Suze Robertson portretas

47 garsiausių Suze Robertson paveikių rinkinys: galerijos išboru

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 48 Suze Robertson darbai mūsų kataloge

Trumpai tariant

Iš visų paliktų originalų kūrinių Suze Robertson garsiausias yra Portrait of a young girl ('Greta') (1922), esantis Museum Boijmans Van Beuningen kolekcijoje, Roterdamas. Tiesiog už jų seka Self-portrait of Suze Robertson (1855-1922) (1890) ir Portrait of a young woman (1898). Mūsų kataloge yra 48 darbų autoriaus Suze Robertson; galerija išsaugojo 47 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.

1855 – 1922, The Hague Daugiausia darbų: Groninger Museum

Suze Robertson geriausios 10 paveikslų: galerijos pasirinkimas

1
Portrait of a young girl ('Greta') (1922) aut. Suze Robertson

Portrait of a young girl ('Greta')

1922 · Oil On Panel · Museum Boijmans Van Beuningen, Roterdamas

The gaze of a young girl meets the viewer in Portrait of a young girl ('Greta'), a work painted by Suze Robertson in 1922. This portrait captures a young woman whose presence fills the space with a quiet, heavy intensity. She does not merely sit for a likeness; she exists in a moment of profound internal movement. Her expression remains enigmatic, a puzzle of shifting emotions that refuses to be…

3
Portrait of a young woman (1898) aut. Suze Robertson

Portrait of a young woman

1898 · Oil On Panel · Rijksmuseum, Amsterdamas

This work is the Portrait of a young woman by Suze Robertson. Created about 1898, the painting offers an intimate view of the subject, presented as a bust with the head turned toward the right. It is a quiet, focused study that captures a sense of stillness in the sitter's posture.

4
Old mother (1896) aut. Suze Robertson

Old mother

1896 · Oil · Groninger Museum, Hroningen

A somber, atmospheric oil painting captures an elderly woman in a dimly lit interior. Seated in profile, she turns slightly toward the viewer while her gaze remains cast downward. The composition centers on her quietude, utilizing a palette of deep browns, blacks, ochre, and muted umbers to establish a sense of melancholy. Light enters from an unseen source, perhaps a window, illuminating the texture of her headscarf and the folds…

5
The Wood Breaker (1900) aut. Suze Robertson

The Wood Breaker

1900 · Oil On Canvas

A solitary figure leans into the heavy labor of the wood breaker. The body is a study in tension, bent against the resistance of the timber. Dark, earthy tones of deep brown and black swallow the shadows, leaving only a sharp, bright patch of white fabric on the shoulder to catch the light. This light falls upon a textured wall, creating a shallow space where the air feels thick with…

6
Lena (1923) aut. Suze Robertson

Lena

1923 · Oil On Canvas · Dordrechts Museum, Dordrecht

In this 1923 oil painting, we find ourselves in a quiet, heavy moment of introspection. A nude female figure sits upon a rugged, rocky ledge, her body turned away from us in a profile that suggests a deep, internal retreat. She gazes downward toward a dark, still body of water, her posture conveying a sense of vulnerability and quietude. The composition is vertical, drawing the eye from the pale, fleshy…

7
Girl asleep (1889) aut. Suze Robertson

Girl asleep

1889 · Oil On Canvas · Kunstmuseum Den Haag, Haga

Girl asleep is an oil on canvas painting by Suze Robertson. Created about 1889, this work is classified as genre art. It belongs to the period of Dutch realism, capturing a quiet moment of repose.

Suze Robertson darba rinkinys tęsiamas, nuo 11 iki 47

Temos, kurios domino Suze Robertson

Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.

Muziejai, kuriuose saugomi Suze Robertson originalūs darbai

8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Suze Robertson darbai Šiojo sąrašo paveikslai
Groninger Museum, HroningenGroninger Museum Hroningen 6 Old mother, The artist's studio with mantelpiece, Corner of the artist's studio
Museum Boijmans Van Beuningen, RoterdamasMuseum Boijmans Van Beuningen Roterdamas 3 Portrait of a young girl ('Greta'), Still Life (Plate with Lemons), Still Life with Apples
Kunstmuseum Den Haag, HagaKunstmuseum Den Haag Haga 2 Self-portrait of Suze Robertson (1855-1922), Girl asleep
Rijksmuseum, AmsterdamasRijksmuseum Amsterdamas 2 Portrait of a young woman, Boerenvrouw Aardappels Schillend
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Lena, Portrait of a Peasant Woman
Centraal Museum, UtrechtCentraal Museum Utrecht 2 Plate with Apples and a Bottle, Church in Katwijk
The Mesdag Collection, HagaThe Mesdag Collection Haga 1 The cart
Rijksmuseum Twenthe, EnschedeRijksmuseum Twenthe Enschede 1 Old woman at a clock

Suze Robertson dešimtmetėms po dešimtmetės: originalus kūrinys, apibūdinantis kiekvieną iš jų

Darbai pagal dešimtmečius

Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.

Kolekcjonerų klausimai apie Suze Robertson paveikslus

Kuriu darbu Suze Robertson yra labiausiai garsus?Atsakymas

Portrait of a young girl ('Greta') (1922), Museum Boijmans Van Beuningen, Roterdamas. Toliau seka Self-portrait of Suze Robertson (1855-1922) (1890) ir Portrait of a young woman (1898).

Kokia buvo Suze Robertson amžius, kai buvo sukurtas Portrait of a young girl ('Greta')?Atsakymas

67 metų amžiaus: Portrait of a young girl ('Greta') sukurta 1922 m. Nr. Suze Robertson gimė 1855.

Kokie yra 10 garsiausių Suze Robertson paveikslų?Atsakymas

Portrait of a young girl ('Greta'), Self-portrait of Suze Robertson (1855-1922), Portrait of a young woman, Old mother, The Wood Breaker, Lena, Girl asleep, The cart, Plate with Apples and a Bottle ir Still Life (Plate with Lemons). Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek paveikslų paliko Suze Robertson?Atsakymas

Mūsų kataloge yra 48 Suze Robertson darbų, skirtų laikotarpiui nuo 1870 iki 1922.

Kuriuose muziejuose eksponuojami Suze Robertson šedevrai?Atsakymas

Daugiausia – Groninger Museum (Hroningen), Museum Boijmans Van Beuningen (Roterdamas) ir Kunstmuseum Den Haag (Haga). Viršuje esančiame muziejų sąraše yra visi jie.

Kuriomis metais Suze Robertson tapo savo garsiausius kūrinius?Atsakymas

1890s laikotarpiu: 8 iš 47 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Self-portrait of Suze Robertson (1855-1922).

Kokie yra pirmasis ir paskutinis garsieji Suze Robertson originalūs darbai?Atsakymas

Šioje pusėje seniausias darbas yra Woman in a courtyard (1870), o naujausias – Portrait of a young girl ('Greta') (1922).

Kurią temą Suze Robertson rinkosi dažniausiai?Atsakymas

Woman (4), Dark tones (4) ir Face (3) iš 47 šioje pusėje esamų darbų.

Kurią techniką Suze Robertson naudojo dažniausiai?Atsakymas

Oil On Canvas, iš 47 šios puslapio darbų – 4.

Kurių Suze Robertson darbai eksponuojami Groninger Museum?Atsakymas

Old mother, The artist's studio with mantelpiece ir Corner of the artist's studio: Groninger Museum, Hroningen kolekcijoje yra 6 šioje pusėje esančių darbų.

Suze Robertson: gyvenimas ir kūryba

A Life Woven in Light and Shadow: The World of Suze Robertson

Suze Robertson, born in the bustling port city of The Hague in 1855, emerged as a significant voice within Dutch art during a period of profound social and artistic change. Her life story is one of quiet determination, navigating societal expectations to forge a path as a professional artist at a time when such aspirations were often discouraged for women. Orphaned young, Robertson was raised by her aunt and uncle, who recognized and nurtured the innate artistic talent that blossomed within her. This early support proved crucial, providing the foundation for formal studies beginning in 1874 at the Royal Academy of Art in The Hague, where she quickly distinguished herself, earning a bronze and two silver medals – testaments to her burgeoning skill and dedication. Further honing her craft at the Polytechnical School in Delft, Robertson laid the groundwork for a career that would challenge conventions and offer poignant glimpses into the lives of ordinary people.

Echoes of Van Gogh: Artistic Development and Style

Robertson’s artistic journey wasn't without its practical considerations. Initially supporting herself by teaching drawing to young women in Rotterdam, she continued her own development under the guidance of Petrus van der Velden, refining her technique while simultaneously exploring her unique vision. Her subject matter gravitated towards scenes of everyday life, particularly those depicting the realities of rural existence – farm interiors, laborers at work, and the quiet dignity of agricultural communities. It is within these depictions that a striking resonance with the early works of Vincent van Gogh becomes apparent. Both artists shared an empathy for the working class and a desire to portray their lives with honesty and respect; comparisons to *The Potato Eaters* are frequently drawn, suggesting a mutual admiration or at least a parallel sensibility. Robertson’s style is characterized by a realism tempered by emotional depth, employing evocative brushwork and a keen eye for capturing the nuances of light and shadow. She wasn't merely documenting life; she was interpreting it through a lens of compassion and understanding.

A Progressive Spirit: Controversy, Recognition, and Artistic Circles

Robertson’s commitment to artistic integrity extended beyond her subject matter. While teaching in Rotterdam, she boldly advocated for her students to be allowed to draw from nude models – a remarkably progressive stance that challenged the prevailing norms of the time. This willingness to push boundaries defined not only her pedagogical approach but also her broader outlook on life and art. Her marriage in 1892 to fellow painter Richard Bisschop marked a turning point, opening doors to prominent artistic circles like Pulchri Studio and Arti et Amicitiae. These affiliations provided platforms for exhibition and recognition, culminating in a bronze medal at the prestigious Exposition Universelle in 1900. However, it was a landmark sale in 1907 that truly cemented her reputation: at the opening of a new branch of the Larensche Kunsthandel in Amsterdam, her works fetched an unprecedented 10,000 guilders – a testament to her growing acclaim and the increasing appreciation for her unique artistic vision.

Legacy of the Amsterdamse Joffers

Suze Robertson continued painting with unwavering dedication until her death in The Hague in 1922. Her legacy extends beyond individual canvases; she is remembered as a key member of the *Amsterdamse Joffers* – a collective of female artists who defied societal constraints and made significant contributions to Dutch art during the late 19th and early 20th centuries. These women challenged conventional norms, forging their own paths in a male-dominated world and paving the way for future generations of female artists. Robertson’s realistic depictions of rural life offer invaluable insights into the social conditions and everyday experiences of her time, capturing a fleeting moment in history with sensitivity and skill. Her work continues to resonate today, appreciated not only for its technical mastery but also for its enduring humanism – a testament to an artist who dared to see beauty and dignity in the lives of ordinary people.

Major Works

Robertson’s art remains a powerful reminder of the importance of empathy, observation, and artistic courage.