Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 35 Bertel Thorvaldsen darbai mūsų kataloge
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Galerijos akimais, garsiausias Bertel Thorvaldsen tapas yra The three Graces, kurio originalas eksponuojamas Accademia di San Luca, Roma. Adonis (1808) ir Christ užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 35 Bertel Thorvaldsen darbų mūsų kataloge, galerija žemiau pristato 29 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
In the quiet, hallowed halls of Neoclassical mastery, few works resonate with the same ethereal tenderness as Bertel Thorvaldsen’s The Three Graces. Sculpted in 1817 during the artist's most prolific years in Rome, this marble masterpiece is far more than a mere depiction of mythological figures; it is a profound meditation on harmony, intimacy, and the timeless ideals of beauty. As one gazes upon the smooth, luminous surfaces of the…
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
To stand before this depiction of Christ is to encounter an immediate hush, a profound stillness captured in pale stone. The sculpture presents the upper torso and head of Jesus, rendered with the idealized perfection characteristic of Neoclassicism. Its surface, smooth and luminous—suggesting either fine marble or expertly finished plaster—seems to absorb and diffuse light, giving the figure an ethereal quality. The composition centers entirely on this divine presence; Christ’s…
To stand before this magnificent representation of Ganymede and the Eagle is to step directly into the luminous halls of classical mythology. The sculpture, a masterful testament to Neoclassical ideals, captures a moment suspended between divine favor and earthly devotion. It portrays Ganymede, the eternally youthful cupbearer to the gods, in an act of tender offering—presenting sustenance to the majestic eagle that perches nearby. The sheer physicality of the piece,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
In the hallowed, quietude of a Roman church interior, where light dances softly against ancient stone, stands a masterpiece that transcends the boundaries of time. The Monument of Pius VIII, sculpted by the legendary Danish master Albert Bertel Thorvaldsen in 1853, is far more than a mere commemorative marker; it is a profound dialogue between the mortal and the divine. Through the medium of exquisite Carrara marble, Thorvaldsen captures not…
Døgnets tider. Symboliseret ved fire vingede skikkelser is a relief sculpture by Bertel Thorvaldsen. Created about 1794, the work features four winged figures. These figures act as allegories for the Times of the Day.
The sculpture titled Shepherd Boy is a work by the Danish-Icelandic sculptor and medalist Bertel Thorvaldsen. Created about 1800, the figure captures a quiet moment of pastoral life. The boy sits upon a rocky outcrop, a companionable dog resting at his feet. It is a study of stillness and the simple bond between a youth and his animal.
The sculpture titled Mercury Preparing to Kill Argus is a work by the artist Bertel Thorvaldsen. Created about 1818, the piece captures a suspended moment of divine intent. It draws its subject matter from the narratives of Greek mythology, focusing on the messenger god, Mercury. The figure is frozen in the quiet tension of his purpose.
The Three Graces with Cupid1817 · Thorvaldseno muziejus
12
Hebe1816 · Staatliche Kunsthalle Karlsruhe
13
Ganymede Waters Zeus as an Eagle1817 · Thorvaldseno muziejus
14
Statue of Byron1831
15
Triumph of Alexander the Great - Detail of the frieze1812 · Quirinale Palace
16
Hebe1806 · Thorvaldseno muziejus
17
Jason with the Golden Fleece1803 · Thorvaldseno muziejus
18
Self Portrait1810
19
Hebe1806 · Thorvaldseno muziejus
20
Shepherd1817 · Mančesterio meno galerija
21
Hylas Abducted by the Nymphs1831 · Thorvaldseno muziejus
22
Untitled (DAQP3C)
23
Ganymede and the EagleChrysler Museum of Art
24
Venus
25
Cupid and Psyche
26
Apolo
27
Paris
28
Head of Paris
29
Venus with Apple
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Bertel Thorvaldsen darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Thorvaldseno muziejus |
Kopenhidga | 9 | Christ, Shepherd Boy, Mercury Preparing to Kill Argus |
 Accademia di San Luca |
Roma | 3 | The three Graces, Christ, Ganimede and the eagle |
 Neue Pinakothek |
Munchenas | 1 | Adonis |
 Šv. Petro bazilika |
Vaticano miestas | 1 | Monument of Pius VIII |
 Statens Museum For Kunst |
Kopenhaga | 1 | Døgnets tider. Symboliseret ved fire vingede skikkelser |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Hebe |
 Quirinale Palace |
Roma | 1 | Triumph of Alexander the Great - Detail of the frieze |
 Mančesterio meno galerija |
Mančesteris | 1 | Shepherd |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Døgnets tider. Symboliseret ved fire vingede skikkelser is a relief sculpture by Bertel Thorvaldsen. Created about 1794, the work features four winged figures. These figures act as allegories for the Times of the Day.
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
A seated figure dominates the composition, captured in a moment of intense intellectual focus. The subject is depicted in modern attire rather than the traditional Roman costume often associated with Neoclassical portraiture. He sits amidst the fragments of ancient architecture, his feet resting upon a column capital. In his hands, he holds a book—specifically identified as Childe Harold's Pilgrimage—as if poised to record a sudden thought. The marble surface reflects…
The three Graces, Accademia di San Luca, Roma. Toliau seka Adonis (1808) ir Christ.
The three Graces, Adonis, Christ, Ganimede and the eagle, Christ, The Lion of Lucerne, Monument of Pius VIII, Døgnets tider. Symboliseret ved fire vingede skikkelser, Shepherd Boy ir Mercury Preparing to Kill Argus. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 35 Bertel Thorvaldsen darbų, skirtų laikotarpiui nuo 1794 iki 1831.
Daugiausia – Thorvaldseno muziejus (Kopenhidga), Accademia di San Luca (Roma) ir Neue Pinakothek (Munchenas). Viršuje esančiame muziejų sąraše yra visi jie.
1810s laikotarpiu: 8 iš 29 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Lion of Lucerne.
Šioje pusėje seniausias darbas yra Døgnets tider. Symboliseret ved fire vingede skikkelser (1794), o naujausias – Statue of Byron (1831).
Sculpture (11), Marble (6) ir Mythology (4) iš 29 šioje pusėje esamų darbų.
Marble, iš 29 šios puslapio darbų – 12.
Neoclassicism, vadovaujantis šios puslapio originalais kūriniais.
Christ, Shepherd Boy ir Mercury Preparing to Kill Argus: Thorvaldseno muziejus, Kopenhidga kolekcijoje yra 9 šioje pusėje esančių darbų.
Albert Bertel Thorvaldsen (1770–1844) buvo tarptautinės šlovės Danijos ir Islandijos skulptorius, kurio kūriniai įkūnija klasicizmo meno idealus. Jo gyvenimo istorija yra išskirtinio talento, nuosekaus mokymosi ir visatinės šlovės pasakojimas.
Gimęs Danijoje, Kopenhagėje, darbo klasės šeimoje su islandiškomis šakarėmis, Thorvaldsen nuo mažosios metų rodė meninę potencialą. Vos sulaukęs vienuolikos metų, jis buvo priimtas į Karališkąją Danijos meno akademiją. Nepriekaištingas meistriškumas jam atvėrė kelią į Romą – 1797 metais jam paskirtas stipendijas tapo lemiamu žingsniu, paversčiu į jo karjeros pagrindą.
Roma tapo idealia aplinka Thorvaldseno meninei evoliucijai. Jis pasikėlimė į senovės klasikos studijas, kruopščiai kopijuodamas senovines skulptūras ir įsisavinęs formos bei proporcijų principus. Šis atsidavimas leido jam išugdyti išskirtinį klasicizmo stilių, pasižymintį linijų grynumu, idealizuotomis formomis ir ramybės bei didingumo pojūčiu.
Thorvaldsen buvo giliai įkvėstas senųjų Graikijos ir Romos skulptorių darbų, taip pat tokių samtvorių menininkų kaip Antonio Canova. Tačiau jis palaipsniui atsisakė dramatiškesnio Canovos stiliaus, rinkdamasis paprastumą ir nuosaiką. Savo figūrose jis siekė įamžinti ne tik fizinį grožį, bet ir moralinę džiudrą.
1838 metais Thorvaldsen grįžo į Daniją kaip nacionalinis herojus. Danijos vyriausybė Kopenhagėje išstatė Thorvaldseno muziejų, skirtą jo kūriniams saugoti – tai tapo įrodymu jo neįtikėtino populiarumo ir meninės reikšmės. Jis mirė 1844 metais ir yra palaikytas muziejaus vidmenyje.
Bertel Thorvaldsen suvaigino vaidmenį formuojant klasicizmo judėjimą. Jo skulptūros buvo plačiai žinomos ir imituojamos, įkvepdamos daugybę menininkų kartų. Jis sėkmingai atgyvino klasikinio meno idealus skulptūroje, sukūrę darbus, kurie ir šiandien kelia susižvalgymą bei pagarbą. Gebėjimas suderinti techninę meistriškę su menine vizija užtvirtino jo vietą kaip vieno svarbiausių XIX amžiaus skulptorių.
