Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 131 Sir Williamas Rothensteinas darbai mūsų kataloge
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Le Dent Du Midi From Leysin, Switzerland yra Sir Williamas Rothensteinas paveikslas, kuriuo gausiausia žmonių žavisi. Po to akmuo patenka į Sir Thomas Roe At The Court Of Ajmir ir Jan Toorop (1894). Iš 131 Sir Williamas Rothensteinas darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The mountain peaks of Switzerland rise to meet the eye in Le Dent Du Midi From Leysin, Switzerland. This landscape emerges from the brush of Sir William Rothenstein, a painter who captured the essence of the natural world through a lens of profound observation. The work dates to about 1930, a period when the artist's hand moved with a specific, seasoned intent. Every stroke carries the weight of a man…
The artwork titled Sir Thomas Roe At The Court Of Ajmir is a painting by the artist Sir William Rothenstein. This work depicts Sir Thomas Roe during his time at the court of Ajmir. The scene focuses on the presence of Sir Thomas Roe within this specific setting. The composition centers on the figure of the diplomat amidst the gathered assembly of the court.
This portrait of Jan Toorop was painted by Sir William Rothenstein in 1894. The subject is a man shown from the upper body upward, dressed in a dark suit. The figure occupies a central position within the frame, set against a background that remains indistinct and blurred. This lack of detail in the rear space focuses the viewer's attention on the physical presence of the man.
Exposition of the Talmud is a painting by Sir William Rothenstein, dating to about 1904. The work emerged during a period when the artist was developing a style characterized by psychological depth and a sensitivity to form.
Talmudic Discussion is a pencil sketch by Sir William Rothenstein, dating to about 1905. The work emerged during a period when the artist was developing a style characterized by psychological depth and a sensitivity to form.
The heavy stillness of The Watch on the Rhine (The Last Phase) meets the viewer through the steady hand of Sir William Rothenstein. Created about 1919, this large-scale oil painting captures a moment of watchful tension on a waterfront. The work emerges from a period when the artist was deeply engaged with the shifting landscapes of history, documenting the weight of the era through his lens as an official war…
In this portrait, Sir William Rothenstein captures Barnett Freedman in a moment of quiet, heavy stillness. The subject sits before us, a man framed by the dark, formal lines of a black suit and tie. His glasses catch the light, partially obscuring the intensity of his gaze. He does not look at the viewer; instead, his eyes are fixed on something far beyond the immediate space, staring into the distance…
The White Cliffs, Vaucottes is a work by Sir William Rothenstein. In this piece, the artist captures a specific coastal landscape, focusing on the interaction between the land and the sea. The composition centers on a large rock formation that extends into the ocean, providing a sense of scale against the sandy beaches and the cloudy sky above.
In this portrait, Sir William Rothenstein captures Robert Baldwin Ross, a man who occupied a central position in the British intellectual and artistic circles of his time. The subject, a British journalist, art critic, and art dealer, is presented with a quiet, serious dignity. There is a sense of the weight of his professional life reflected in his steady gaze, suggesting a man accustomed to observing and evaluating the world…
A massive tree dominates the frame, its many branches reaching across the view to claim most of the scene. This central form anchors the composition, casting a wide presence over the landscape. To the right, a single house stands out prominently against the background, its structure breaking the horizon line. The architecture provides a sharp, geometric counterpoint to the organic sprawl of the wood.
Interior (also known as Lady with a Hat)1891 · Sheffield City Art Galleries
12
Miss Edith Lockyer Williams1893
13
The Doll's House1900
14
Untitled
15
Max Beerbohm
16
War Cartoon -
17
Eli The Thatcher
18
The Butcher's Shop Under The Trees
19
James Stephens
20
Le Grand-i-vert
21
Sir Francis Darwin
22
Sir Arthur Hutchison
23
Self Portrait -
24
Sir frederick pollock
25
The Church Of St Seine L'abbaye
26
A Corner Of The Talmud School
27
Evening In Benares, India
28
The Princess Badroulbadour
29
Spring, The Morning Room
30
Coster Girls
31
Flower, Fruit And Thorn Piece
32
Alice By The Fireside
33
Edward Gordon Craig as Hamlet1896
34
Frank Harris1895
35
Wych Elm In Winter
36
Ceremony
37
Miss Edith Lockyer Williams
38
Augustus John
39
Lord Cullen Of Ashbourne
40
The Doll's House
41
The Cloth Hall, Ypres
42
The Watch On The Rhine
43
Oakridge Farm, Late Summer
44
On The Way To Everest
45
Miss Grant
46
Claude Montefiore
47
The Trellis
48
Woman Standing In Doorway
49
Sir Ernest Debenham
50
War Cartoon
51
Avenue At Bourlon, Western Front
52
Portrait Of Sir John Rothenstein, Cbe
53
Arthur Beresford Pite
54
The Old Priest
55
Night -
56
Ypres Salient
57
Tree In Winter
58
Night
59
Oakridge Farm, Late Summer -
60
Iles' Farm, Winter
61
A Woman Seated In An Interior
62
Iles Farm, Far Oakridge, Gloucestershire
63
In The Morning Room
64
Ignacio Zuloaga As A Torero
65
Portrait Of Sir David Low, Half-length
66
Alfred Chaston Chapman
67
The Church At Bourlon
68
Self Portrait -
69
Mother And Child
70
The Old Gardener
71
At The Window
72
The Beech Wood
73
The Right Honourable Sir Austin Chamberlain, Kg, Pc, Mp
74
The Right Honourable Brien Ibrican
75
Avenue Of The Chateau, Bourlon, Western Front
76
Self Portrait -
77
Portrait of sir francis darwin
78
George Edward Baker
79
Two Women
80
Henry Hudson
81
Carrying The Law
82
Sir Thomas Roe's Embassy To The Court Of Jehangir
83
Head Study Of The Poet, Edmund Blunden
84
Barn At Far Oakridge, Gloucestershire
85
The Storm
86
The Honourable Alice Caroline Helen Buchan
87
Sir Arthur Dixon
88
Michael Rossetti
89
Self Portrait - Principal
90
Self Portrait -
91
Princess Betty
92
George Bernard Shaw
93
Moritz Rothenstein
94
Frederick James Furnivall
95
Reading The Book Of Esther
96
Rachael And Betty
97
Mother And Child, Candlelight
98
Jews Mourning In A Synagogue
99
Berthe Rothenstein
100
Mrs L. Barbara Hammond
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
4 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Sir Williamas Rothensteinas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Museum of Fine Arts |
Bostonas | 1 | Exposition of the Talmud |
 Ben Uri Gallery and Museum |
Londonas | 1 | Talmudic Discussion |
 Canadian War Museum |
Ottawa | 1 | The Watch on the Rhine (The Last Phase) |
 Sheffield City Art Galleries |
Šefildas | 1 | Interior (also known as Lady with a Hat) |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
This portrait of Jan Toorop was painted by Sir William Rothenstein in 1894. The subject is a man shown from the upper body upward, dressed in a dark suit. The figure occupies a central position within the frame, set against a background that remains indistinct and blurred. This lack of detail in the rear space focuses the viewer's attention on the physical presence of the man.
Exposition of the Talmud is a painting by Sir William Rothenstein, dating to about 1904. The work emerged during a period when the artist was developing a style characterized by psychological depth and a sensitivity to form.
The heavy stillness of The Watch on the Rhine (The Last Phase) meets the viewer through the steady hand of Sir William Rothenstein. Created about 1919, this large-scale oil painting captures a moment of watchful tension on a waterfront. The work emerges from a period when the artist was deeply engaged with the shifting landscapes of history, documenting the weight of the era through his lens as an official war…
Le Dent Du Midi From Leysin, Switzerland. Toliausiai eina Sir Thomas Roe At The Court Of Ajmir ir Jan Toorop (1894).
Le Dent Du Midi From Leysin, Switzerland, Sir Thomas Roe At The Court Of Ajmir, Jan Toorop, Exposition of the Talmud, Talmudic Discussion, The Watch on the Rhine (The Last Phase), Barnett Freedman, The White Cliffs, Vaucottes, Robert Baldwin Ross ir St Martin's Summer. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 131 Sir Williamas Rothensteinas darbų, skirtų laikotarpiui nuo 1891 iki 1919.
Daugiausia – Museum of Fine Arts (Bostonas), Ben Uri Gallery and Museum (Londonas) ir Canadian War Museum (Ottawa). Viršuje esančiame muziejų sąraše yra visi jie.
1890s laikotarpiu: 5 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Jan Toorop.
Šioje pusėje seniausias darbas yra Interior (also known as Lady with a Hat) (1891), o naujausias – The Watch on the Rhine (The Last Phase) (1919).
Buildings (8), Portrait (8) ir Portraiture (7) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 3.
Impressionism ir Contemporary realism, vadovaujantis šios puslapio originalais kūriniais.
