William Salter portretas

88 garsiausių William Salter paveikių rinkinys: galerijos išboru

Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 88 William Salter darbai mūsų kataloge

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Iš visų paliktų originalų kūrinių William Salter garsiausias yra Sir Henry Murray (1837), esantis National Portrait Gallery kolekcijoje, Londras. Tiesiog už jų seka The Waterloo Banquet (1836) ir Arthur Wellesley (1769–1852), 1st Duke of Wellington (1839). Mūsų kataloge yra 88 darbų autoriaus William Salter; galerija išsaugojo 88 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.

1804 – 1875, Honiton Neoclassicism Daugiausia darbų: National Portrait Gallery

William Salter geriausios 10 paveikslų: galerijos pasirinkimas

1
Sir Henry Murray (1837) aut. William Salter

Sir Henry Murray

1837 · Oil On Canvas · National Portrait Gallery, Londras

This nineteenth-century portrait depicts Sir Henry Murray in a three-quarter profile view, presented from the waist up against a dark, atmospheric background. The subject is positioned slightly off-center, creating a sense of presence within the vertical composition. He is dressed in a military tunic of a vibrant, saturated red, which serves as the primary focal point of the work. The uniform is detailed with gold accents appearing on the epaulettes,…

2
The Waterloo Banquet (1836) aut. William Salter

The Waterloo Banquet

1836 · Oil On Canvas

The room is filled with the heavy scent of wax and old wood. Light spills from a large window, washing over a table crowded with the remnants of a celebration. Men in formal attire and women in delicate lace lean toward one another, their faces caught in the amber glow of a social ritual. A portrait of a man in military uniform watches from the wall, a silent witness to…

3
Arthur Wellesley (1769–1852), 1st Duke of Wellington (1839) aut. William Salter

Arthur Wellesley (1769–1852), 1st Duke of Wellington

1839 · Oil · National Maritime Museum, Londonas

The painting depicts Arthur Wellesley, the 1st Duke of Wellington, positioned against a coastal landscape. He is shown from the waist up, oriented toward the viewer but with his gaze directed toward the distance. He wears a military uniform characterized by a high collar and a visible tie. A sword hangs at his side, and a second sword is positioned further back in the composition. The background consists of a…

4
Don Miguel Ricardo de Alava (1840) aut. William Salter

Don Miguel Ricardo de Alava

1840 · Oil · National Portrait Gallery, Londras

This portrait by William Salter captures Don Miguel Ricardo de Alava. The work dates to about 1840. It presents the likeness of a man who navigated the turbulent currents of nineteenth-century politics and warfare. As a Spanish general and statesman, the subject occupied a position of significant weight, eventually serving as the Prime Minister of Spain in 1835.

William Salter darba rinkinys tęsiamas, nuo 11 iki 88

11Sir Richard Llewellyn (1840) aut. William SalterSir Richard Llewellyn1840 · National Portrait Gallery 12James Hay (1840) aut. William SalterJames Hay1840 · National Portrait Gallery 13Charles Allix (1840) aut. William SalterCharles Allix1840 · National Portrait Gallery 14Sir Colin Campbell (1840) aut. William SalterSir Colin Campbell1840 · National Portrait Gallery 15Sir Hew Dalrymple Ross (1840) aut. William SalterSir Hew Dalrymple Ross1840 · National Portrait Gallery 16Sir Frederick Adam (1848) aut. William SalterSir Frederick Adam1848 · National Portrait Gallery 17Sir Henry Wyndham (1840) aut. William SalterSir Henry Wyndham1840 · National Portrait Gallery 18Richard Michell (1805–1877), First Principal of Hertford College (1874) (1874) aut. William SalterRichard Michell (1805–1877), First Principal of Hertford College (1874)1874 · Gertrude College 19John Jeffreys Pratt (1759–1840), Marquis Camden (1825) aut. William SalterJohn Jeffreys Pratt (1759–1840), Marquis Camden1825 20The Entombment of Christ (1838) aut. William SalterThe Entombment of Christ1838 · Honiton Town Council 21Henry Bathurst, 3rd Earl Bathurst (1834) aut. William SalterHenry Bathurst, 3rd Earl Bathurst1834 · National Portrait Gallery 22Thomas William Taylor (1838) aut. William SalterThomas William Taylor1838 · National Portrait Gallery 23Clement Delves Hill (1837) aut. William SalterClement Delves Hill1837 · National Portrait Gallery 24Sir Henry Askew (1837) aut. William SalterSir Henry Askew1837 · National Portrait Gallery 25Sir Charles Webb Dance (1836) aut. William SalterSir Charles Webb Dance1836 · National Portrait Gallery 26Sir Robert Henry Dick (1838) aut. William SalterSir Robert Henry Dick1838 · National Portrait Gallery 27Sir Edward Barnes (1837) aut. William SalterSir Edward Barnes1837 · National Portrait Gallery 28William Elphinstone (1839) aut. William SalterWilliam Elphinstone1839 · National Portrait Gallery 29Arthur Wellesley, 1st Duke of Wellington (1839) aut. William SalterArthur Wellesley, 1st Duke of Wellington1839 · National Portrait Gallery 30Reginald Ranald Macdonald (1838) aut. William SalterReginald Ranald Macdonald1838 · National Portrait Gallery 31Lord Robert William Manners (1835) aut. William SalterLord Robert William Manners1835 · National Portrait Gallery 32Arthur Moyses William Sandys, 2nd Baron Sandys (1837) aut. William SalterArthur Moyses William Sandys, 2nd Baron Sandys1837 · National Portrait Gallery 33Alexander Fraser, 16th Baron Saltoun (1837) aut. William SalterAlexander Fraser, 16th Baron Saltoun1837 · National Portrait Gallery 34Sir Arthur Clifton (1838) aut. William SalterSir Arthur Clifton1838 · National Portrait Gallery 35Sir Alexander Dickson (1838) aut. William SalterSir Alexander Dickson1838 · National Portrait Gallery 36Sir John Ormsby Vandeleur (1838) aut. William SalterSir John Ormsby Vandeleur1838 · National Portrait Gallery 37Lord John Somerset (1837) aut. William SalterLord John Somerset1837 · National Portrait Gallery 38Count Carlo Andrea Pozzo di Borgo (1839) aut. William SalterCount Carlo Andrea Pozzo di Borgo1839 · Thorvaldsenų muziejus 39Sir John Lambert (1840) aut. William SalterSir John Lambert1840 · National Portrait Gallery 40Sir John May (1840) aut. William SalterSir John May1840 · National Portrait Gallery 41Sir George Scovell (1840) aut. William SalterSir George Scovell1840 · National Portrait Gallery 42William II of Holland (1840) aut. William SalterWilliam II of Holland1840 · National Portrait Gallery 43Sir Peregrine Maitland (1840) aut. William SalterSir Peregrine Maitland1840 · National Portrait Gallery 44Sempronius Stretton (1840) aut. William SalterSempronius Stretton1840 · National Portrait Gallery 45Edward Parkinson (1840) aut. William SalterEdward Parkinson1840 · National Portrait Gallery 46Berkeley Drummond (1840) aut. William SalterBerkeley Drummond1840 · National Portrait Gallery 47Henry Dawkins (1840) aut. William SalterHenry Dawkins1840 · National Portrait Gallery 48John Gurwood (1840) aut. William SalterJohn Gurwood1840 · National Portrait Gallery 49Sir Thomas Reynell, 6th Bt (1840) aut. William SalterSir Thomas Reynell, 6th Bt1840 · National Portrait Gallery 50John Reeve (1841) aut. William SalterJohn Reeve1841 · National Portrait Gallery 51Thomas Hunter Blair (1840) aut. William SalterThomas Hunter Blair1840 · National Portrait Gallery 52Sir James Kempt (1840) aut. William SalterSir James Kempt1840 · National Portrait Gallery 53Sir Edward Bowater (1840) aut. William SalterSir Edward Bowater1840 · National Portrait Gallery 54Sir George Charles Hoste (1840) aut. William SalterSir George Charles Hoste1840 · National Portrait Gallery 55Lord Robert Edward Somerset (1840) aut. William SalterLord Robert Edward Somerset1840 · National Portrait Gallery 56Sir John Waters (1840) aut. William SalterSir John Waters1840 · National Portrait Gallery 57John William Fremantle (1840) aut. William SalterJohn William Fremantle1840 · National Portrait Gallery 58Sir James Wallace Sleigh (1840) aut. William SalterSir James Wallace Sleigh1840 · National Portrait Gallery 59Sir Henry Murray (1840) aut. William SalterSir Henry Murray1840 60George Lionel Dawson Damer (1840) aut. William SalterGeorge Lionel Dawson Damer1840 · National Portrait Gallery 61Edward Pyndar Lygon (1840) aut. William SalterEdward Pyndar Lygon1840 · National Portrait Gallery 62Sir Charles Rowan (1840) aut. William SalterSir Charles Rowan1840 · National Portrait Gallery 63Sir Edward Kerrison, 1st Bt (1840) aut. William SalterSir Edward Kerrison, 1st Bt1840 · National Portrait Gallery 64Sir William Maynard Gomm (1840) aut. William SalterSir William Maynard Gomm1840 · National Portrait Gallery 65Sir Horatio George Powys Townshend (1840) aut. William SalterSir Horatio George Powys Townshend1840 · National Portrait Gallery 66Sir Robert William Gardiner (1840) aut. William SalterSir Robert William Gardiner1840 · National Portrait Gallery 67Fitzroy James Henry Somerset, 1st Baron Raglan (1840) aut. William SalterFitzroy James Henry Somerset, 1st Baron Raglan1840 · National Portrait Gallery 68John Byng, 1st Earl of Strafford (1840) aut. William SalterJohn Byng, 1st Earl of Strafford1840 · National Portrait Gallery 69Henry William Paget, 1st Marquess of Anglesey (1840) aut. William SalterHenry William Paget, 1st Marquess of Anglesey1840 · National Portrait Gallery 70Charles King (1840) aut. William SalterCharles King1840 · National Portrait Gallery 71James Grant (1840) aut. William SalterJames Grant1840 · National Portrait Gallery 72Henry D'Oyly (1840) aut. William SalterHenry D'Oyly1840 · National Portrait Gallery 73Charles Gordon Lennox, 5th Duke of Richmond and Lennox (1840) aut. William SalterCharles Gordon Lennox, 5th Duke of Richmond and Lennox1840 · National Portrait Gallery 74Felix Calvert (1840) aut. William SalterFelix Calvert1840 · National Portrait Gallery 75Samson Stawell (1840) aut. William SalterSamson Stawell1840 · National Portrait Gallery 76Sir Henry Willoughby Rooke (1840) aut. William SalterSir Henry Willoughby Rooke1840 · National Portrait Gallery 77George O'Malley (1840) aut. William SalterGeorge O'Malley1840 · National Portrait Gallery 78Sir Joseph Straton (1840) aut. William SalterSir Joseph Straton1840 · National Portrait Gallery 79Paolo Ruffo di Bagnaria, Prince of Castelcicala (1840) aut. William SalterPaolo Ruffo di Bagnaria, Prince of Castelcicala1840 · National Portrait Gallery 80Beaumont Hotham, 3rd Baron Hotham (1840) aut. William SalterBeaumont Hotham, 3rd Baron Hotham1840 · National Portrait Gallery 81Rowland Hill, 1st Viscount Hill (1840) aut. William SalterRowland Hill, 1st Viscount Hill1840 · National Portrait Gallery 82Sir Charles Broke Vere (1840) aut. William SalterSir Charles Broke Vere1840 · National Portrait Gallery 83Douglas Mercer, Later Henderson Mercer (1840) aut. William SalterDouglas Mercer, Later Henderson Mercer1840 · National Portrait Gallery 84Henry Hardinge, 1st Viscount Hardinge of Lahore (1840) aut. William SalterHenry Hardinge, 1st Viscount Hardinge of Lahore1840 · National Portrait Gallery 85Richard Hussey Vivian, 1st Baron Vivian (1840) aut. William SalterRichard Hussey Vivian, 1st Baron Vivian1840 · National Portrait Gallery 86Colonel George William Blathwayt (1797–1871) (1850) aut. William SalterColonel George William Blathwayt (1797–1871)1850 87General Sir Colin Halkett (1774–1856), GCB, GCH aut. William SalterGeneral Sir Colin Halkett (1774–1856), GCB, GCH 88William Hughes, Llanfaes Maltster, 1831 aut. William SalterWilliam Hughes, Llanfaes Maltster, 1831

Temos, kurios domino William Salter

Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.

Muziejai, kuriuose saugomi William Salter originalūs darbai

5 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas William Salter darbai Šiojo sąrašo paveikslai
National Portrait Gallery, LondrasNational Portrait Gallery Londras 78 Sir Henry Murray, Don Miguel Ricardo de Alava, Richard Egerton
National Maritime Museum, LondonasNational Maritime Museum Londonas 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington
Gertrude College, OxfordGertrude College Oxford 1 Richard Michell (1805–1877), First Principal of Hertford College (1874)
Honiton Town Council, HonitonHoniton Town Council Honiton 1 The Entombment of Christ
Thorvaldsenų muziejus, KopenhidgaThorvaldsenų muziejus Kopenhidga 1 Count Carlo Andrea Pozzo di Borgo

William Salter dešimtmetėms po dešimtmetės: originalus kūrinys, apibūdinantis kiekvieną iš jų

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Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.

Kolekcjonerų klausimai apie William Salter paveikslus

Kuriu darbu William Salter yra labiausiai garsus?Atsakymas

Sir Henry Murray (1837), National Portrait Gallery, Londras. Toliau seka The Waterloo Banquet (1836) ir Arthur Wellesley (1769–1852), 1st Duke of Wellington (1839).

Kokia buvo William Salter amžius, kai buvo sukurtas Sir Henry Murray?Atsakymas

33 metų amžiaus: Sir Henry Murray sukurta 1837 m. Nr. William Salter gimė 1804.

Kokie yra 10 garsiausių William Salter paveikslų?Atsakymas

Sir Henry Murray, The Waterloo Banquet, Arthur Wellesley (1769–1852), 1st Duke of Wellington, Don Miguel Ricardo de Alava, Richard Egerton, Stephen Galway Adye, Sir John Elley, Sir Andrew Francis Barnard, Sir Colin Halkett ir William George Harris, 2nd Baron Harris. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek paveikslų paliko William Salter?Atsakymas

Mūsų kataloge yra 88 William Salter darbų, skirtų laikotarpiui nuo 1825 iki 1874.

Kuriuose muziejuose eksponuojami William Salter šedevrai?Atsakymas

Daugiausia – National Portrait Gallery (Londras), National Maritime Museum (Londonas) ir Gertrude College (Oxford). Viršuje esančiame muziejų sąraše yra visi jie.

Kuriomis metais William Salter tapo savo garsiausius kūrinius?Atsakymas

1840s laikotarpiu: 55 iš 88 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Don Miguel Ricardo de Alava.

Kokie yra pirmasis ir paskutinis garsieji William Salter originalūs darbai?Atsakymas

Šioje pusėje seniausias darbas yra John Jeffreys Pratt (1759–1840), Marquis Camden (1825), o naujausias – Richard Michell (1805–1877), First Principal of Hertford College (1874) (1874).

Kurią temą William Salter rinkosi dažniausiai?Atsakymas

Portrait (12), Military (11) ir Formal (8) iš 88 šioje pusėje esamų darbų.

Kurią techniką William Salter naudojo dažniausiai?Atsakymas

Oil On Canvas, iš 88 šios puslapio darbų – 2.

Kelią meno kryptį priklauso William Salter?Atsakymas

Neoclassicism ir Academic realism, judging by the originals on this page.

Kurių William Salter darbai eksponuojami National Portrait Gallery?Atsakymas

Sir Henry Murray, Don Miguel Ricardo de Alava ir Richard Egerton: National Portrait Gallery, Londras kolekcijoje yra 78 šioje pusėje esančių darbų.

Ar galiu užsisakyti William Salter paveikslą-reprodukciją?Atsakymas

Taip, kaip reprodukcija: originalas lieka savo muziejuje, tačiau bet kurį šio puslapio paveikslą galite užsisakyti rankinio darbo versiją – unikali, pagal jūsų užsakymą atlikta kopija, kurią galite užsisakyti iš pat pagrindinės paveikslai puslapio.

William Salter: gyvenimas ir kūryba

The Visionary Portraitist of a Changing Era

In the heart of the nineteenth century, as Britain navigated the profound shifts of the Industrial Revolution and the expansion of its global influence, William Salter emerged as a painter capable of capturing the very soul of Victorian grandeur. Born in 1804 in the quiet town of Honiton, Devon, Salter’s early life was rooted in the traditional English landscape, yet his artistic spirit was destined for much larger stages. His journey from a student at Honiton Grammar School to a respected figure in the London art scene was paved with an unyielding dedication to classical mastery and an insatiable intellectual curiosity. Unlike many of his contemporaries who sought fame through mere trend-following, Salter’s approach was one of deep, scholarly immersion, blending the precision of a documentarian with the emotional depth of a true storyteller.

The foundation of Salter's technical brilliance was laid far from the English coast. In 1822, he sought the rigorous training offered by the studios of James Northcote, a connection that would prove transformative for his developing style. This period of apprenticeship allowed him to absorb the nuances of light and shadow, preparing him for his subsequent Grand Tour of Italy. While traveling through the artistic heartlands of Florence and Padua, Salter did not merely observe; he engaged with the classical ideals of the Renaissance. It was during these Italian sojourn that works such as Socrates before his Judges were conceived, earning him significant acclaim among European intellectuals and establishing his reputation as an artist capable of handling complex, historical narratives with grace and psychological insight.

A Monumental Legacy: The Waterloo Banquet

The zenith of Salter’s career arrived in 1836 with the unveiling of his most ambitious and celebrated undertaking: The Waterloo Banquet. Commissioned by the Duke of Wellington himself, this colossal work was far more than a simple commemorative painting; it was a tableau vivant of historical magnitude. The canvas serves as a breathtaking window into a singular moment of British triumph, meticulously depicting approximately eighty distinguished individuals gathered to celebrate the victory at Waterloo. To execute such a feat, Salter had to possess an extraordinary capacity for observation, capturing not only the regalia and the magnificent silver chandelier by Domingos Antonio de Sequeira but also the subtle interpersonal dynamics of the assembled elite.

Within this masterpiece, one finds the hallmark of Salter’s technique—a seamless blend of realism and atmosphere. He managed to convey the sheer scale of the event without sacrificing the individual dignity of his subjects. The painting, which remains a crown jewel of Apsley House, stands as a testament to his ability to synthesize historical documentation with artistic grandeur. Through his brush, the celebratory energy of the banquet is preserved for eternity, allowing modern viewers to feel the weight of the era's political and social significance.

Portraiture, Precision, and Historical Significance

Beyond the monumental scale of his historical compositions, Salter’s repertoire included a range of intimate portraits that showcased his mastery of character. His ability to render textures—the heavy crimson of a military uniform or the delicate lace of a lady's gown—made him a sought-after painter for the British aristocracy and military officers alike. Works such as Sir John Elley and Sir Colin Campbell demonstrate his skill in using chiaroscuro to create dramatic, lifelike presences that command the viewer's attention.

Salter’s contribution to art history extends beyond the canvas; he was an educator and a traveler whose life reflected the intellectual vigor of his age. His legacy is defined by several key pillars:

  • Technical Mastery: A profound command of classical academic traditions, refined through study in Italy and under masters like Northcote.
  • Historical Documentation: The ability to transform historical events into enduring visual narratives that capture the zeitgeist of the 19th century.
  • Psychological Depth: A talent for portraiture that moved beyond mere likeness to reveal the character and status of his subjects.
  • Cultural Impact: His role in elevating British portraiture to a level of international prestige during the Victorian era.

When William Salter passed away on 22 December 1875, he left behind a body of work that remains an essential archive of British identity. His paintings continue to serve as vital touchstones for understanding the elegance, the complexity, and the monumental ambitions of a nation at the height of its power.

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