John the Baptist and St John the Evangelist ir Altarpiece: Pinacoteca di Brera, Milanas kolekcijoje yra 4 šioje pusėje esančių darbų.
