Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 160 Klifordas Stilas darbai mūsų kataloge
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PH-247 (1951) yra Klifordas Stilas paveikslas, kuriuo gausiausia žmonių žavisi. Po to akmuo patenka į PH-1007 (1976) ir Untitled (1946). Iš 160 Klifordas Stilas darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.
PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.
Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.
In the vast, emotive landscape of Abstract Expressionism, few works command the room with such primal intensity as Clyfford Still’s 1948 C. This monumental canvas is not merely a painting but an immersive environment, a swirling vortex of warmth that captures the very essence of elemental energy. Dominated by a radiant palette of sun-drenched yellows and searing oranges, the work feels as though it were forged in the heart of…
In the vast, emotive landscape of Abstract Expressionism, few works command the eye with such raw, elemental energy as PH-923. Created in 1974 by the master of organic abstraction, Clyfford Still, this painting serves as a profound testament to the power of non-figurative language. At first glance, the viewer is met with an expansive blue canvas, a deep and immersive field that suggests both the infinite reaches of a twilight…
Created in 1957, PH-160 by Clyfford Still exists as a field of pure color. The canvas holds a dialogue between blue and yellow. These hues do not merely sit upon the surface; they occupy the space with a heavy, physical presence. The blue carries a weight that anchors the composition, while the yellow provides a sharp, sudden light. It is a quiet collision of elements.
In the vast, turbulent landscape of mid-century American art, few voices resonate with as much primal intensity as that of Clyfford Still. His masterpiece, PH-272, stands as a monumental testament to the dawn of Abstract Expressionism, inviting the viewer into a world where color and texture transcend mere representation to touch the very essence of existence. Created in 1950, this work is not merely a painting but an immersive environment.…
Created in 1956, this oil on canvas composition operates through a language of fractured planes and intense chromatic tension. The work avoids representational forms, opting instead for a structural arrangement of blue and white fields. A sharp, white line cuts across the upper register, creating a stark boundary that disrupts the visual flow. Below, two distinct blue areas dominate the foreground, their irregular shapes suggesting a sense of geological or…
To stand before 1950 A No. 2 is to witness a profound dialogue between light and shadow, a visceral confrontation with the elemental forces of nature. As a seminal work from the height of Clyfford Still’s creative powers, this masterpiece transcends mere abstraction to become an existential landscape. The canvas erupts in a dramatic interplay of deep, pulsating reds and brilliant, sun-drenched yellows, creating a sense of movement that feels…
Clyfford Still's "1950-W," painted in 1950, stands as a pivotal work within the trajectory of Abstract Expressionism. More than simply a painting, it’s an immersive experience—a visceral confrontation with color and texture that speaks to the anxieties and burgeoning energy of postwar America. This piece, rendered in layers of intense yellow and gold punctuated by strategic reds and whites, isn't about depicting recognizable objects; instead, it plunges directly into the…
PH-2351944
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PH-811935
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PH-791935
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PH-3251943
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PH-6201942
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PP-1131962
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PH-6721923
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PH-4481935
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PD-241932
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PH-6161929
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PH-6441934
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PH-2291935
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PP-4931936
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Portrait of Artist1941
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1950 B1950 · The Phillips Collection
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PH-10341973
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PH-9451946
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PH-761935
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PH-2571935
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PH-2151935
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PH-7511944
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PH-41952
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PH-6531934
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Untitled1964 · Guggenheim muziejus Bilbao
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PH-771936
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PP-1041952
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PH-11231954
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PH-2741920
39![PH-233 [formerly Self-Portrait] (1945) aut. Klifordas Stilas](/media/artworks/images-thumb/ee/8d/ee8d64fde49d8167a8ef180934d1231c.jpg)
PH-233 [formerly Self-Portrait]1945 · San Francisco modernio meno muziejus
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PH-45 (Field Rocks)1925
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Row of Elevators1928 · Smithsonian American Art Museum
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PH-7821927
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Moraine Lake1929
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PH-6191931
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PD-1021931
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PH-445 (The Cripple)1929
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PH-4191929
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PH-6231930
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Row of Elevators1929
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PS-31938
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PP-71935
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PH-2311935
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PH-2961935
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PH-4161935 · Nationalmuseum
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PH-2971938
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Untitled1938
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PH-4351935
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PH-3431937
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PH-5921935
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PH-6511934
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PH-6241936
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PH-2301935
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PH-6381934
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PH-2281935
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PH-4141935
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PH-3401935
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PH-2751935
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PH-2111936
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Edge of town, Nespelem, WA (PP-491)1936
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PH-781935
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PP-2411936
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PH-801935
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PH-6451935
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PS-21943
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PH-5241943
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PH-4861943
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PH-4941939
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1943 A1943
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PH-4951943
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PH-4871943
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PNX-411942
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PH-2861943
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PH-5471943
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PH-3131942
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PH-5541942
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PH-6131942
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PH-851942
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PH-5351943
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PH-4731943
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PH-5081943
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PH-2991943
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PH-6181942
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PH-5251943
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PN-21942
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PN-41939
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PH-2101942
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PH-3821940
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Figure1944
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19481948
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1944-N No. 21944
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
6 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Klifordas Stilas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Metropolitano meno muziejus |
Niujorkas | 4 | Untitled, 1950-W |
 Smithsonian American Art Museum |
Vašingtonas | 2 | Row of Elevators |
 The Phillips Collection |
Vašingtonas | 1 | 1950 B |
 Guggenheim muziejus Bilbao |
Bilbao | 1 | Untitled |
 San Francisco modernio meno muziejus |
San Francisco | 1 | PH-233 [formerly Self-Portrait] |
 Nationalmuseum |
Stokholmas | 1 | PH-416 |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps a coat draped loosely over his shoulders. His glasses catch the light, framing eyes that look directly at the viewer with a serious, unyielding expression. He is not alone in this space; two other figures linger in the periphery, one to the…
Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.
The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.
PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.
PH-247 (1951). Toliausiai eina PH-1007 (1976) ir Untitled (1946).
47 metų amžiaus: PH-247 sukurta 1951 m. Nr. Klifordas Stilas gimė 1904.
PH-247, PH-1007, Untitled, 1948 C, PH-923, PH-160, PH-272, PH-223, 1950 A No. 2 ir 1950-W. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 160 Klifordas Stilas darbų, skirtų laikotarpiui nuo 1920 iki 1976.
Daugiausia – Metropolitano meno muziejus (Niujorkas), Smithsonian American Art Museum (Vašingtonas) ir The Phillips Collection (Vašingtonas). Viršuje esančiame muziejų sąraše yra visi jie.
1930s laikotarpiu: 41 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų PH-81.
Šioje pusėje seniausias darbas yra PH-274 (1920), o naujausias – PH-1007 (1976).
Color field (4), Color field painting (3) ir Portrait (3) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 17.
Abstract expressionism, vadovaujantis šios puslapio originalais kūriniais.
Untitled ir 1950-W: Metropolitano meno muziejus, Niujorkas kolekcijoje yra 2 šioje pusėje esančių darbų.
