Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 115 Paskalis Adolfas Žanas Dagnanas-Buverė darbai mūsų kataloge
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The Last Supper yra viena矚 most žiūrėlių pritraukiančių Paskalis Adolfas Žanas Dagnanas-Buverė tapierių; originalas saugomas Musée d'Orsay, Paris. Po to akmuo patenka į The Last Supper (1896) ir Portrait of Jean-Léon Gérôme (1902). Iš 115 Paskalis Adolfas Žanas Dagnanas-Buverė darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The Last Supper is a large-scale religious work created by the artist Pascal Dagnan-Bouveret. This painting was exhibited at the Salon de Champ-de-Mars in 1896. The piece belongs to the genre of religious art and was produced in 1896.
The Last Supper is a work by Pascal Dagnan-Bouveret, executed in 1896. This large-scale religious composition was exhibited at the Salon de Champ-de-Mars in 1896. The artist, a prominent French naturalist, utilized a panoramic format to organize the scene.
The face of an elderly man emerges from a dark, atmospheric void. Captured in profile, his features are etched against a background of deep blacks and heavy shadows. A bright shock of white hair catches the light, marking the edge of his forehead and temple. The skin is rendered with soft, blended lines that suggest the weight of years. Beneath this pale light, the eye remains fixed in a quiet,…
This formal and dignified portrait, titled Woman from Brittany, presents a medium close-up view of a young woman from the waist up. The composition is centered, focusing on the subject's serene expression and her traditional Breton attire. The color palette is defined by a striking contrast between the deep blacks and navy blues of her garment and the brilliant whites of her coiffe, collar, and the fabric resting in her…
In this 1879 composition, we find ourselves observing a quiet, unadorned moment of domestic life. A woman sits upon a bench, her presence defined by a sense of stillness as she tends to her infant, who rests within a basket. The scene is set outdoors, where the air seems to hold a certain weight, captured in a monochromatic palette that emphasizes form and light over the distraction of color. Around…
The work before us is titled bretons praying, a piece executed by the French artist Pascal Dagnan-Bouveret. Created in 1888, this painting reflects the naturalist sensibilities that defined much of the artist's career. It is a quiet, observant study that captures a specific moment of devotion within the Breton tradition.
The charcoal and red chalk lines of A Disciple, A Study for a Figure in The Supper at Emmaus trace the quiet contours of a single human form. This preparatory study, rendered by Pascal Dagnan-Bouveret, captures a disciple in a moment of stillness. It is a fragment of a larger thought, a skeletal grace caught on paper before the finality of a finished painting.
The oil on canvas painting titled Ophelia was executed by the French artist Pascal Dagnan-Bouveret. This work, created about 1900, depicts the character Ophelia from the play Hamlet. The figure is positioned within a landscape containing dense foliage and a body of water.
Consolatrix Afflictorum, also known as Consolatrix Afflictorium, is a painting by Pascal Dagnan-Bouveret. The work depicts the Virgin Mary holding the Christ Child within a woodland setting. This environment is characterized by a mystical illumination that filters through the trees. Surrounding the central figures, several angels are positioned within the scene. At the base of the composition, a kneeling man is shown seeking comfort at the feet of the Virgin…
is a literary painting by the French naturalist Pascal Dagnan-Bouveret. Created about 1911, the work reflects the artist's commitment to the naturalist school, a movement defined by its focus on realism and the meticulous depiction of life. Dagnan-Bouveret was a prominent figure in this movement, known for his ability to render detail with quiet precision.
The Musician1884 · Walters Art Museum
12
Sketch for the church of Bagneux: Saint Herbland1877 · Petit Palais
13
Nude Study of a Man1875 · Yale University Art Gallery
14
Male Nude Study1877 · Yale University Art Gallery
15
The rest, study1872
16
The little Savoyard eating in front of an entrance to a house1877
17
The Madonna with the Plane1885 · Bavarijos valstybinės paveikslų kolekcijos
18
Gypsy Scene1883 · Philadelphia Museum of Art
19
An Accident1879 · Walters Art Museum
20
Blessing of the Young Couple Before Marriage1880 · Pushkinio valstybinis dailės muziejus
21
Let Us Always Love, Let Us Love Again1886 · Musée Victor Hugo
22
Sketch for the Salon des Arts of the Hôtel de Ville de Paris: Painting1890 · Petit Palais
23
Woman in Breton Costume Seated in a Meadow1887 · Museum of Fine Arts
24
Study for 'Breton Women at a Pardon'1887 · National Gallery of Art
25
The Child Taught at Emmaus1896 · Finnish National Gallery
26
René de Saint-Marceaux1894 · Musée des Beaux-Arts
27
Portrait of a woman1901 · National Art Museum of Azerbaijan
28
The grandpa of the artist1877 · Musée d'Orsay
29
Portrait of Albert Edelfelt1887 · Finnish National Gallery
30
Lady with the Fan
31
Christ and the Disciples at EmmausCarnegie meno muziejus
32
Horses at the watering trough
33
Interior View of the Former Riding School of Rue Sainte-Marguerite1875 · Carnavalet muziejus
34
The Lament Of Orpheus1876 · Musée Des Beaux Arts
35
The Letter1884
36
Madonna of the Rose1885 · Metropolitano meno muziejus
37
Little Concert1883
38
The Pardon in Brittany1886 · Metropolitano meno muziejus
39
In the Meadow1892
40
Young Woman in a Garden of Oranges1891
41
The Pardon in Brittany1886
42
In the Forest1892 · Musée Des Beaux
43
Landscape with Trees1900 · Szépművészeti Múzeum
44
Willows by a Stream1908 · Museum of Fine Arts
45
Portrait of a young boyNational Art Museum of Azerbaijan
46
horses
47
pardon
48
horses
49
pardon
50
pardon
51
Posing in Ormoy
52
working on Breton Women at a Pardon
53
untitled (6618)
54
Portrait of Charles S. Reinhart
55
Young patient treated by a doctor on a farm
56
Portrait of a Man
57
Consecrated bread
58
Portrait of a woman with long hair
59
Head of an old woman, three-quarters to right
60
Portrait of Brittany Girl
61
Breton peasant, standing, three-quarters to left
62
Breton peasant standing holding a candle in his right hand
63
Horses at the Watering Trough
64
Hamlet and the Gravediggers
65
Portrait de jeune femme
66
LEON GEROME (1824 1924)
67
Madonna of the Rose
68
LE PAIN BENITmusée Jean-Léon Gérôme
69
Portrait of Princess O. V. Paley
70
Portrait of a child with long curly hair falling over her shoulders
71
UNE NOCE CHEZ LE PHOTOGRAPHE
72
Sancta Genovefa
73
Study for a Disciple in the Supper at Emmaus
74
PORTRAIT DE MADAME DAGNAN BOUVERET ET DE SON FILSMusée d'Orsay
75
The artist in the museum
76
Young Breton
77
TETE DE FEMME OULED NAÏL
78
Portrait of Gustave Courtois
79
Sur les cimes (On the Summit)
80
Le Pardon en Breetagne
81
untitled (9995)
82
untitled
83
the accident
84
ophelia
85
untitled (8133)
86
A Woman from Bern SwitzerlandPhiladelphia Museum of Art
87
photograph grandfather
88
Landscape with Poplars
89
Breton women
90
In the Stable
91
Portrait of Jean Dagnan-BouveretIzraelio muziejus
92
Portrait of his Grandfather
93
Portrait of Childs Frick
94
A Wedding in the photohrapheLyon grožio mokslų muziejus
95
Marguerite au Sabbat
96
Les conscrits
97
Portrait of Gustave Courtois
98
Hamlet et les fossoyeursDahesh Museum of Art
99
last supper
100
Bouderie (Gustave Courtois in his Studio)
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Paskalis Adolfas Žanas Dagnanas-Buverė darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Musée d'Orsay |
Paris | 4 | The Last Supper, Portrait of Jean-Léon Gérôme, The grandpa of the artist |
 Walters Art Museum |
Baltimore | 2 | The Musician, An Accident |
 Petit Palais |
Paris | 2 | Sketch for the church of Bagneux: Saint Herbland, Sketch for the Salon des Arts of the Hôtel de Ville de Paris: Painting |
 Yale University Art Gallery |
Niū Hevenas | 2 | Nude Study of a Man, Male Nude Study |
 Philadelphia Museum of Art |
Filadelfija | 2 | Gypsy Scene, A Woman from Bern Switzerland |
 Museum of Fine Arts |
Bostonas | 2 | Woman in Breton Costume Seated in a Meadow, Willows by a Stream |
 Finnish National Gallery |
Helsinkis | 2 | The Child Taught at Emmaus, Portrait of Albert Edelfelt |
 National Art Museum of Azerbaijan |
Baku | 2 | Portrait of a woman, Portrait of a young boy |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In this 1879 composition, we find ourselves observing a quiet, unadorned moment of domestic life. A woman sits upon a bench, her presence defined by a sense of stillness as she tends to her infant, who rests within a basket. The scene is set outdoors, where the air seems to hold a certain weight, captured in a monochromatic palette that emphasizes form and light over the distraction of color. Around…
This formal and dignified portrait, titled Woman from Brittany, presents a medium close-up view of a young woman from the waist up. The composition is centered, focusing on the subject's serene expression and her traditional Breton attire. The color palette is defined by a striking contrast between the deep blacks and navy blues of her garment and the brilliant whites of her coiffe, collar, and the fabric resting in her…
The Last Supper is a work by Pascal Dagnan-Bouveret, executed in 1896. This large-scale religious composition was exhibited at the Salon de Champ-de-Mars in 1896. The artist, a prominent French naturalist, utilized a panoramic format to organize the scene.
The face of an elderly man emerges from a dark, atmospheric void. Captured in profile, his features are etched against a background of deep blacks and heavy shadows. A bright shock of white hair catches the light, marking the edge of his forehead and temple. The skin is rendered with soft, blended lines that suggest the weight of years. Beneath this pale light, the eye remains fixed in a quiet,…
is a literary painting by the French naturalist Pascal Dagnan-Bouveret. Created about 1911, the work reflects the artist's commitment to the naturalist school, a movement defined by its focus on realism and the meticulous depiction of life. Dagnan-Bouveret was a prominent figure in this movement, known for his ability to render detail with quiet precision.
The Last Supper, Musée d'Orsay, Paris. Toliau seka The Last Supper (1896) ir Portrait of Jean-Léon Gérôme (1902).
The Last Supper, The Last Supper, Portrait of Jean-Léon Gérôme, Woman from Brittany, Laundress, bretons praying, A Disciple, A Study for a Figure in The Supper at Emmaus, Ophelia, Consolatrix Afflictorum ir Marguerite au Sabbat. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 115 Paskalis Adolfas Žanas Dagnanas-Buverė darbų, skirtų laikotarpiui nuo 1872 iki 1911.
Daugiausia – Musée d'Orsay (Paris), Walters Art Museum (Baltimore) ir Petit Palais (Paris). Viršuje esančiame muziejų sąraše yra visi jie.
1880s laikotarpiu: 15 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Woman from Brittany.
Šioje pusėje seniausias darbas yra The rest, study (1872), o naujausias – Marguerite au Sabbat (1911).
Man (14), Woman (11) ir People (9) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 14.
Realism, vadovaujantis šios puslapio originalais kūriniais.
The Last Supper, Portrait of Jean-Léon Gérôme ir The grandpa of the artist: Musée d'Orsay, Paris kolekcijoje yra 4 šioje pusėje esančių darbų.
Pascal-Adolphe-Jean Dagnan-Bouveret (1852–1929) – žymus prancūzų dailininkas, garsėjęs savo indėliu į natūralizmo mokyklą. Jo kūrybą apibūdina realizmas, kruopščios detalės ir kasdienio gyvenimo vaizdavimas, dažnai persmelztas Bretonijos kultūros temomis ir religine kontempliacija. Pradžioje užaugęs Paryžiuje, vėliau didžiąją karjeros dalį jis praleido Franche-Comté regione.
Dagnan-Bouveret karjera įgavo pagreitį su tokiais darbais kaip „Nelaimė“ (1880), už kurį jis pelnė pirmąją premiją Salone, žyminčią jo pasirodymą meno scenoje. Jis tęsė gaudamas apdovanojimus, įskaitant garbės medalį už “Arkliai prie girdymo duobės” (1885). Keletas paveikslų išsiskiria kaip reprezentatyvūs jo stiliaus ir temų pavyzdžiai:
