Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 207 Pjeras Polis Prudonas darbai mūsų kataloge
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Portrait of the Empress Josephine (1805) yra Pjeras Polis Prudonas paveikslas, kuriuo gausiausia žmonių žavisi. Po to akmuo patenka į Venus Bathing (1810) ir Untitled (D2X835) (1817). Iš 207 Pjeras Polis Prudonas darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The Portrait of the Empress Josephine by Pierre-Paul Prud'hon presents a quiet, intimate moment captured in 1805. The subject of this work is Josephine Bonaparte, the first wife of Napoleon Bonaparte. Rather than appearing in the rigid splendor of the imperial court, she is seen here in a more private, natural setting. She sits upon the mossy rocks of the gardens at Malmaison, a place deeply connected to her own…
Pierre-Paul Prud’hon's “Venus Bathing” stands as a cornerstone of Neoclassical art, embodying the era’s pursuit of idealized beauty and rational order. Painted in 1810 during a period marked by significant artistic upheaval—the waning influence of Rococo giving way to Romantic fervor—this monumental oil on canvas (134 x 103 cm) resides within the hallowed halls of the Musée du Louvre, Paris, ensuring its enduring legacy.
Pierre-Paul Prud’hon’s “Untitled (D2X835),” painted in 1817, offers a captivating glimpse into the world of Parisian society during the early 19th century. More than just a simple portrait, it's a carefully constructed tableau vivant—a staged scene brimming with subtle social commentary and an exquisite mastery of chiaroscuro, a technique that defines Prud’hon’s distinctive style. The painting depicts a gentleman in formal attire – a dark suit, top hat, and crisp…
The air in the room feels warm and still, filled with the soft scent of oil paint and the gentle breathing of young life. A seated child, draped in a luminous yellow dress that catches the light from an unseen window to the upper right, leans into a moment of pure connection. Beside them, another child stands, arms cradling a cluster of puppies. The scene is intimate, a private fragment…
The heavens open in a dramatic display of divine authority, casting a celestial light upon the earthly realm below. High above the clouds, angels descend through a luminous sky, their forms caught in a moment of eternal motion. Some of these heavenly beings carry swords and shields, their presence signaling a power that transcends the mortal plane. Amidst this swirling movement, small cherubs drift through the air, adding a sense…
A single figure occupies the space, a woman caught in a moment of quiet contemplation. She sits with her hand pressed against her head, her gaze turned upward toward an unseen source of light. The charcoal and chalk trace the soft contours of her skin, building a body through the delicate interplay of shadow and highlight. There is a stillness here, a pause in breath that feels heavy and intimate.…
The Zephyr is an oil sketch by Pierre-Paul Prud'hon, a work that captures a sense of mythological grace through its delicate handling of form. Created around 1814, this piece reflects the artist's ability to navigate the transition between Neoclassicism and Romanticism. The subject, often interpreted as a personification of the wind, is rendered with a lightness that suggests movement even within the stillness of the oil medium.
In the turbulent landscape of 1793, amidst the fervor and shadows of the French Revolution, Pierre-Paul Prud'hon captured more than just a likeness; he captured an era. His portrait of Louis Antoine de Saint Just serves as a profound window into a moment of intense political and personal transformation. The subject, a man whose name was synonymous with the radical shifts of the Reign of Terror, is presented not through…
In the painting Abundance, Pierre-Paul Prud'hon presents two human figures positioned in a close, intimate arrangement. Created about 1823, the work focuses on the interaction between these two subjects against a dark, indistinct background. The figures appear to be engaged in either a shared task or an embrace, though their exact movements remain partially obscured by the shadows. The composition centers on this physical proximity, placing the viewer in immediate…
In this 1821 oil on canvas, we find ourselves drawn into a quiet, heavy moment of human suffering. The composition centers on a family bound together by a profound sense of loss, their bodies slumped in a way that speaks of exhaustion and despair. A man and a woman sit at the heart of the group, surrounded by children, creating an intimate, tight arrangement that emphasizes their collective grief. The…
Dr. Thomas Dagoumer (1762-1833/1835)1819 · Fogg Museum
12
Innocence Choosing Between Love and Riches1804 · Art Institute of Chicago
13
Wisdom and Truth Descending to Earth1758 · Bavarijos valstybinės paveikslų kolekcijos
14
The Preparations of War or The Preparations of Love1790 · Musée Cognacq-Jay
15
The Cruel Laughs at the Tears He Makes Fall1794
16
Monument to Pope Clement XIV by Canova1787
17
Portrait of sculptor Nicolas Bornier1788 · Musée des Beaux-Arts de Dijon
18
Minerva Illuminating the Genii of the Arts and Sciences1800
19
The Genius of Peace1800
20
Young Naiad Ravished by Loves1800
21
Diana Imploring Jupiter Not to Subject Her to the Laws of Hymen1802
22
Minerva1797
23
Apollo1797
24
Plutus1797
25
Pan1797
26
Time1797
27
Old Age1797
28
Two Winged Horses1797
29
Mnemosyne1797
30
The Folly1797
31
Mercury1797
32
Bacchus1797
33
Portrait of an Unknown Person1800 · Carnavalet muziejus
34
Diana begs Jupiter not to subject her to the hymen1803
35
Portrait of Marguerite Duffour, wife of sculptor Nicolas Bornier1796
36
Male Nude Grasping his Wrists1800
37
Seated Male Nude1800
38
Female Nude from Behind1800
39
Standing Female Nude1800
40
Male Nude Raising his Arm1800
41
Seated Female Nude by a Fountain1800
42
Female Nude Reclining1800
43
Female Nude Leaning1800
44
Daphnis and Chloe1802
45
Female Nude Bound1800
46
Male Nude Turning1800
47
Male Nude Pointing1800
48
Female Nude Raising her Arm1800
49
The Source1801
50
Drawing of Female Nude with charcoal and chalk1800
51
Portrait of Georges Anthony1796 · Musée des Beaux-Arts de Dijon
52
Drawing of Female Nude with charcoal and chalk1800
53
Drawing of Female Nude with charcoal and chalk1800
54
Arts, Wealth, Pleasure and Philosophy: Wealth1800
55
Drawing of Female Nude with charcoal and chalk1800
56
Arts, Wealth, Pleasure and Philosophy: Philosophy1800
57
Monsieur Vallet1812
58
Minerva Leading the Genius of the Arts to Immortality1812
59
Meeting of Napoleon I and Francis II of Austria, December 4, 18051809 · Opera House
60
Victory and Peace1807 · Carnavalet muziejus
61
The Empress Josephine1807 · Wallace Collection
62
Seated Woman Plucking a Flower1810 · Rhode Island School of Design Museum of Art
63
Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent1807 · Carnavalet muziejus
64
Study for 'Minerva leading the Genius of the Arts into Immortality'1813 · Fitzwilliam Museum
65
Young Zephyrus balancing above water1814 · Musée des Beaux-Arts de Dijon
66
Abundance1812 · Museum of Fine Arts
67
Venus Bathing1814 · Fine Arts Museums of San Francisco
68
Josephine Bonaparte (study)1805
69
Madame Jarre1821
70
The Dream of Happiness (sketch)1818
71
The Assumption of the Virgin1817 · Wallace Collection
72
Flora and Zephyr1820 · National Museum in Wrocław
73
Gian Battista Sommariva1815
74
Arnauld de Beaufort1818 · Saint Louis Art Museum
75
The Happy Mother1810 · Wallace Collection
76
Portrait of a Young Man1874
77
Crucifixion1822 · Liuvro muziejus
78
Marquis de Lafayette1820 · National Portrait Gallery
79
Homage to Beauty1808 · Condé muziejus
80
The King of Rome in the form of sleeping Cupid1811 · Museo Glauco Lombardi
81
Arts, Wealth, Pleasure and Philosophy1800 · Musée Fabre
82
Portrait of Charles Maurice de Talleyrand-Perigord
83
Rutger Jan Schimmelpenninck with his Wife and Children1801 · Rijksmuseum
84
Venus and Cupid asleep, caressed and awakened by the Zephyrs1806 · Condé muziejus
85
David Johnston1808 · National Gallery of Art
86
French, prudhon)1758
87
The First Kiss of Love1795
88
Madame Copia1792
89
The union of love and friendship1793
90
Nicolas Perchet1795
91
Etienne Renon de Franois1795
92
Christ on the Cross. Mary Magdalene and the Virgin are at His feet1800
93
Seated Female Nude1800
94
Female Nude Raising her Arm1800
95
Drawing of Female Nude with charcoal and chalk1800
96
Portrait of Constance Mayer1804
97
Arts, Wealth, Pleasure and Philosophy: Pleasure1800
98
Arts, Wealth, Pleasure and Philosophy: Arts1800
99
The wisdom and truth1799
100
Portrait of Josephine de Beauharnais1800
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Pjeras Polis Prudonas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Wallace Collection |
Londonas | 6 | Puppies, The Zephyr, The Empress Josephine |
 Condé muziejus |
Šantili | 3 | Abundance, Homage to Beauty, Venus and Cupid asleep, caressed and awakened by the Zephyrs |
 Musée des Beaux-Arts de Dijon |
Dijonas | 3 | Portrait of sculptor Nicolas Bornier, Portrait of Georges Anthony, Young Zephyrus balancing above water |
 Carnavalet muziejus |
Paris | 3 | Portrait of an Unknown Person, Victory and Peace, Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent |
 Liuvro muziejus |
Paryžius | 5 | Venus Bathing, Crucifixion |
 Metropolitano meno muziejus |
Niujorkas | 2 | Untitled (D2X835) |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Seated Woman Plucking a Flower |
 Rijksmuseum |
Amsterdamas | 2 | Rutger Jan Schimmelpenninck with his Wife and Children |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The heavens open in a dramatic display of divine authority, casting a celestial light upon the earthly realm below. High above the clouds, angels descend through a luminous sky, their forms caught in a moment of eternal motion. Some of these heavenly beings carry swords and shields, their presence signaling a power that transcends the mortal plane. Amidst this swirling movement, small cherubs drift through the air, adding a sense…
The air in the room feels warm and still, filled with the soft scent of oil paint and the gentle breathing of young life. A seated child, draped in a luminous yellow dress that catches the light from an unseen window to the upper right, leans into a moment of pure connection. Beside them, another child stands, arms cradling a cluster of puppies. The scene is intimate, a private fragment…
The Portrait of the Empress Josephine by Pierre-Paul Prud'hon presents a quiet, intimate moment captured in 1805. The subject of this work is Josephine Bonaparte, the first wife of Napoleon Bonaparte. Rather than appearing in the rigid splendor of the imperial court, she is seen here in a more private, natural setting. She sits upon the mossy rocks of the gardens at Malmaison, a place deeply connected to her own…
Pierre-Paul Prud’hon's “Venus Bathing” stands as a cornerstone of Neoclassical art, embodying the era’s pursuit of idealized beauty and rational order. Painted in 1810 during a period marked by significant artistic upheaval—the waning influence of Rococo giving way to Romantic fervor—this monumental oil on canvas (134 x 103 cm) resides within the hallowed halls of the Musée du Louvre, Paris, ensuring its enduring legacy.
In the painting Abundance, Pierre-Paul Prud'hon presents two human figures positioned in a close, intimate arrangement. Created about 1823, the work focuses on the interaction between these two subjects against a dark, indistinct background. The figures appear to be engaged in either a shared task or an embrace, though their exact movements remain partially obscured by the shadows. The composition centers on this physical proximity, placing the viewer in immediate…
Portrait of the Empress Josephine (1805). Toliausiai eina Venus Bathing (1810) ir Untitled (D2X835) (1817).
47 metų amžiaus: Portrait of the Empress Josephine sukurta 1805 m. Nr. Pjeras Polis Prudonas gimė 1758.
Portrait of the Empress Josephine, Venus Bathing, Untitled (D2X835), Puppies, The Glorification of the government of Burgundy, Drawing of Female Nude with charcoal and chalk, The Zephyr, Louis Antoine de Saint Just, Abundance ir Une Famille dans la désolation (A Grief-Stricken Family). Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 207 Pjeras Polis Prudonas darbų, skirtų laikotarpiui nuo 1786 iki 1823.
Daugiausia – Wallace Collection (Londonas), Condé muziejus (Šantili) ir Musée des Beaux-Arts de Dijon (Dijonas). Viršuje esančiame muziejų sąraše yra visi jie.
1800s laikotarpiu: 47 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Portrait of the Empress Josephine.
Šioje pusėje seniausias darbas yra The Glorification of the government of Burgundy (1786), o naujausias – Abundance (1823).
Woman (38), Man (32) ir Nude (18) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 28.
Neo-classicism ir Romanticism, vadovaujantis šios puslapio originalais kūriniais.
Puppies, The Zephyr ir The Empress Josephine: Wallace Collection, Londonas kolekcijoje yra 5 šioje pusėje esančių darbų.
Prancūzų dailininkas Pierre-Paul Prud’hon (1758–1823) – tai įspūdinga figūra Prancūzijos meno istorijoje, sklandžiai perėjęs nuo Neoklasicizmo griežtumo prie Romantizmo aistringos ekspresyvumo. Gimęs Cluny miestelyje, Saône-et-Loire regione, Prud’hon gyvenimas ir kūryba atspindi XIX amžiaus pradžios Europos meno pokyčius. Jis žinomas ne tik alegorinėmis tapybomis, bet ir portretais, kuriuose demonstruoja meistrišką šviesos šešėlių valdymą (chiaroscuro) bei realizmą, sugebėjusį užburti žiūrovus ir įkvėpti vėlesnių kartų menininkus.
Prud’hon savo pirmuosius meno pamokimus gavo Prancūzijos provincijoje. 1774 metais jis sulaukė municipalinio stipendijos, leidusi studijuoti École de Dessin Dijone – tai buvo svarbus žingsnis link formalaus meno išsilavinimo. Netrukus, 1784 metais, dailininkas keliavo į Romą, kur pasinėrė į klasikinio meno tyrinėjimą. Ypač didelį įspūdį jam padarė Canova ir Correggio darbai. Šis laikotarpis turėjo gilų poveikį ankstyvajam jo stiliui, suteikdamas elegancijos ir idealizuotos formos jausmą, būdingą Neoklasicizmui. Tačiau net ir tuomet Prud’hon rodė polinkį į subtilius emocinius niuansus, kurie vėliau taps jo kūrybos vizitine kortele.
Prud’hon išgarsėjo Prancūzijos revoliucijos metais. Jis sukūrė įspūdingas vignetes, knygų iliustracijas bei alegorines tapybas, atliepiančias respublikonų idealus. Jo talentą pastebėjo Napoleonas Bonapartas, kuris pavedė jam nutapyti portretus Žozefinai de Boharnė ir Marijos Luizai d’Autriche. Ypač įsimintas Žozefinos portretas, kuriame ji nebuvo vaizduojama kaip imperatorienė, o kaip kerinti moteris – tai sukėlė daug spekuliacijų apie galimą romanišką santykį tarp dailininko ir buvusios karalienės. Prud’hon sugebėjo puikiai derinti to meto besikeičiančias meno tendencijas, į savo darbus įtraukdamas tiek Neoklasicizmo elementus, tiek Romantizmo užuominų. Nors jis išlaikė klasikinį kompozicijos pagrindą ir formą, jo tapybose atsirado emocinio gilumo ir dramatiškos šviesotės, pranašaujančios Romantizmo judėjimą.
Prud’hon paliko po savęs daugybę reikšmingų darbų. Madame Georges Anthony and Her Two Sons (1796) – tai ankstyvas pavyzdys jo portretinės tapybos įgūdžių, demonstruojantis rafinuotą eleganciją. The Soul Breaking the Links Holding it to the Earth – galingas alegorinis kūrinys, parodantis jo gebėjimą perteikti sudėtingus jausmus simboline kalba. The Dream of Happiness – liūdnas apmąstymas apie žmogaus siekius ir troškimus. Crucifixion (1822), užsakyta St Etienne’o katedrai Metze, o dabar saugoma Louvro muziejuje, laikomas vienu iš jo svarbiausių pasiekimų. Justice and Divine Vengeance Pursuing Crime – monumentalus šedevras, pranašaujantis Géricault’o *The Raft of the Medusa* dramatiškumą.
Prud’hon turėjo didelį poveikį vėlesnės kartos prancūzų menininkams. Jo meistriškas šviesos šešėlių valdymas, gebėjimas portretuose perteikti psichologinį gilumą bei Neoklasicizmo ir Romantizmo stilių sintezė padarė jį labai gerbiamu meno pasaulyje. Menininkai, tokie kaip Théodore Géricault ir Eugène Delacroix, pripažino jo įtaką, semdamiesi įkvėpimo iš jo dramatiškos kompozicijos ir emocinio ekspresyvumo. Stendhalis, Millet’as ir Baudelaire’as taip pat atpažino Prud’hon meno vertę, dar labiau sustiprindami jo vietą prancūzų kultūros istorijoje. Jo kūryba – tai subtilus perėjimas nuo racionalaus Neoklasicizmo prie aistringo Romantizmo, palikęs neišdildomą pėdsaką Europos meno istorijoje.
