Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 183 Théodore Géricault darbai mūsų kataloge
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Laivo Medūzos ištekėjimas (1818) yra viena矚 most žiūrėlių pritraukiančių Théodore Géricault tapierių; originalas saugomas Liuvro muziejus, Paryžius. Po to akmuo patenka į Nymph and Satyr (Jupiter and Antiope) (1820) ir The Oath of Brutus after the Death of Lucretia (1815). Iš 183 Théodore Géricault darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
Jean-Louis André Théodore Géricault meno monumentali meistriškė yra ne tik jūros katastrofos vaizdas; tai visceralus žmogaus nevilties, politinių skandalų ir aukštosios gamtos galios tyrimas. Susikūręs 1819 metais, šis viršįnesnį už tikrąjį dydį paveikslas (491 x 716 cm) įamžino šiurpų 1816 metų prancūziškos fregatos Méduse lūžį – tragediją, įvykdusią dėl nekompetencijos ir korupcijos, kuri sukrėtė visą Prancūziją.
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
The Oath of Brutus after the Death of Lucretia is an oil on canvas by Théodore Géricault. This history painting captures a moment of heavy, political consequence. The artist, Théodore Géricault, rendered the scene with a focus on the weight of human resolve. It emerged from his studio about 1815.
Six lions occupy a remote, spectrally illuminated lair. The scene is set within a rugged, mountainous landscape, perhaps the Atlas Mountains of Morocco. Four lions dominate the foreground and middle ground, their bodies locked in a moment of intense interaction or struggle. One lion rests on the left, while two others clash in the center, and a fourth occupies the right. High above this animal drama, a solitary figure watches…
Théodore Géricault's "The Kiss," painted in 1816, isn’t merely a depiction of lovers entwined; it’s a visceral embodiment of the burgeoning Romantic movement’s fascination with raw emotion, dramatic intensity, and the sublime. This arresting work, housed within the Thyssen-Bornemisza Museum in Madrid, transcends simple representation to become a profound meditation on passion, vulnerability, and the very essence of human connection. Géricault, already a figure known for his unflinching portrayals of…
A Symphony of Suffering: Géricault’s “Wounded Soldiers Retrating from Russia” Jean-Louis André Théodore Géricault's "Wounded Soldiers Retrating from Russia" is not merely a painting; it’s a visceral embodiment of the horrors and human cost of war, rendered with an unprecedented level of realism and emotional intensity for its time. Completed in 1814, this monumental canvas—measuring a commanding 250 x 206 cm—captures a pivotal moment during Napoleon's disastrous invasion of Russia,…
Jean-Louis André Théodore Géricault's "Study of Feet and Hands," painted in 1818, isn’t a grand statement of Romantic drama like his monumental “The Raft of the Medusa.” Instead, it offers a profoundly intimate glimpse into the artist’s meticulous process and a poignant meditation on the human form. This unassuming oil painting—measuring a modest 52 x 64 cm—is far more than just a preparatory sketch; it's a concentrated distillation of Géricault’s…
Jean-Louis André Théodore Géricault's "The Raft of the Medusa," a monumental detail from his 1818 painting, isn’t merely a depiction of shipwreck; it’s a visceral plunge into the depths of human suffering and political indictment. The scene, rendered with a dramatic intensity characteristic of Romanticism, captures the harrowing aftermath of the French frigate *Medusa*'s wreck off the coast of Mauritania in 1816. This disaster, largely attributed to the incompetence and…
In this study created about 1817, Théodore Géricault captures a moment of profound transformation and divine intrusion. The artwork, titled Leda and the Swan, brings the ancient Greek myth to life through a raw, immediate lens. We witness the instant where the boundaries between the mortal and the divine begin to blur. Leda, an Aetolian princess, finds herself intertwined with a large swan, a creature that is actually Zeus in…
Théodore Géricault's "The Wreck," painted in 1821, isn’t merely a seascape; it’s a visceral confrontation with the sublime—a raw depiction of humanity’s vulnerability against the overwhelming force of nature. Born amidst the turbulent currents of post-revolutionary France, Géricault, a figure both lauded and controversial within the burgeoning Romantic movement, channeled his own anxieties and the era's fascination with dramatic events into this monumental canvas. The painting immediately commands attention not…
The Horse Race1816 · Thyssen-Bornemisza muziejus
12
Swiss Guard and Wounded Veteran1819 · Liuvro muziejus
13
Mazeppa1823 · Château de Chantilly
14
Two Horses1809 · The Phillips Collection
15
A Turk (Mustapha)1820 · Liuvro muziejus
16
A Carabinier with his Horse1814 · Musée des Beaux-Arts
17
Riderless Horse Races (detail)1817 · Liuvro muziejus
18
Boxers1818 · Château de Chantilly
19
Horse Market: Five Horses at the Stake1816 · Liuvro muziejus
20
The Epsom Derby1821 · Liuvro muziejus
21
Mounted Trumpeters of Napoleon's Imperial Guard1813 · National Gallery of Art
22
Three Lovers1817 · J. Paul Getty muziejus
23
Portrait of Simon Bonnesoeur-Bourginire1812 · Minneapolis Institute of Art
24
Equestrian portrait of Wincenty Krasiński.1814 · Nacionalinis muziejus Varšuvoje
25
The Wounded Cuirassier, study1814 · Brooklyn Museum
26
Lion devouring a horseChâteau de Chantilly
27
Français Étude de bras et de main realisé par Géricault por son oeuvre Le Radeau de la Méduse1819
28
Untitled (ARJCHM)Liuvro muziejus
29
Scene from the Epidemic of Yellow Fever in Cadiz1819 · Virginia Museum of Fine Arts
30
Head of a Drowned Man1819
31
Portrait of a Young Man1818 · Minneapolis Institute of Art
32
A study for a nude.1801 · Nacionalinis muziejus Varšuvoje
33
Study of a Model1818 · J. Paul Getty muziejus
34
The Martyrdom of Saint Peter1814 · Kunstmuseum Basel
35
The Scotsman1801 · Petit Palais
36
Mater dolorosa, Copy after Ribera1811 · Kunstmuseum Basel
37
Lion in ReposeWalters Art Museum
38
Equestrian Portrait of Jérôme Bonaparte, after Antoine-Jean GROS1813 · Eugène Delacroix muziejus
39
Justice and Divine Vengeance Pursuing Crime1811
40
Lying Lions1812
41
The Trumpeter of the Orleans Hussars1813
42
The Trumpeter of the Lancers of the Guard1813 · Burrell Collection
43
The horse is out of the stable1810 · Condé muziejus
44
Un carabinier, vu à mi-corps1814
45
Portrait of Louise Vernet1812
46
Head of a woundet Man1814 · Wallraf-Richartz-Museum
47
Untitled (ARJCJD)1814
48
The Monomaniac of Child Abduction1822
49
Horse Race, Moving to the Right1820 · Musée des Beaux-Arts de Caen
50
The Raft of the Medusa1818
51
Etude d'un homme nu (Study of a Nude Man)1817 · The New Art Gallery Walsall
52
Mounted Jockey1821 · Virginia Museum of Fine Arts
53
Portrait of a Negro1822 · Buffalo AKG meno muziejus
54
Portrait Study of a Youth1819 · Kimbell Art Museum
55
The White Horse Tavern1821 · Fogg Museum
56
Cattle Market1817 · Fogg Museum
57
Fighting Horses1820 · Cleveland Museum of Art
58
Wounded Soldiers in a Cart1815 · Fitzwilliam Museum
59
Shipwrecked on a Beach (The Tempest)1822 · Yale University Art Gallery
60
Alexandre Colin1815
61
The Raft of the Medusa1818
62
Course de Chevaux montés allant à gauche, au moment du départ1822
63
Francisco de Moncada Marqués d'Aytona1815 · Amsterdam Museum
64
Riderless Racers at Rome1817 · Walters Art Museum
65
Trumpeter of the Hussars1817
66
Nude Warrior with a Spear1816 · National Gallery of Art
67
The Wild Horse Race at Rome1817
68
The Raft of the Medusa, Detalj,1819
69
Portrait of a Negro1800 · Palácio Nacional da Ajuda
70
Head of a Youth1824 · Art Gallery of South Australia
71
Portrait d'homme1825 · Musée Fabre
72
Equestrian Portrait of Charles V1814 · Fine Arts Museums of San Francisco
73
Chestnut horse in a stable1814 · Cantor Arts Center at Stanford University
74
Horses of the Auvergne1822 · Mičiganio universiteto meno muziejus
75
A Prancing Grey Horse1812 · Burrell Collection
76
The Raft of the Medusa (Le Radeau de la Méduse) - Théodore Géricault2026
77
Sheet of Figure Studies1818 · Courtauld Gallery
78
Portrait of an Artist in His Studio1820 · Liuvro muziejus
79
An Officer of the Chasseurs Commanding a Charge1812 · Liuvro muziejus
80
Study of a nude manNacionalinis muziejus Varšuvoje
81
The Plaster Kiln1823 · Liuvro muziejus
82
Officer of Chasseurs à Cheval of the Imperial Guard Charging1812
83
Dogs Fighting Bears1814 · Foundation E.G. Bührle Collection
84
Cheval gris au râtelier1811
85
Untitled (ARJCGT)1814
86
The Woman with Gambling Mania, ca1822
87
Deutsch Firmenschild für einen Hufschmied, Detail1814
88
Italian Landscape with Tomb1818 · Petit Palais
89
A Cart Loaded with Kegs1822 · Rhode Island School of Design Museum of Art
90
Cinq chevaux vus par la croupe1821
91
The Race of the Riderless Horses1817 · J. Paul Getty muziejus
92
Dervish in His Stall1820
93
Untitled (ARJCHB)1819
94
Untitled (ARJCJF)1818
95
Untitled (ARJCHV)1817 · Palais des Beaux-Arts de Lille
96
German Der Page Mazeppa1820
97
English Anatomical Pieces1819 · Musée des Beaux-Arts de Rouen
98
A Shipwreck1817
99
Français Têtes coupées English Cut heads Português Cabeças cortadas1818
100
English Study of Feet and Hands1819
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Théodore Géricault darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Liuvro muziejus |
Paryžius | 19 | Laivo Medūzos ištekėjimas, The Raft of the Medusa (detail), Leda and the Swan |
 Château de Chantilly |
Chantilly | 6 | Mazeppa, Boxers, Lion devouring a horse |
 J. Paul Getty muziejus |
Los Andželis | 3 | Three Lovers, Study of a Model, The Race of the Riderless Horses |
 Nacionalinis muziejus Varšuvoje |
Varšuva | 3 | Equestrian portrait of Wincenty Krasiński., A study for a nude., Study of a nude man |
 Burrell Collection |
Glavas | 8 | The Trumpeter of the Lancers of the Guard, A Prancing Grey Horse |
 Musée Fabre |
Montpeljė | 4 | Study of Feet and Hands, Portrait d'homme |
 Petit Palais |
Paris | 3 | The Scotsman, Italian Landscape with Tomb |
 Thyssen-Bornemisza muziejus |
Madridas | 2 | The Kiss, The Horse Race |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Jean-Louis André Théodore Géricault's "Two Horses," painted in 1808-1809, isn’t merely a depiction of two magnificent animals; it’s a visceral exploration of movement, power, and the fleeting nature of existence. Born amidst the tumultuous backdrop of revolutionary France, Géricault was a restless spirit, rejecting the rigid formality of Neoclassicism in favor of a Romantic intensity that sought to capture raw emotion and dramatic truth. This painting, rendered in oil on…
Jean-Louis André Théodore Géricault meno monumentali meistriškė yra ne tik jūros katastrofos vaizdas; tai visceralus žmogaus nevilties, politinių skandalų ir aukštosios gamtos galios tyrimas. Susikūręs 1819 metais, šis viršįnesnį už tikrąjį dydį paveikslas (491 x 716 cm) įamžino šiurpų 1816 metų prancūziškos fregatos Méduse lūžį – tragediją, įvykdusią dėl nekompetencijos ir korupcijos, kuri sukrėtė visą Prancūziją.
The Allure of the Divine Encounter: Géricault’s *Nymph and Satyr* Jean-Louis André Théodore Géricault's *Nymph and Satyr*, painted in 1819, isn’t merely a depiction of a mythological scene; it’s a profound exploration of desire, transgression, and the inherent tension between innocence and primal instinct. Born amidst the tumultuous backdrop of post-revolutionary France, Géricault, already recognized for his dramatic intensity, sought to capture not just a narrative but an emotional truth—a…
Laivo Medūzos ištekėjimas (1818), Liuvro muziejus, Paryžius. Toliau seka Nymph and Satyr (Jupiter and Antiope) (1820) ir The Oath of Brutus after the Death of Lucretia (1815).
27 metų amžiaus: Laivo Medūzos ištekėjimas sukurta 1818 m. Nr. Théodore Géricault gimė 1791.
Laivo Medūzos ištekėjimas, Nymph and Satyr (Jupiter and Antiope), The Oath of Brutus after the Death of Lucretia, Lions in a Mountainous Landscape, The Kiss, Wounded Soldiers Retrating from Russia, Study of Feet and Hands, The Raft of the Medusa (detail), Leda and the Swan ir The Wreck. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 183 Théodore Géricault darbų, skirtų laikotarpiui nuo 1800 iki 1824.
Daugiausia – Liuvro muziejus (Paryžius), Château de Chantilly (Chantilly) ir J. Paul Getty muziejus (Los Andželis). Viršuje esančiame muziejų sąraše yra visi jie.
1810s laikotarpiu: 67 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Laivo Medūzos ištekėjimas.
Šioje pusėje seniausias darbas yra Portrait of a Negro (1800), o naujausias – Head of a Youth (1824).
Man (27), Horse (19) ir Landscape (12) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 47.
Romanticism, vadovaujantis šios puslapio originalais kūriniais.
Laivo Medūzos ištekėjimas, The Raft of the Medusa (detail) ir Leda and the Swan: Liuvro muziejus, Paryžius kolekcijoje yra 13 šioje pusėje esančių darbų.
