Theodor van Pee portretas

1 garsiausių Theodor van Pee paveikių – kiekvienas yra unikalus

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 1 Theodor van Pee darbai mūsų kataloge

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A painter and his muse in a workshop (1719) yra viena矚 most žiūrėlių pritraukiančių Theodor van Pee tapierių; originalas saugomas Staatliche Kunsthalle Karlsruhe, Karlsruhe. Iš 1 Theodor van Pee darbų mūsų kataloge šios 1 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.

1668 – 1746, Amsterdam Daugiausia darbų: Staatliche Kunsthalle Karlsruhe

10 geriausių Theodor van Pee paveikslų: galerijos akimais

Muziejai, kuriuose saugomi Theodor van Pee originalūs darbai

1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.

Muzejaus Miestas Theodor van Pee darbai Šiojo sąrašo paveikslai
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 1 A painter and his muse in a workshop

Theodor van Pee darbai per metus: kiekvieno unikalūs originalūs kūriniai

Visi čia pateikiami datuoti Theodor van Pee originalūs darbai priklauso vienoms metams – 1719: jie išvardyti pagal budulį.

Darbai pagal metus

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Theodor van Pee tapų klausimai galerijai

Koks yra garsiausias Theodor van Pee kūrinys?Atsakymas

A painter and his muse in a workshop (1719)

Kuriuo amžiaus atσταση Theodor van Pee sukūrė A painter and his muse in a workshop?Atsakymas

51 metų amžiaus: A painter and his muse in a workshop sukurta 1719 m. Nr. Theodor van Pee gimė 1668.

Kiek žinoma Theodor van Pee darbų?Atsakymas

Mūsų kataloge yra 1 darbų autoriaus Theodor van Pee.

Kur galima pamatyti garsiausių Theodor van Pee originalų?Atsakymas

Daugiausia – Staatliche Kunsthalle Karlsruhe (Karlsruhe). Viršuje esančiame muziejų sąraše yra visi jie.

Theodor van Pee: meno kūrinys – autoportretas

The Life and Career of Theodor van Pee

Born in Amsterdam, Theodor van Pee was the son of the painter Jan van Pee and Hendrika. Although he initially trained as an apprentice to a jeweller to join the Goldsmiths' Guild, he eventually sought his father's permission to train as a painter. He is believed to have been a pupil of his father, though his maternal grandfather, Mathijs Hendriks Krayvelt, was also a painter who likely contributed to his training. Theodor traveled to Rome to study the works of artists such as Raphael, Giulio Romano, and Correggio, yet he remained a Lutheran throughout his life.

His early career saw success with various commissions, including studies of Northern Italian gypsies and portraits of the Masters of the Amsterdam Tailors’ Guild. As the economic recession in the Netherlands followed the Peace of Ryswick, he diversified his business by selling painted garden furniture, statuary, and carved timber. He also became a dealer in Italian paintings, and in 1715, he took his collection to London to find buyers among English noblemen and merchants.

Later Years and Legacy

While in London, Theodor was commissioned by Sir Matthew Decker to paint a ceiling-piece of life-size figures. Despite facing financial challenges following the collapse of the South Sea Company stock, he continued his business of selling ornamental objects. After seven years in London, he returned to the Netherlands, where he was a member of the Utrecht Guild of Saint Luke in 1737. His artistic skill was recognized through commissions such as the portrait of Jean-Baptiste de Boyer, Marquis d'Argens, and the Abbé Prévost.

Theodor van Pee died in The Hague. His estate, which included twenty-four paintings by him and two by his father, was sold at auction in 1747. His daughter, Henrietta, studied painting under him and married one of his pupils, Hermanus Wolters.