Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 46 Tarsila Do Amaral darbai mūsų kataloge
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Abaporu (1928) yra Tarsila Do Amaral paveikslas, kuriuo gausiausia žmonių žavisi. Po to akmuo patenka į Amor (Ilustração para (1925) ir Rio de Janeiro (Sugar Loaf) (1923). Iš 46 Tarsila Do Amaral darbų mūsų kataloge šios 39 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
Tarsila do Amaral 1928 metais sukūrė įspūdingą dalyje ant drobės gautą aliejų paveikslį „Abaporu“. Šis kūrinys buvo padovanotas jos husbandui, rašytojui Oswaldui de Andradei, dịpiu, kai ji savo meninėje kelionėje pasiekė itin svarbų ir transformatyvų lūžį.
In the delicate interplay of light and shadow, Tarsila do Amaral presents us with a profound moment of tenderness in her 1925 work, Amor. This evocative illustration transcends simple imagery, offering instead a soulful meditation on affection and purity. At its heart, the composition features a graceful bird—reminiscent of a dove—captured in a moment of flight with wings elegantly spread. Clutched tenderly within its beak is a heart, inscribed with…
In this 1923 oil on canvas, we find ourselves looking upon a quiet corner of Rio de Janeiro. The composition is anchored by the presence of the Sugar Loaf mountain, which rises with a steady, singular strength in the background. There is a certain stillness here. In the foreground, two palm trees lean into the frame, their forms simplified and clean, grounding the viewer in a tropical atmosphere. A small…
In this 1971 work, we find ourselves drifting into a tranquil coastal sanctuary. The composition centers on a single sailboat, suspended upon a shimmering expanse of water that reflects the soft, ambient light of a peaceful afternoon. There is a profound sense of stillness here, interrupted only by the rhythmic vitality of birds in flight, their silhouettes dancing against the sky. A lush shoreline, lined with verdant trees, frames the…
Antropofagic animals in the landscape is a stylized drawing created in 1971. The composition features a landscape where anthropomorphic animals are situated within a natural setting. The imagery includes several animal figures, such as hands, a bird-like creature, and a human-like figure, interacting with their environment.
Tarsila do Amaral’s “Paisagem Antropofágica” (Anthropophagous Landscape), painted in 1930, isn't merely a depiction of a landscape; it’s a vibrant distillation of Brazil itself – its anxieties, its aspirations, and its complex relationship with the influences that shaped its identity. This iconic work, housed within the collections of major museums worldwide, offers a profound glimpse into the heart of Brazilian modernism and the artist’s unique vision. The painting immediately captivates…
The sun hangs over a wide, open landscape where time seems to slow to the pace of grazing animals. In this 1971 work, the earth feels heavy and present, stretching out in a way that invites the eye to wander toward the distant trees. Three cows occupy the space, scattered across the field in a rhythmic arrangement that guides the viewer through the greenery. One rests on the left, another…
Tarsila do Amaral's "São Paulo," painted in 1924, isn't merely a depiction of a city; it’s a vibrant distillation of a nation’s burgeoning identity and a bold declaration of modernism. Emerging from the fertile ground of early 20th-century Brazil, this oil on canvas transports us to a São Paulo undergoing rapid transformation – a metropolis embracing progress while simultaneously retaining echoes of its rural past. The painting captures a pivotal…
The subject sits in a relaxed pose, her dark hair framing a face that meets the viewer with a subtle, knowing smile. She wears a dress of bright orange, a color that commands the eye and anchors the composition. In the background, secondary figures appear like whispers, adding a sense of depth and social context to this personal encounter. The gaze is direct, bridging the gap between the painted world…
In praise of nature1971 · Brasilijos centrinio banko vertybių muziejus
12
Pão de Açúcar (Ilustração para1925 · Centro Cultural São Paulo
13
Flor Gente (Ilustração para1925 · Centro Cultural São Paulo
14
Carnaval (Ilustração para1925 · Centro Cultural São Paulo
15
Fazenda (Ilustração para1925 · Centro Cultural São Paulo
16
Workers1938 · Brasilijos centrinio banko vertybių muziejus
17
Retrato de Antonio de Toledo PizaIpiranga muziejus
18
Retrato de José Maria Nunes GarciaIpiranga muziejus
19
Retrato de Joaquim do Amaral CamargoIpiranga muziejus
20
Retrato de Frei Miguel Arcanjo da AnunciaçãoIpiranga muziejus
21
Retrato de Francisco Aranha BarretoIpiranga muziejus
22
Monkey in the forest1971 · Brasilijos centrinio banko vertybių muziejus
23
In praise of nature1971 · Brasilijos centrinio banko vertybių muziejus
24
Study (Nude - Figure from the hips up)1922 · Brasilijos centrinio banko vertybių muziejus
25
Cidade (Ilustração para1925 · Centro Cultural São Paulo
26
Estudo para a Negra1923 · Centro Cultural São Paulo
27
Locomotiva (Ilustração para1925 · Centro Cultural São Paulo
28
Oswald de Andrade1923 · Centro Cultural São Paulo
29
Paisagem1925 · Centro Cultural São Paulo
30
Barco (Ilustração para1925 · Centro Cultural São Paulo
31
Farmhouse1971 · Brasilijos centrinio banko vertybių muziejus
32
Trees1971 · Brasilijos centrinio banko vertybių muziejus
33
Pinheiros (Ilustração para1925 · Centro Cultural São Paulo
34
Port I1953 · Brasilijos centrinio banko vertybių muziejus
35
Estudo para La tasse1923 · Centro Cultural São Paulo
36
Urutu Snake1928 · MAM Rio
37
Landscape VII1971 · Brasilijos centrinio banko vertybių muziejus
38
Paisagem AntropofágicaMuseu Nacional de Belas Artes
39
Portal com genteCentro Cultural São Paulo
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
7 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Tarsila Do Amaral darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Centro Cultural São Paulo |
S Paulo | 15 | Amor (Ilustração para, Paisagem antropofágica, Pão de Açúcar (Ilustração para |
 Brasilijos centrinio banko vertybių muziejus |
Brasília | 13 | Nature, Antropofagic animals in the landscape, Antropofagic landscape with ox |
 Ipiranga muziejus |
Saro Paulo | 6 | Retrato de Marechal Arouche, Retrato de Antonio de Toledo Piza, Retrato de José Maria Nunes Garcia |
 The Ema Klabin House Museum |
São Paulo | 1 | Rio de Janeiro (Sugar Loaf) |
 Pinacoteca do Estado de São Paulo |
S Paule | 1 | São Paulo |
 MAM Rio |
Rio دي Janeiro | 1 | Urutu Snake |
 Museu Nacional de Belas Artes |
Rio De Janeiro | 1 | Paisagem Antropofágica |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Tarsila do Amaral 1928 metais sukūrė įspūdingą dalyje ant drobės gautą aliejų paveikslį „Abaporu“. Šis kūrinys buvo padovanotas jos husbandui, rašytojui Oswaldui de Andradei, dịpiu, kai ji savo meninėje kelionėje pasiekė itin svarbų ir transformatyvų lūžį.
Tarsila do Amaral’s “Paisagem Antropofágica” (Anthropophagous Landscape), painted in 1930, isn't merely a depiction of a landscape; it’s a vibrant distillation of Brazil itself – its anxieties, its aspirations, and its complex relationship with the influences that shaped its identity. This iconic work, housed within the collections of major museums worldwide, offers a profound glimpse into the heart of Brazilian modernism and the artist’s unique vision. The painting immediately captivates…
In the vast landscape of Brazilian Modernism, few works capture the tranquil essence of coastal life as poignantly as Tarsila do Amaral’s Port I. Painted in 1953, this masterpiece serves as a window into a world where the rhythmic pulse of the ocean meets the steadfast presence of the mountains. The composition is a masterful study in depth and perspective; several boats, varying in scale, are scattered across the shimmering…
In this 1971 work, we find ourselves drifting into a tranquil coastal sanctuary. The composition centers on a single sailboat, suspended upon a shimmering expanse of water that reflects the soft, ambient light of a peaceful afternoon. There is a profound sense of stillness here, interrupted only by the rhythmic vitality of birds in flight, their silhouettes dancing against the sky. A lush shoreline, lined with verdant trees, frames the…
Abaporu (1928). Toliausiai eina Amor (Ilustração para (1925) ir Rio de Janeiro (Sugar Loaf) (1923).
42 metų amžiaus: Abaporu sukurta 1928 m. Nr. Tarsila Do Amaral gimė 1886.
Abaporu, Amor (Ilustração para, Rio de Janeiro (Sugar Loaf), Nature, Antropofagic animals in the landscape, Paisagem antropofágica, Antropofagic landscape with ox, São Paulo, Retrato de Marechal Arouche ir Self-portrait with orange dress. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 46 Tarsila Do Amaral darbų, skirtų laikotarpiui nuo 1921 iki 1971.
Daugiausia – Centro Cultural São Paulo (S Paulo), Brasilijos centrinio banko vertybių muziejus (Brasília) ir Ipiranga muziejus (Saro Paulo). Viršuje esančiame muziejų sąraše yra visi jie.
1920s laikotarpiu: 19 iš 39 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Abaporu.
Šioje pusėje seniausias darbas yra Self-portrait with orange dress (1921), o naujausias – Nature (1971).
Landscape (12), Brazil (7) ir Portrait (5) iš 39 šioje pusėje esamų darbų.
Painting, iš 39 šios puslapio darbų – 6.
Modernism, vadovaujantis šios puslapio originalais kūriniais.
Amor (Ilustração para, Paisagem antropofágica ir Pão de Açúcar (Ilustração para: Centro Cultural São Paulo, S Paulo kolekcijoje yra 15 šioje pusėje esančių darbų.
