Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 183 Théodore Géricault darbai mūsų kataloge
In short
Laivo Medūzos ištekėjimas (1818) is the Théodore Géricault painting that draws the most eyes; the original belongs to the Liuvro muziejus, Paryžius. After it, the eye goes to Nymph and Satyr (Jupiter and Antiope) (1820) and The Oath of Brutus after the Death of Lucretia (1815). Among the 183 works of Théodore Géricault in our catalog, these 100 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
Jean-Louis André Théodore Géricault meno monumentali meistriškė yra ne tik jūros katastrofos vaizdas; tai visceralus žmogaus nevilties, politinių skandalų ir aukštosios gamtos galios tyrimas. Susikūręs 1819 metais, šis viršįnesnį už tikrąjį dydį paveikslas (491 x 716 cm) įamžino šiurpų 1816 metų prancūziškos fregatos Méduse lūžį – tragediją, įvykdusią dėl nekompetencijos ir korupcijos, kuri sukrėtė visą Prancūziją.
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
The Oath of Brutus after the Death of Lucretia is an oil on canvas by Théodore Géricault. This history painting captures a moment of heavy, political consequence. The artist, Théodore Géricault, rendered the scene with a focus on the weight of human resolve. It emerged from his studio about 1815.
This vigorous painting of six lions in a remote, spectrally illuminated lair—possibly intended to evoke the Atlas Mountains of Morocco—is an extraordinary example of Gericault’s spontaneous handling of paint. Rather than applying finishing touches to make a polished cabinet picture, the artist left the painting in a state known as an esquisse, or sketch, a work prized by fellow artists for its strength of directly capturing a subject or effect.…
Théodore Géricault's "The Kiss," painted in 1816, isn’t merely a depiction of lovers entwined; it’s a visceral embodiment of the burgeoning Romantic movement’s fascination with raw emotion, dramatic intensity, and the sublime. This arresting work, housed within the Thyssen-Bornemisza Museum in Madrid, transcends simple representation to become a profound meditation on passion, vulnerability, and the very essence of human connection. Géricault, already a figure known for his unflinching portrayals of…
A Symphony of Suffering: Géricault’s “Wounded Soldiers Retrating from Russia” Jean-Louis André Théodore Géricault's "Wounded Soldiers Retrating from Russia" is not merely a painting; it’s a visceral embodiment of the horrors and human cost of war, rendered with an unprecedented level of realism and emotional intensity for its time. Completed in 1814, this monumental canvas—measuring a commanding 250 x 206 cm—captures a pivotal moment during Napoleon's disastrous invasion of Russia,…
Jean-Louis André Théodore Géricault's "Study of Feet and Hands," painted in 1818, isn’t a grand statement of Romantic drama like his monumental “The Raft of the Medusa.” Instead, it offers a profoundly intimate glimpse into the artist’s meticulous process and a poignant meditation on the human form. This unassuming oil painting—measuring a modest 52 x 64 cm—is far more than just a preparatory sketch; it's a concentrated distillation of Géricault’s…
Jean-Louis André Théodore Géricault's "The Raft of the Medusa," a monumental detail from his 1818 painting, isn’t merely a depiction of shipwreck; it’s a visceral plunge into the depths of human suffering and political indictment. The scene, rendered with a dramatic intensity characteristic of Romanticism, captures the harrowing aftermath of the French frigate *Medusa*'s wreck off the coast of Mauritania in 1816. This disaster, largely attributed to the incompetence and…
Théodore Géricault's "The Wreck," painted in 1821, isn’t merely a seascape; it’s a visceral confrontation with the sublime—a raw depiction of humanity’s vulnerability against the overwhelming force of nature. Born amidst the turbulent currents of post-revolutionary France, Géricault, a figure both lauded and controversial within the burgeoning Romantic movement, channeled his own anxieties and the era's fascination with dramatic events into this monumental canvas. The painting immediately commands attention not…
The Horse Race1816 · Thyssen-Bornemisza muziejus
12
Swiss Guard and Wounded Veteran1819 · Liuvro muziejus
13
Mazeppa1823 · Château de Chantilly
14
Two Horses1809 · The Phillips Collection
15
A Turk (Mustapha)1820 · Liuvro muziejus
16
A Carabinier with his Horse1814 · Musée des Beaux-Arts
17
Riderless Horse Races (detail)1817 · Liuvro muziejus
18
Boxers1818 · Château de Chantilly
19
Horse Market: Five Horses at the Stake1816 · Liuvro muziejus
20
The Epsom Derby1821 · Liuvro muziejus
21
Mounted Trumpeters of Napoleon's Imperial Guard1813 · National Gallery of Art
22
Three Lovers1817 · J. Paul Getty muziejus
23
Portrait of Simon Bonnesoeur-Bourginire1812 · Minneapolis Institute of Art
24
Equestrian portrait of Wincenty Krasiński.1814 · Nacionalinis muziejus Varšuvoje
25
The Wounded Cuirassier, study1814 · Brooklyn muziejus
26
Lion devouring a horseChâteau de Chantilly
27
Français Étude de bras et de main realisé par Géricault por son oeuvre Le Radeau de la Méduse1819
28
Untitled (ARJCHM)Liuvro muziejus
29
Scene from the Epidemic of Yellow Fever in Cadiz1819 · Virdžinijos meno muziejus
30
The Raft of the Medusa, Louvre1819
31
Head of a Drowned Man1819
32
Portrait of a Young Man1818 · Minneapolis Institute of Art
33
A study for a nude.1801 · Nacionalinis muziejus Varšuvoje
34
Study of a Model1818 · J. Paul Getty muziejus
35
The Martyrdom of Saint Peter1814 · Kunstmuseum Basel
36
The Wreck1824 · Liuvro muziejus
37
The Scotsman1801 · Petit Palais
38
Mater dolorosa, Copy after Ribera1811 · Kunstmuseum Basel
39
Lion in ReposeWalters Art Museum
40
Equestrian Portrait of Jérôme Bonaparte, after Antoine-Jean GROS1813 · Eugène Delacroix muziejus
41
Justice and Divine Vengeance Pursuing Crime1811
42
Lying Lions1812
43
The Trumpeter of the Orleans Hussars1813
44
The Trumpeter of the Lancers of the Guard1813 · Burrell Collection
45
The horse is out of the stable1810 · Condé muziejus
46
Un carabinier, vu à mi-corps1814
47
Portrait of Louise Vernet1812
48
Head of a woundet Man1814 · Wallraf-Richartzas Muziejus
49
Untitled (ARJCJD)1814
50
The Monomaniac of Child Abduction1822
51
Horse Race, Moving to the Right1820 · Musée des Beaux-Arts de Caen
52
The Raft of the Medusa1818
53
Etude d'un homme nu (Study of a Nude Man)1817 · The New Art Gallery Walsall
54
Mounted Jockey1821 · Virdžinijos meno muziejus
55
Portrait of a Negro1822 · Buffalo AKG meno muziejus
56
Portrait Study of a Youth1819 · Kimbell Art Museum
57
The White Horse Tavern1821 · Fogg Museum
58
Cattle Market1817 · Fogg Museum
59
Fighting Horses1820 · Cleveland Museum of Art
60
Wounded Soldiers in a Cart1815 · Fitzwilliam Museum
61
Shipwrecked on a Beach (The Tempest)1822 · Yale University Art Gallery
62
Alexandre Colin1815
63
The Raft of the Medusa1818
64
Course de Chevaux montés allant à gauche, au moment du départ1822
65
Francisco de Moncada Marqués d'Aytona1815 · Amsterdam Museum
66
Riderless Racers at Rome1817 · Walters Art Museum
67
Trumpeter of the Hussars1817
68
Nude Warrior with a Spear1816 · National Gallery of Art
69
The Wild Horse Race at Rome1817
70
The Raft of the Medusa, Detalj,1819
71
Portrait of a Negro1800 · Palácio Nacional da Ajuda
72
Head of a Youth1824 · Art Gallery of South Australia
73
Portrait d'homme1825 · Musée Fabre
74
Equestrian Portrait of Charles V1814 · Fine Arts Museums of San Francisco
75
Chestnut horse in a stable1814 · Cantor Arts Center at Stanford University
76
Horses of the Auvergne1822 · Mičiganio universiteto meno muziejus
77
A Prancing Grey Horse1812 · Burrell Collection
78
Sheet of Figure Studies1818 · Courtauld Gallery
79
Portrait of an Artist in His Studio1820 · Liuvro muziejus
80
An Officer of the Chasseurs Commanding a Charge1812 · Liuvro muziejus
81
Study of a nude manNacionalinis muziejus Varšuvoje
82
The Plaster Kiln1823 · Liuvro muziejus
83
Officer of Chasseurs à Cheval of the Imperial Guard Charging1812
84
Dogs Fighting Bears1814 · Foundation E.G. Bührle Collection
85
Cheval gris au râtelier1811
86
Untitled (ARJCGT)1814
87
The Woman with Gambling Mania, ca1822
88
Deutsch Firmenschild für einen Hufschmied, Detail1814
89
Italian Landscape with Tomb1818 · Petit Palais
90
A Cart Loaded with Kegs1822 · Rhode Island School of Design Museum of Art
91
Cinq chevaux vus par la croupe1821
92
The Race of the Riderless Horses1817 · J. Paul Getty muziejus
93
Dervish in His Stall1820
94
Untitled (ARJCHB)1819
95
Untitled (ARJCJF)1818
96
Untitled (ARJCHV)1817 · Palais des Beaux-Arts de Lille
97
German Der Page Mazeppa1820
98
English Anatomical Pieces1819 · Musée des Beaux-Arts de Rouen
99
A Shipwreck1817
100
Français Têtes coupées English Cut heads Português Cabeças cortadas1818
The four subjects that come back most often in these originals, each with its finest example.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Théodore Géricault darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Liuvro muziejus |
Paryžius | 20 | Laivo Medūzos ištekėjimas, The Raft of the Medusa (detail), Leda and the Swan |
 Château de Chantilly |
Chantilly | 6 | Mazeppa, Boxers, Lion devouring a horse |
 J. Paul Getty muziejus |
Los Andželis | 3 | Three Lovers, Study of a Model, The Race of the Riderless Horses |
 Nacionalinis muziejus Varšuvoje |
Varšuva | 3 | Equestrian portrait of Wincenty Krasiński., A study for a nude., Study of a nude man |
 Burrell Collection |
Glavas | 8 | The Trumpeter of the Lancers of the Guard, A Prancing Grey Horse |
 Musée Fabre |
Montpeljė | 4 | Study of Feet and Hands, Portrait d'homme |
 Petit Palais |
Paris | 3 | The Scotsman, Italian Landscape with Tomb |
 Thyssen-Bornemisza muziejus |
Madridas | 2 | The Kiss, The Horse Race |
Pick a decade to see the original that defines it.
Jean-Louis André Théodore Géricault's "Two Horses," painted in 1808-1809, isn’t merely a depiction of two magnificent animals; it’s a visceral exploration of movement, power, and the fleeting nature of existence. Born amidst the tumultuous backdrop of revolutionary France, Géricault was a restless spirit, rejecting the rigid formality of Neoclassicism in favor of a Romantic intensity that sought to capture raw emotion and dramatic truth. This painting, rendered in oil on…
Jean-Louis André Théodore Géricault meno monumentali meistriškė yra ne tik jūros katastrofos vaizdas; tai visceralus žmogaus nevilties, politinių skandalų ir aukštosios gamtos galios tyrimas. Susikūręs 1819 metais, šis viršįnesnį už tikrąjį dydį paveikslas (491 x 716 cm) įamžino šiurpų 1816 metų prancūziškos fregatos Méduse lūžį – tragediją, įvykdusią dėl nekompetencijos ir korupcijos, kuri sukrėtė visą Prancūziją.
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
Laivo Medūzos ištekėjimas (1818), Liuvro muziejus, Paryžius. Nymph and Satyr (Jupiter and Antiope) (1820) and The Oath of Brutus after the Death of Lucretia (1815) come next.
27 years old: Laivo Medūzos ištekėjimas dates from 1818, and Théodore Géricault was born in 1791.
Laivo Medūzos ištekėjimas, Nymph and Satyr (Jupiter and Antiope), The Oath of Brutus after the Death of Lucretia, Lions in a Mountainous Landscape, The Kiss, Wounded Soldiers Retrating from Russia, Study of Feet and Hands, The Raft of the Medusa (detail), Leda and the Swan ir The Wreck. The ranking above gives each one's year and museum.
Our catalog holds 183 works by Théodore Géricault, dated from 1800 to 1824.
Mostly in Liuvro muziejus (Paryžius), Château de Chantilly (Chantilly) ir J. Paul Getty muziejus (Los Andželis). The museum table above lists them all.
In 1810s: 67 of the 100 works on this page were made then, Laivo Medūzos ištekėjimas among them.
On this page, the earliest is Portrait of a Negro (1800) and the latest The Wreck (1824).
Man (12), Portrait (9) ir Horse (8), across the 100 works on this page.
Oil On Canvas, for 25 of the 100 works on this page.
Romanticism, judging by the originals on this page.
Laivo Medūzos ištekėjimas, The Raft of the Medusa (detail) ir Leda and the Swan: the Liuvro muziejus, Paryžius holds 14 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
