Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 1.344 Tsukioka Yoshitoshi darbai mūsų kataloge
In short
Kingio Hideaki From Kaidai Hyaku Senso is the Tsukioka Yoshitoshi painting that draws the most eyes. After it, the eye goes to Asakusa and Tokugawa Iemitsu priimamas kunigaikščiai (1875). Among the 1,344 works of Tsukioka Yoshitoshi in our catalog, these 100 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
The print’s enduring fascination stems from its ability to capture not just a moment in time but also the very essence of human experience during a pivotal era. Its haunting imagery continues to resonate with viewers today, cementing Yoshitoshi's legacy as one of Japan’s most profound artistic voices.
Tsukioka Yoshitoshi 1882 metų „Asakusa“ – tai ne tik gatvės vaizdas, bet ir jaudinančiai išlikęs fragmentas Edo laikotarpio sielos. Šis Ukiyo-e stilių atspindi ne tik miesto viziją, bet ir tuo metu vyravusias abejones, viltis bei gilų, melancholijomis apvirto grožį – viską, kas rodė Japonijos transformacijos akiradą. Yoshitoshi, laikomas paskutiniu didžiumu Ukiyo-e tradiciją išlaikė juos meistru, įkėlė į savo kūrinį bepranišką jautrumą detalėms ir išmintį, kuri leidžia suprasti žmogaus jausmus –…
Tsukioka Yoshitoshi kūrinys „Tokugawa Iemitsu priimantis feudalus“, sukurtas 1875 metais, keliauja virš paprasto vaizdo atvaizdavimo; jis įkūnija Japonijos nerimo ir siekių veidmė lūžio metu – feodinės valdžios švytėjimo pabaigoje ir modernizacijos aušroje. Šis spalvingas medžio kalvotės spaudas yra ukiyo-e stiliaus viršūnė, pasižyminti nepaprastitu detalumu ir gebėjimu įamžinti oficialią bei rimtą kontemplacijos atmosferą. Tai ne tik karališkos ceremonijos aprašymas, bet ir langas į Edo Japonijos kultūrinę sielą.
Dynamic Depiction of Heroism and Mythology This captivating artwork vividly captures a dramatic moment of heroism and mythic confrontation, set against a dark, nocturnal backdrop illuminated by a crescent moon. The scene is filled with intense action, depicting legendary warriors engaged in a fierce battle that embodies themes of bravery, conflict, and divine justice. The central figures, clad in detailed armor and traditional garments, evoke a sense of movement and…
Moon Over The Waters At Daimotsu Bay is a significant woodblock print by the Japanese artist Yoshitoshi. This work belongs to his celebrated series, One Hundred Aspects of the Moon, also known as Tsuki hyakkei. Published between 1885 and 1892, the series represents a profound period in the artist's career, capturing a unique intersection of traditional aesthetics and the shifting social landscape of the Meiji era.
Tsukioka Yoshitoshi’s “Uesugi Kenshin Nyudo Terutora Riding into Battle,” created in 1883, transcends mere depiction; it embodies the anxieties and aspirations of Japan during its pivotal transition from feudal rule to modernization. This monumental woodblock print isn't simply a record of military prowess; it’s a carefully crafted tableau brimming with symbolism that speaks volumes about the era’s psychological landscape.
Tsukioka Yoshitoshi’s “Komori No Godan” – literally “Six Bats Under the Umbrella” – is more than just a captivating image; it's a poignant meditation on mortality, protection, and the enduring spirit of Japanese folklore. Executed in stark monochrome with the meticulous precision characteristic of Ukiyo-e woodblock prints, this artwork transports the viewer to a world steeped in layered meaning and evocative atmosphere. Created during a period of immense social change…
Tsukioka Yoshitoshi, a luminary of Japan’s Edo period (1603-1868), transcends mere artistic representation; he crafts narratives that breathe life into history. “Emperor Jimmu,” showcased as a meticulously crafted oil reproduction on AllPaintingsStore.com, isn’t simply a depiction of legend—it's an embodiment of Japan’s enduring spirit and Yoshitoshi’s unparalleled artistic vision.
Sadanobu Threatening A Demon In The Palace At Night – A Dramatic Echo of Meiji Japan This striking black and white woodblock print, “Sadanobu Threatening A Demon in the Palace at Night,” is a cornerstone of late 19th-century *ukiyo-e* art by Tsukioka Yoshitoshi. More than just a depiction of an event—the confrontation between warrior Sadanobu and a fearsome demon within a lavish palace room—it’s a visual distillation of Japan's turbulent…
Restaurant – Tsukioka Yoshitoshi: A Moment Frozen in Edo Elegance Štai „Restaurant“ – Tsukioka Yoshitoshi kūrinys, kuris įkvepia į žavingą pasaulio dalį XIX amžiaus Japoniją. Šis ukiyo-e rytukas išraiškina artisti meistriškumą ir įgauna gyvybę detalėms bei spalvoms. Tai ne didelis spektaklis ar heroiškas istorija; jis užfiksuoja kasdienį gyvenimą – žygį miestelyje, galbūt planuotą pietų valgymo svečius arba tiesiog įsiklausymą miesto energinėms vibracijoms. Yoshitoshi išmintingai balansuoja architektūros detalėmis ir žmogaus figūrų…
Woman With Iris
12
The Moon And The Abandoned Old Woman
13
Miyamoto Musashi
14
Great Generals of the East and West1874 · Minneapolis Institute of Art
15
Great Generals of the East and West1874 · Minneapolis Institute of Art
16
January: Celebrating the New Year1860 · Los Angelos apygardos meno muziejus
17
Ghost1883 · Minneapolis Institute of Art
18
Kiyohime changing into a serpent at Hidaka River, from the series New Forms of Thirty-six Ghosts1890 · Smithsonian’s National Museum of Asian Art
19
The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki)1892 · Metropolitano meno muziejus
20
Murasaki Shikibu at Ishiyamadera Temple, based on the print “The Moon at Ishiyama,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Ishiyama no tsuki)1892 · Metropolitano meno muziejus
21
Sumidagawa- Koji Of Umewaka
22
Comic Picture
23
Hikoshichi Carries A Demon
24
The Great Thieves Of Japan Compared
25
A young woman from Kansei period playing with her cat1888
26
Murasaki Shikibu at Ishiyamadera Temple, based on the print “The Moon at Ishiyama,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Ishiyama no tsuki)1892
27
Inaba Mountain Moon
28
Moon Above The Sea At Daimotsu Bay
29
Mt. Yoshino At Midnight
30
Susanoo No Mikoto
31
The Takisoba Restaurant At Otowa
32
Oda... Nobunaga
33
Coast Of Kiyomi
34
Mirror Of The Famous Generals
35
Sanada Saemon-no-jô Yukimura
36
Female Warrior Hangaku Gozen
37
Moon At Kuruwa
38
The Underwater Fight
39
Koi Swimming Beneath Wisteria
40
Demon Triptych
41
Konkai
42
Death Stone Of Nasu Moor
43
Ôishi Kuranosuke Yoshio
44
Yoshitsune And Benkei
45
Shizu Peak Moon
46
The Great Battle At Okehazama
47
Akashi Gidayu And Tiger
48
Taira no Kiyomori sees the skulls of his victims
49
Princess Kaguya
50
Inamura Promontory Moon
51
Ariwara no Yukihira
52
Maisaka1863
53
A scene of Journey to the West1864
54
Onogawa1865
55
Japanese war in Kagoshima1879
56
Warrior (General Yamanaka Shikanasake)1884
57
Looking refined - a court lady of the Kyowa era1888
58
Benkei ir bangos
59
Clam DiggingMinneapolis Institute of Art
60
Sagami Jirô And Taira No Masakado
61
Taira No Kiyomori Holding Back The Sun
62
Tze Lu
63
Looking Indecisive
64
Katada Bay Moon
65
Takatoki Tengu
66
Poem By Hitotose
67
Tsuki No Monogurui
68
The Moon's Four Strings
69
Yugao From The Tale Of Genji
70
Hitotose
71
The Hag
72
36 Ghosts
73
The Moon And The Helm Of A Boat
74
Kinoshita Tokichiro
75
Kabuki Actor -
76
Gojo Bridge Moon
77
Yukugawa Sanpei Munenori
78
Moon At Mt Chi-ming
79
Uesugi Kenshin
80
Waiting Since The Crescent Moon
81
Relaxed
82
The Moon At Takakura
83
Dawn Moon At Mt. Tobisu
84
Near Komakata A Cuckoo Calls
85
Matsuo Basho
86
Mountain Moon After Rain - Tokimune
87
Moon And The Heavenly River
88
Kityama Moon
89
Moonlight On The Snow
90
The Chapter From The Tale Of Genji
91
Taira No Tomomori
92
Namauo Chojiro
93
Hirade Iki
94
Hara
95
Chinese Beauty In The Moonlight
96
Chinzai Hachiro Minamoto No Tametomo
97
The Wife Of Tokugawa Keiki
98
Hyoshit Rinchu Kills The Officer Riku Neat The Temple Of The Mountain
99
House Wife Of The Bunsei Era
100
Moon And Helm Of A Boat
The four subjects that come back most often in these originals, each with its finest example.
4 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Tsukioka Yoshitoshi darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Minneapolis Institute of Art |
Minneapolis | 4 | Great Generals of the East and West, Great Generals of the East and West, Ghost |
 Los Angelos apygardos meno muziejus |
Los Anželesas | 3 | Tokugawa Iemitsu priimamas kunigaikščiai, Uesugi Kenshin Nyudo Terutora žengiant į mūšį, January: Celebrating the New Year |
 Metropolitano meno muziejus |
Niujorkas | 2 | The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki), Murasaki Shikibu at Ishiyamadera Temple, based on the print “The Moon at Ishiyama,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Ishiyama no tsuki) |
 Smithsonian’s National Museum of Asian Art |
Vašingtonas, D.C. | 1 | Kiyohime changing into a serpent at Hidaka River, from the series New Forms of Thirty-six Ghosts |
Pick a decade to see the original that defines it.
January: Celebrating the New Year is a woodblock print created by Yoshitoshi in 1860. The artist, born in Edo, Japan, in 1839, lived through the transition from the Edo period to the Meiji era. His career spanned the mid-to-late 19th century until his death in 1892.
Tsukioka Yoshitoshi kūrinys „Tokugawa Iemitsu priimantis feudalus“, sukurtas 1875 metais, keliauja virš paprasto vaizdo atvaizdavimo; jis įkūnija Japonijos nerimo ir siekių veidmė lūžio metu – feodinės valdžios švytėjimo pabaigoje ir modernizacijos aušroje. Šis spalvingas medžio kalvotės spaudas yra ukiyo-e stiliaus viršūnė, pasižyminti nepaprastitu detalumu ir gebėjimu įamžinti oficialią bei rimtą kontemplacijos atmosferą. Tai ne tik karališkos ceremonijos aprašymas, bet ir langas į Edo Japonijos kultūrinę sielą.
Tsukioka Yoshitoshi’s “Uesugi Kenshin Nyudo Terutora Riding into Battle,” created in 1883, transcends mere depiction; it embodies the anxieties and aspirations of Japan during its pivotal transition from feudal rule to modernization. This monumental woodblock print isn't simply a record of military prowess; it’s a carefully crafted tableau brimming with symbolism that speaks volumes about the era’s psychological landscape.
In the hauntingly beautiful woodblock print Kiyohime Changing Into A Serpent At Hidaka River, the legendary master Tsukioka Yoshitoshi invites us into a moment of profound supernatural transition. Part of his celebrated series, New Forms of Thirty-Six Ghosts, this work captures the precise instant when human passion curdles into monstrous vengeance. The scene depicts Kiyohime, a figure of tragic obsession from Japanese folklore, as she undergoes a terrifying metamorphosis amidst…
Kingio Hideaki From Kaidai Hyaku Senso. Asakusa and Tokugawa Iemitsu priimamas kunigaikščiai (1875) come next.
Kingio Hideaki From Kaidai Hyaku Senso, Asakusa, Tokugawa Iemitsu priimamas kunigaikščiai, Okuko Hikozaemon Protects The Tokugawa Shogun From The Spear Of Goro Matabei Mototsugu, Moon Over The Waters At Daimotsu Bay, Uesugi Kenshin Nyudo Terutora žengiant į mūšį, Komori No Godan, Emperor Jimmu, Sadanobu Šūka Demonui Palode Naktį ir Restoranas. The ranking above gives each one's year and museum.
Our catalog holds 1,344 works by Tsukioka Yoshitoshi, dated from 1860 to 1892.
Mostly in Minneapolis Institute of Art (Minneapolis), Los Angelos apygardos meno muziejus (Los Anželesas) ir Metropolitano meno muziejus (Niujorkas). The museum table above lists them all.
In 1880s: 5 of the 100 works on this page were made then, Uesugi Kenshin Nyudo Terutora žengiant į mūšį among them.
On this page, the earliest is January: Celebrating the New Year (1860) and the latest The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki) (1892).
Japanese art (17), Traditional japan (15) ir Warrior (11), across the 100 works on this page.
Woodblock Print, for 9 of the 100 works on this page.
Late romanticism, judging by the originals on this page.
Great Generals of the East and West, Great Generals of the East and West ir Ghost: the Minneapolis Institute of Art, Minneapolis holds 4 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
