Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 23 Thomasas Hovendenas darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Thomasas Hovendenas garsiausias yra Breaking Home Ties (1890), esantis Philadelphia Museum of Art kolekcijoje, Filadelfija. Tiesiog už jų seka Jerusalem the Golden (1892) ir Study of a Man with Grindstone (1850). Mūsų kataloge yra 23 darbų autoriaus Thomasas Hovendenas; galerija išsaugojo 23 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
In 1890, Thomas Hovenden painted Breaking Home Ties, a work that captures a heavy moment of transition within an American rural household. The scene depicts the quiet necessity of departure, illustrating a period when young sons were forced to leave the family land to seek a living in the city or on the distant, shrinking frontier. It is a depiction of a fractured domesticity, where the soil of the farm…
A young woman reclines upon a chaise lounge, her form the apex of a silent pyramid. She rests within a softly lit room where muted tones and textured fabrics settle like dust in the afternoon light. Two men occupy the periphery; one watches her with a heavy, concerned gaze, while another lingers in the shadows behind. The air in this 1892–94 oil painting feels thick with stillness. Every brushstroke leans…
The oil study titled Study of a Man with Grindstone was created by Thomas Hovenden. This work emerged around 1850. It captures a singular, quiet moment of labor through the medium of oil.
This monochromatic drawing, executed in 1867, presents a central female figure rendered in heavy graphite and white gouache on tan wove paper. The woman is positioned in profile, facing toward the right side of the composition. Her head is bowed, casting her gaze downward. She wears a heavy, dark skirt with deep folds that suggest weight and texture through dense hatching and shading. Behind her, a second figure—a man—is indicated…
In this intimate oil on canvas, the artist Thomas Hovenden turns his gaze inward, capturing himself within the familiar confines of his workspace. Titled Self-Portrait of the Artist in His Studio, the work offers a glimpse into a private, lived-in world. The scene unfolds across a vertical plane, measuring 67.37 x 44.51cm, where the man and his surroundings exist in a quiet, suspended moment of repose.
In 1873, Thomas Hovenden captures a quiet, heavy moment within the walls of a private interior. The Discussion finds two men locked in a formal meeting, their presence commanding the space around them. One man offers a pipe to the other, a gesture that hangs in the air between them, suggesting a pause in a significant exchange. The atmosphere carries a weight of seriousness, as if the words spoken here…
In the oil painting "Chloe and Sam" by Thomas Hovenden, dated about 1882, the composition centers on two elderly figures within a rustic, dimly lit kitchen. The scene is captured from a straight-on medium shot, placing the viewer directly within the cluttered, lived-in interior of the cottage. On the left, a woman stands at a table covered with a striped cloth, appearing engaged in food preparation. She wears a white…
The Portrait of Frank Hamilton Cushing by Thomas Hovenden captures a moment of quiet presence. Painted in 1890, this oil on canvas presents the likeness of Frank Hamilton Cushing, an American anthropologist and ethnologist. He sits before us, his gaze meeting the observer with a steady, thoughtful expression that suggests a mind deeply engaged with the complexities of his studies.
To stand before Thomas Hovenden's Hoc Signo Vinces is to step across the threshold of time, into a richly textured moment plucked from the tumultuous heart of history. This oil on canvas, executed in 1880, transcends mere portraiture or genre scene; it is a profound meditation on conflict, faith, and the enduring human spirit. The painting draws its dramatic weight from the backdrop of the Wars of the Vendée during…
Self Portrait of the Artist in His Studio is an oil on canvas work by Thomas Hovenden. The painting is dated 1875. It depicts a solitary male artist within the confines of his studio. This specific composition is currently held at the Yale University Art Gallery in New Haven.
Still Life with Fan and Roses1874 · Smithsonian American Art Museum
12
What O'Clock Is It.1878
13
Contentment1881 · Columbia Museum of Art
14
Dem Ws Good Ole Times1882
15
The Sailor's Return1892
16
Sketch of Arm and Sketch of Two HandsMetropolitano meno muziejus
17
Study of a Man
18
A Special Correspondent
19
Taking His Ease1885 · Fine Arts Museums of San Francisco
20
The Last Moments of John Brown1882 · Metropolitano meno muziejus
21
The Village Blacksmith
22
The Flower of Scotland
23
The Last Moments of John Brown1884 · Fine Arts Museums of San Francisco
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Thomasas Hovendenas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Metropolitano meno muziejus |
Niujorkas | 4 | Jerusalem the Golden, Standing Woman with Man in Outline, Sketch of Arm and Sketch of Two Hands |
 Smithsonian American Art Museum |
Vašingtonas | 2 | Portrait of Frank Hamilton Cushing, Still Life with Fan and Roses |
 Fine Arts Museums of San Francisco |
San Francisco | 2 | Taking His Ease, The Last Moments of John Brown |
 Philadelphia Museum of Art |
Filadelfija | 1 | Breaking Home Ties |
 Birmingham art muziejus |
Birminghamas | 1 | Study of a Man with Grindstone |
 Yale University Art Gallery |
Niū Hevenas | 1 | Self-Portrait of the Artist in His Studio |
 Amon Carter prigimtinio amerikietiško meno muziejus |
Fort Worth | 1 | Chloe and Sam |
 Detroito meno institutas |
Detroitas | 1 | Hoc Signo Vinces (also known as In This Sign Shalt Thou Conquer) |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The oil study titled Study of a Man with Grindstone was created by Thomas Hovenden. This work emerged around 1850. It captures a singular, quiet moment of labor through the medium of oil.
This monochromatic drawing, executed in 1867, presents a central female figure rendered in heavy graphite and white gouache on tan wove paper. The woman is positioned in profile, facing toward the right side of the composition. Her head is bowed, casting her gaze downward. She wears a heavy, dark skirt with deep folds that suggest weight and texture through dense hatching and shading. Behind her, a second figure—a man—is indicated…
In this intimate oil on canvas, the artist Thomas Hovenden turns his gaze inward, capturing himself within the familiar confines of his workspace. Titled Self-Portrait of the Artist in His Studio, the work offers a glimpse into a private, lived-in world. The scene unfolds across a vertical plane, measuring 67.37 x 44.51cm, where the man and his surroundings exist in a quiet, suspended moment of repose.
In the oil painting "Chloe and Sam" by Thomas Hovenden, dated about 1882, the composition centers on two elderly figures within a rustic, dimly lit kitchen. The scene is captured from a straight-on medium shot, placing the viewer directly within the cluttered, lived-in interior of the cottage. On the left, a woman stands at a table covered with a striped cloth, appearing engaged in food preparation. She wears a white…
In 1890, Thomas Hovenden painted Breaking Home Ties, a work that captures a heavy moment of transition within an American rural household. The scene depicts the quiet necessity of departure, illustrating a period when young sons were forced to leave the family land to seek a living in the city or on the distant, shrinking frontier. It is a depiction of a fractured domesticity, where the soil of the farm…
Breaking Home Ties (1890), Philadelphia Museum of Art, Filadelfija. Toliau seka Jerusalem the Golden (1892) ir Study of a Man with Grindstone (1850).
50 metų amžiaus: Breaking Home Ties sukurta 1890 m. Nr. Thomasas Hovendenas gimė 1840.
Breaking Home Ties, Jerusalem the Golden, Study of a Man with Grindstone, Standing Woman with Man in Outline, Self-Portrait of the Artist in His Studio, The Discussion, Chloe and Sam, Portrait of Frank Hamilton Cushing, Hoc Signo Vinces (also known as In This Sign Shalt Thou Conquer) ir Self Portrait of the Artist in His Studio. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 23 Thomasas Hovendenas darbų, skirtų laikotarpiui nuo 1850 iki 1892.
Daugiausia – Metropolitano meno muziejus (Niujorkas), Smithsonian American Art Museum (Vašingtonas) ir Fine Arts Museums of San Francisco (San Francisco). Viršuje esančiame muziejų sąraše yra visi jie.
1880s laikotarpiu: 7 iš 23 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Chloe and Sam.
Šioje pusėje seniausias darbas yra Study of a Man with Grindstone (1850), o naujausias – Jerusalem the Golden (1892).
Man (7), Woman (4) ir Portrait (4) iš 23 šioje pusėje esamų darbų.
Oil On Canvas, iš 23 šios puslapio darbų – 12.
Contemporary realism, vadovaujantis šios puslapio originalais kūriniais.
Jerusalem the Golden, Standing Woman with Man in Outline ir Sketch of Arm and Sketch of Two Hands: Metropolitano meno muziejus, Niujorkas kolekcijoje yra 4 šioje pusėje esančių darbų.
