Stefan Buban portretas

Stefan Buban tapiai: 7 garsiausi πίναšiai, galerijos akimis

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 10 Stefan Buban darbai mūsų kataloge

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Galerijos akimais, garsiausias Stefan Buban tapas yra Near Spišská Nová Ves (1970), kurio originalas eksponuojamas Tatra Gallery, Popradas. Native Zemplín (1981) ir Zemplín Fields (1981) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 10 Stefan Buban darbų mūsų kataloge, galerija žemiau pristato 7 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.

1932 – 2026, Pavlovce nad Uhom Daugiausia darbų: Vychodoslovenské Galéria

10 geriausių galerijos Stefan Buban paveikslų

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Near Spišská Nová Ves aut. Stefan Buban

Near Spišská Nová Ves

· Tatra Gallery, Popradas

In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…

Muziejai, kuriuose saugomi Stefan Buban originalūs darbai

3 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Stefan Buban darbai Šiojo sąrašo paveikslai
Vychodoslovenské Galéria, KošiceVychodoslovenské Galéria Košice 4 Native Zemplín, Zemplín Fields, Peaceful Landscape
Tatra Gallery, PopradasTatra Gallery Popradas 2 Near Spišská Nová Ves, Near Spišská Nová Ves
Gallery of Spis Artists, Spišská Nová VesGallery of Spis Artists Spišská Nová Ves 1 Winter in Podlince

Stefan Buban, pagrindiniai kiekvienų metų paveiksliai

18 metų Stefan Buban kūrybos, nuo 1970 iki 1987: galerija seka jų darbų eigą, pateikdama garsiausius kiekvienų metų originalus.

Darbai pagal metus

Pasirinkite metus, kad pamatytumėte originalus darbus.

Stefan Buban tapyiniai: galerijos atsakymai

Kuris Stefan Buban paveikslas yra pats garsiausias iš visų?Atsakymas

Near Spišská Nová Ves (1970), Tatra Gallery, Popradas. Toliau seka Native Zemplín (1981) ir Zemplín Fields (1981).

Kiek metų buvo Stefan Buban, kai sukūrė Near Spišská Nová Ves?Atsakymas

38 metų amžiaus: Near Spišská Nová Ves sukurta 1970 m. Nr. Stefan Buban gimė 1932.

Kiek kūrinių sukūrė Stefan Buban?Atsakymas

Mūsų kataloge yra 10 Stefan Buban darbų, skirtų laikotarpiui nuo 1970 iki 1987.

Kur kabinami garsiausi Stefan Buban originalūs darbai?Atsakymas

Daugiausia – Vychodoslovenské Galéria (Košice), Tatra Gallery (Popradas) ir Gallery of Spis Artists (Spišská Nová Ves). Viršuje esančiame muziejų sąraše yra visi jie.

Kada Stefan Buban sukūrė savo garsiausias paveikslus?Atsakymas

1981 laikotarpiu: 3 iš 7 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Native Zemplín.

Kokie yra ankstyviausi ir vėliausi garsieji Stefan Buban kūriniai?Atsakymas

Šioje pusėje seniausias darbas yra Near Spišská Nová Ves (1970), o naujausias – Let Us Not Allow! (1987).

Kurių Stefan Buban originalų turi Vychodoslovenské Galéria?Atsakymas

Native Zemplín, Zemplín Fields ir Peaceful Landscape: Vychodoslovenské Galéria, Košice kolekcijoje yra 4 šioje pusėje esančių darbų.

Stefan Buban: menininkas

A Life Shaped by Color and Landscape

Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.

His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.

Evolution of Style and Technique

The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.

His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.

Recognition and Global Reach

Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.

Throughout his career, he received several notable honors that reflected his standing in the international art community:

  • The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
  • The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
  • A silver medal from the Salon in Cannes in 2006.
  • The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.

His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.