Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 112 Samuelis Jonas Pepolas darbai mūsų kataloge
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Iš visų originalų, kuriuos paliko Samuelis Jonas Pepolas, garsiausias yra Street Scene, France (1910). Tiesiog už jų seka Margaret Peploe (1911) ir The Lobster (1903). Mūsų kataloge yra 112 darbų autoriaus Samuelis Jonas Pepolas; galerija išsaugojo 100 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
In this 1911 oil on panel, Samuel Peploe turns his attention to Margaret Peploe. The portrait captures a woman in a moment of quiet reflection, her gaze directed away from the viewer toward something unseen to the side. There is a certain stillness in her pensive expression that invites a closer look at the subtle nuances of her character.
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Evening, North Berwick is a work by Samuel Peploe, executed about 1903. The artist, born in Edinburgh, United Kingdom, was a significant figure in early 20th-century British art. Peploe's career spanned several decades until his death in 1935.
In this work, titled Tulips and Fruit, we encounter a significant example of the skill of Samuel Peploe. Painted in 1919, the piece reflects the artist's established presence within the early twentieth-century British art scene. Peploe, a Scottish Master of Colour and Light, brought a specific sensibility to his arrangements, focusing on the way light interacts with form and hue.
In this 1911 work titled Self-Portrait, the artist Samuel Peploe gazes back from the canvas, capturing a moment of quiet introspection. The subject is a man with a mustache, his features emerging from a dark, indistinct background. He holds a pipe in his mouth, a small detail that grounds the figure in a sense of personal habit and stillness. The portrait focuses on the man's face and torso, presenting a…
In this intimate oil portrait, titled Boy Reading (Portrait Of The Artist's Son, Willie), the viewer finds themselves drawn into a private, quiet moment. The subject is Willie, the son of the artist Samuel Peploe. There is a sense of stillness in the way the young boy is captured, lost entirely in the pages of his book. The connection between the painter and the subject feels deeply personal, as if…
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
In Portrait of the Artist's Wife, Samuel Peploe centers the composition on a woman depicted from the waist up. The subject occupies most of the frame, creating an immediate sense of proximity. This frontal view establishes an intimate connection between the sitter and the viewer, as the figure dominates the visual field against a receding, shadowy space.
In Mrs. Peploe, Samuel Peploe captures a quiet moment within an interior setting. The subject sits upon a couch, her presence anchoring the scene. While the composition feels central, the woman is positioned slightly off-center, a choice that introduces a subtle sense of movement to her seated pose. This slight asymmetry draws the eye across the frame, following the soft lines of her figure against the domestic backdrop. The arrangement…
Samuel John Peploe, 1871 - 1935. Artist (Self-portrait)1911 · Škotijos nacionalinė portretų galerija
12
Kirkcudbright1919
13
Still life: apples and jar1912 · Art Gallery of New South Wales
14
Still LIfe with Pink and Red Roses in a Chinese Vase1920
15
Étaples1906 · Scottish National Gallery of Modern Art
16
The Green Blouse1904 · Scottish National Gallery of Modern Art
17
Still life with pears and wineglass1915 · Art Gallery of South Australia
18
The Harbor at Cassis
19
Still Life of Red Tulips in a Chinese Vase
20
Peonies1902 · Scottish National Gallery of Modern Art
21
Flowers in a Green Vase1920
22
Tulips1912
23
Tulips and Cup1912
24
Waves1903 · Scottish National Gallery of Modern Art
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North Berwick1903 · Scottish National Gallery of Modern Art
26
Rocks at Barra1903 · Scottish National Gallery of Modern Art
27
Barra1903 · Scottish National Gallery of Modern Art
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Barra1903 · Scottish National Gallery of Modern Art
29
Still Life, Painter's Materials1900
30
Souvenir1905
31
Street in Comrie1902
32
The Cart, Comrie1900
33
Comrie1900
34
Jeffrey's Brewery, Edinburgh1900
35
Still LIfe with Coffee Pot1905
36
North Berwick1903
37
Man Laughing (Tom Morris)1902 · Scottish National Gallery of Modern Art
38
Jeannie Blyth1905
39
Roses in a Blue and White Vase, Black Background1904
40
Flowers against a Dark Background1899
41
Boats at Royan1910 · Scottish National Gallery of Modern Art
42
Game of Tennis, Luxembourg Gardens1906 · Scottish National Gallery of Modern Art
43
On the French Coast1907 · Scottish National Gallery of Modern Art
44
Veules-les-Roses1910
45
Paris-Plage1907
46
Girl in White1907
47
Girl in White1907
48
Lady in a White Dress1906
49
Ile de Bréhat1911 · Scottish National Gallery of Modern Art
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Nannie1908 · University of Dundee
51
The Luxembourg Gardens1910
52
On the Seine1907
53
Ile de Bréhat1911
54
Pink Roses, Chinese Vase1916
55
In Port, Cassis1913
56
A Still LIfe of Roses, Oranges and Lemon1916
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Laggan Farm Buildings near Dalbeattie1916
58
Kirkcudbright, Street Corner1917
59
Flowers and Fruit (also known as Flowers and Fruit on a Japanese Background)1915
60
Tulips - The Blue Jug1919 · Scottish National Gallery of Modern Art
61![Roses [verso: Portrait of a Woman] (1920) aut. Samuelis Jonas Pepolas](/media/artworks/images-thumb/76/d0/76d0be6be0ff9ca06190f51d086b5ee1.jpg)
Roses [verso: Portrait of a Woman]1920 · Scottish National Gallery of Modern Art
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Cathedral Rock, Iona1920
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Still Life with Roses, Oranges and Apples1920
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Green Sea, Iona1920
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Dish with Apples (also known as The Ginger Jar)1918
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Still LIfe, Roses and Book1920
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Iona1923 · Scottish National Gallery of Modern Art
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Aspidistra1927
69
Chops1927
70
Still Life With Roses1924
71
Iona, Pink Rocks1927
72
Landscape, Cassis1924
73
Blue Sea, Iona1927
74
Iona, Grey Day1927
75
The Ginger Jar1926
76
Landscape at Cassis1924 · Scottish National Gallery of Modern Art
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Studio Interior1929
78
Tulips In A Brown Jar1933
79
Landscape1932
80
Stormy Weather, Iona1929
81
River1932
82
Iona Study1929 · Scottish National Gallery of Modern Art
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Landscape1932
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The Green Jar1930
85
Interior with Japanese Print1916
86
Still LIfe with Statuette and Books1920
87
Still Life with Melon and Apples
88
Still Life - Roses And Apples
89
Still Life With Tulips And Fan
90
A Perthshire Road
91
Pink Roses
92
The White Strand, Iona
93
Woman with Long Hair
94
Figures on a Beach
95
Kirkcudbright
96
Female Nude with PitcherUniversity of Edinburgh Fine Art Collection
97
Flowers in a Silver Jug
98
Still Life with Wine Decanter, Glass and Apples
99
tulips in a white vase
100
Interior
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
6 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Samuelis Jonas Pepolas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Scottish National Gallery of Modern Art |
Edinburgh | 20 | Self-Portrait, Portrait of the Artist's Wife, Étaples |
 Škotijos nacionalinė portretų galerija |
Edinburgas | 1 | Samuel John Peploe, 1871 - 1935. Artist (Self-portrait) |
 Art Gallery of New South Wales |
Sidnėjus | 1 | Still life: apples and jar |
 Art Gallery of South Australia |
Adelaida | 1 | Still life with pears and wineglass |
 University of Dundee |
Dundee | 1 | Nannie |
 University of Edinburgh Fine Art Collection |
Edinburgh | 1 | Female Nude with Pitcher |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
To gaze upon Samuel John Peploe’s Still Life with Pink and Red Roses in a Chinese Vase is to step directly into the vibrant, sun-drenched palette of early 20th-century Scottish artistry. This painting, executed in 1920, transcends the mere depiction of flowers and fruit; it is a carefully orchestrated meditation on beauty, transience, and the enduring power of color. Peploe, a master who navigated the currents of Post-Impressionism while retaining…
Street Scene, France (1910). Toliausiai eina Margaret Peploe (1911) ir The Lobster (1903).
39 metų amžiaus: Street Scene, France sukurta 1910 m. Nr. Samuelis Jonas Pepolas gimė 1871.
Street Scene, France, Margaret Peploe, The Lobster, Evening, North Berwick, Tulips and Fruit, Self-Portrait, Boy Reading (Portrait Of The Artist's Son, Willie), Gypsy, Portrait of the Artist's Wife ir Mrs. Peploe. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 112 Samuelis Jonas Pepolas darbų, skirtų laikotarpiui nuo 1899 iki 1933.
Daugiausia – Scottish National Gallery of Modern Art (Edinburgh), Škotijos nacionalinė portretų galerija (Edinburgas) ir Art Gallery of New South Wales (Sidnėjus). Viršuje esančiame muziejų sąraše yra visi jie.
1900s laikotarpiu: 33 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Lobster.
Šioje pusėje seniausias darbas yra Gypsy (1899), o naujausias – Tulips In A Brown Jar (1933).
Still life (8), Flowers (8) ir Woman (4) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 16.
Post-impressionism, vadovaujantis šios puslapio originalais kūriniais.
Self-Portrait, Portrait of the Artist's Wife ir Étaples: Scottish National Gallery of Modern Art, Edinburgh kolekcijoje yra 20 šioje pusėje esančių darbų.
