Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 43 Dierikas Boutsas darbai mūsų kataloge
In short
To the gallery's eye, Dierikas Boutsas's most famous painting is Christ Crowned with Thorns (1475), whose original hangs in the Courtauld Gallery, Londonas. Christ Crowned with Thorns (1470) and Maria in Prayer (1450) complete the trio every eye recognises. Of the 43 works by Dierikas Boutsas in our catalog, the gallery presents the 43 most famous below, each original with its year, its museum and what makes it unique.
The air feels heavy and still as we gaze into the eyes of the Man of Sorrows. Christ faces us directly, his presence filling the narrow space of the frame with an intensity that demands an immediate, personal response. A thin, delicate red halo encircles his head, a subtle whisper of divinity amidst the physical agony. Tears stream down his pale cheeks, catching the light as they trace paths through…
The image before us is Christ Crowned with Thorns, a poignant work by the Early Netherlandish painter Dieric Bouts. Created about 1470, the painting captures a moment of profound suffering, pulling the viewer into an intimate encounter with the Man of Sorrows. The subject's face, marked by the physical toll of his passion, meets the gaze of the observer with an intensity that demands a personal response.
Nativity fragment with Joseph and Two Shepherds1480
12
The Nativity1474 · Philadelphia Museum of Art
13
Head of Christ1469 · Nationalmuseum
14
Annunciation1480 · Čartoryski muziejus
15
Interior: saints Agatha and Claire / Exterior: The Annunciation: Mary1480 · Gemäldegalerie
16
Virgin with child1477 · Gemäldegalerie
17
The Virgin and Child1475 · Harvard Art Museums
18
Portrait of a Man1470
19
Nursing Madonna1499
20
The Way to Paradise, oil on wood, Musée des B1450
21
Madonna and Child1465 · National Gallery of Art
22
Justice of the Emperor Otto: The Execution of the Innocent Count1475 · Antverpio karališkasis gražiųjų menų muziejus
23
Martyrdom of St. Hippolytus - the central panel from St. Hippolytus Triptych1475
24
The Sermon of John the Baptist / Ecce Agnus DeiGemäldegalerie
25
the birth of christ
26
The Ordeal by Fire (detail)
27
Virgin and Child1475
28
Passion Altarpiece (side wings)
29
The Virgin and ChildAntverpio karališkasis gražiųjų menų muziejus
30
The Virgin and Child, panel painting, Musée Royal d
31
Triptych of the Virgiin
32
Ecce agnus dei
33
Mary and ChildNational Gallery
34
Virgin and Child, tempera and oil on wood, Metropol
35
Resurrection (detail)
36
Triptych of the Virgin (Detail)
37
The entombment (detail)
38
The Martyrdom of St. Erasmus (Elmo). Mittbilden i E
39
The Mourning Virgin; Christ Crowned with Thorns
40
Portrait of a Man
41
Mary with Child Seated in a Gilded Niche1470
42
Lady in the rose garden
43
St hippolyte triptychSint-Salvatorskerk
The four subjects that come back most often in these originals, each with its finest example.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Dierikas Boutsas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Gemäldegalerie |
Berlynas | 4 | Maria in Prayer, Interior: saints Agatha and Claire / Exterior: The Annunciation: Mary, Virgin with child |
 National Gallery |
Londonas | 2 | Christ Crowned with Thorns, Mary and Child |
 Antverpio karališkasis gražiųjų menų muziejus |
Antverpys | 2 | Justice of the Emperor Otto: The Execution of the Innocent Count, The Virgin and Child |
 Courtauld Gallery |
Londonas | 1 | Christ Crowned with Thorns |
 Statens Museum For Kunst |
Kopenhaga | 1 | Virgin and Child |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | Virgin and Child |
 Laing Art Gallery |
Newcastle upon Tyne | 1 | The Miracle of the Gallows |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Christ showing his wounds (John 20: 25-26) |
Pick a decade to see the original that defines it.
The air feels heavy and still as we gaze into the eyes of the Man of Sorrows. Christ faces us directly, his presence filling the narrow space of the frame with an intensity that demands an immediate, personal response. A thin, delicate red halo encircles his head, a subtle whisper of divinity amidst the physical agony. Tears stream down his pale cheeks, catching the light as they trace paths through…
Christ Crowned with Thorns (1475), Courtauld Gallery, Londonas. Christ Crowned with Thorns (1470) and Maria in Prayer (1450) come next.
60 years old: Christ Crowned with Thorns dates from 1475, and Dierikas Boutsas was born in 1415.
Christ Crowned with Thorns, Christ Crowned with Thorns, Maria in Prayer, Virgin and Child, Virgin and Child, The Miracle of the Gallows, Christ showing his wounds (John 20: 25-26), The Virgin of Sorrows, Man of Sorrows ir John the Evangelist. The ranking above gives each one's year and museum.
Our catalog holds 43 works by Dierikas Boutsas, dated from 1447 to 1475.
Mostly in Gemäldegalerie (Berlynas), National Gallery (Londonas) ir Antverpio karališkasis gražiųjų menų muziejus (Antverpys). The museum table above lists them all.
In 1470s: 9 of the 43 works on this page were made then, Christ Crowned with Thorns among them.
On this page, the earliest is The Miracle of the Gallows (1447) and the latest Christ Crowned with Thorns (1475).
Arts (3), Virgin (3) ir Children (3), across the 43 works on this page.
Oil On Panel, for 2 of the 43 works on this page.
Northern renaissance, judging by the originals on this page.
Maria in Prayer, Interior: saints Agatha and Claire / Exterior: The Annunciation: Mary ir Virgin with child: the Gemäldegalerie, Berlynas holds 4 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
Dierikas Boutsas buvo ankstyvasis nyderlandų dailininkas, savo kūrybinį kelią Leuven mieste siejęs nuo 1457 metų iki pat mirties 1475 metais. Prigiminingis Haarlemas, Nyderlanduose, jis tapo ne tik talentingas tapininkas, bet ir meistriškas piešininku. Jo karjera pasiekė aukštumas 1468 metais, kai jis tapo Leuven miesto dailininkas. Asmeniškai Boutsas du kartus susituokė ir turėjo keturią vaikus; jo du sūnus vėliau patys tapo menininkais, tęsdami Boutsas šeimos dirbtuvų tradicijas iki XVI amieno vidurio.
Jo dokumentuoti darbai apima kelias itin svarbias kūrybos pavyzdines dalis, tokias kaip:
Boutsas yra žinomas dėl savo inovatyvaus vieno taško perspektyvos naudojimo – šios technikos meistriškai pasireiškia jo pavaizduotyje Paskutinėje vakarienėje. Šiame kūrybinio meistriškumo šedevre Kristus atlieka eucharistijos paregdos procesą, o aplink jį – keturi flamų aprangą dėvinči ai xv a. tarnai. Kiti jo žinomi darbai apima Teisingumo panelės, kuriose vaizduojamas Šventarosios Romos imperatoriaus Otono III gyvenimas, bei įvairias maldos skersinės panelės, pavyzdžiui, Švč. Mergelės su Pasaiku.
Jo kūrybos repertuaras apima ir kitus svarbius darbus, įskaitant:
