Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 89 Aleksandr Rodchenko darbai mūsų kataloge
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Iš visų originalų, kuriuos paliko Aleksandr Rodchenko, garsiausias yra Non-objective composition (1917). Tiesiog už jų seka Girl with a Leica ir About That (1923). Mūsų kataloge yra 89 darbų autoriaus Aleksandr Rodchenko; galerija išsaugojo 88 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The scene unfolds through a silver gelatin print on photographic paper, capturing a fleeting moment of urban life. In this work, titled Girl with a Leica, the artist Aleksandr Rodchenko turns his lens toward a young woman. She leans out from a building, her body caught in a moment of purposeful motion. She holds a Leica camera, her focus directed toward the world beyond the frame, appearing as a participant…
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
The work titled Books was created by the artist Aleksandr Rodchenko. Produced in 1924, this piece functions as a graphic advertisement for the Lengiz Publishing House. It captures a specific moment of visual communication from the early Soviet era.
This photograph captures a slice of life from 1924, a time of profound transition. The formal attire and the structured seating reflect a world of social order, yet the candid nature of the shot hints at the shifting perspectives of the era. The interplay of light and shadow does more than just illuminate the subjects; it carves out their identities within a crowded room. There is a quiet gravity here,…
Monument to Pushkin1930
12
Radio listener1929
13
Park of Culture and Rest1932
14
Guard at the Shukhov Radio Tower, Moscow1929
15
Pioneer with a horn1930
16
Stairway1930
17
Assembling for a Demonstration1930
18
Girl with a FlowerMuseum of Fine Arts of Tatarstan
19
Abstraction (Rupture)1920
20
White circle1918
21
Girl with a Leica
22
A Pageant of Youth
23
Lilya Brik
24
Journalist
25
Construction1917
26
Composition1919 · Buffalo AKG meno muziejus
27
Non-Objective Painting no. 80 (Black on Black)1918
28
Line Construction1920
29
Nonsense1921
30
Untitled1919
31
Composition (Winning Red)1918
32
Objectless composition1918
33
Variant cover design for Zaum'. Nestroch'e1921
34
Mandolin player1922
35
Watches1923
36
Cover of book ''About That''1923
37
Vladimir Mayakovsky1924
38
Dobroliot (Fly well)1923
39
Sifilis1926
40
For Sergey Esenin1926
41
Rubbers of Rezinotrest1925
42
Itogo. Stikhi1924
43
Syphilis1926
44
Mayakovsky smiles, laughs, mocks1923
45
Rubbers of Rezinotrest1924
46
Fly. Avia-poems.1923
47
Boats1926
48
Down with Bureaucracy1927 · Kanados Nacionalinė galerija
49
Sovetskoe foto, no. 101927
50
Razgovor s fininspektorom o poezii1926
51
Death Ray1925
52
Pine Trees, Pushkino1927
53
Rubbers of Rezinotrest1924
54
Parizh1925
55
Promotional poster for Mosselprom1923
56
Sergeiu Eseninu1926
57
Mess Mend ili Ianki v Petrograde, vol. 1 101924
58
Mess Mend ili Ianki v Petrograde, vol. 71924
59
Promotional poster for Rezinotrest1923
60
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 21928
61
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 11928
62
Battleship Potemkin1925
63
Katalog posmertnoi vystavki khudozhnika konstruktora L.S. Popovoi1924
64
Untitled1929
65
Quadriga of Apollo on the front of the Bolshoi Theatre1929
66
Lumber1930
67
Bug1929
68
There and back1930
69
Rechevik1929
70
Rechevik. Stikhi1929
71
Demonstration1932
72
The Fire's Man1929
73
The Stairs1930 · Manežo centrinė parodų dovana
74
Realistic abstraction1940
75
Red and Yellow1918
76
Construction
77
Construction
78
Clerk
79
Dobroliot stamps
80
Construction
81
Construction
82
Construction
83
Dancer of the East
84
Dobroliot (Fly well)
85
Books propaganda poster
86
Construction
87
Dobroliot (Fly well)
88
Composition1917
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
4 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Aleksandr Rodchenko darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Museum of Fine Arts of Tatarstan |
Kazan | 1 | Girl with a Flower |
 Buffalo AKG meno muziejus |
Buffalo | 1 | Composition |
 Kanados Nacionalinė galerija |
Otava | 1 | Down with Bureaucracy |
 Manežo centrinė parodų dovana |
Sankt Peterburgas | 1 | The Stairs |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
Non-objective composition (1917). Toliausiai eina Girl with a Leica ir About That (1923).
26 metų amžiaus: Non-objective composition sukurta 1917 m. Nr. Aleksandr Rodchenko gimė 1891.
Non-objective composition, Girl with a Leica, About That, Books, Painter Alexander Shevchenko, Untitled (Female Athletes), Untitled (Self portrait with poster for Battleship Potemkin), Parade of the Dynamo Sports Club, 1928, And this is standing for centuries ir Battleship Potemkin. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 89 Aleksandr Rodchenko darbų, skirtų laikotarpiui nuo 1917 iki 1940.
Daugiausia – Museum of Fine Arts of Tatarstan (Kazan), Buffalo AKG meno muziejus (Buffalo) ir Kanados Nacionalinė galerija (Otava). Viršuje esančiame muziejų sąraše yra visi jie.
1920s laikotarpiu: 50 iš 88 šioje pusėje esančių darbų buvo sukurtos tada, iš jų About That.
Šioje pusėje seniausias darbas yra Non-objective composition (1917), o naujausias – Realistic abstraction (1940).
Designs and sketches (11), Advertisments (11) ir Covers (8) iš 88 šioje pusėje esamų darbų.
Painting, iš 88 šios puslapio darbų – 2.
Constructivism, vadovaujantis šios puslapio originalais kūriniais.
