Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 309 Maksimiljenas Liusė darbai mūsų kataloge
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Galerijos akimais, garsiausias Maksimiljenas Liusė tapas yra The Pile Drivers (1902), kurio originalas eksponuojamas Musée d'Orsay, Paris. Notre Dame (1899) ir The Flood (1910) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 309 Maksimiljenas Liusė darbų mūsų kataloge, galerija žemiau pristato 100 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
Maximilien Luce’s “The Pile Drivers,” completed in 1902, transcends mere depiction; it's a visceral embodiment of the burgeoning industrial age and a masterful demonstration of Neo-Impressionist artistry. Currently residing at the Musée d’Orsay in Paris, this monumental canvas—measuring 153 x 195 cm—commands attention not only for its scale but also for Luce’s audacious stylistic choices and profound engagement with social commentary.
The scene unfolds through the eyes of Maximilien Luce, who captures the presence of Notre Dame in Paris. This work, titled Notre Dame, presents the cathedral as it exists within the urban landscape. The artist focuses on the massive towers that rise above the surrounding city, anchoring the composition. It is a moment frozen in time, where the architecture meets the movement of the streets.
Maximilien Luce’s technical approach underwent a significant evolution throughout his career. He began his professional practice as an Impressionist, focusing on the immediate effects of light and atmosphere. This early period eventually gave way to the scientific rigor of Neo-Impressionism. During this phase, he adopted the pointillist technique, which involves the application of tiny, distinct dots of pure color to the canvas. This method relies on optical mixing to achieve…
In this work, titled View of London (Cannon Street), Maximilien Luce presents a quiet observation of the English capital. Painted in 1893, the piece captures a specific moment in the city's development, looking out toward a skyline that defines the urban landscape of the late nineteenth century. The scene focuses on the intersection of water and industry, where the River Thames serves as a central artery for the movement of…
There is a particular stillness that settles over Paris as the sun retreats, a moment where the city’s frantic energy softens into a series of glowing reflections. In this 1893 work, Maximilien Luce captures the Seine at twilight, a time when the sky and water begin to merge in a shared palette of warmth. The river flows through the center of the composition, its surface broken by the gentle movement…
Maximilien Luce's Region of Paris, View of Montmartre, created in 1897, is a captivating oil on canvas painting measuring 46 x 65 cm. Currently residing at the Kröller-Müller Museum in Otterlo, Netherlands, this artwork offers a serene glimpse into Parisian life during the late 19th century through the lens of Neo-Impressionism.
The scene depicts the port of Rotterdam during the evening hours. In the foreground, the water occupies a significant portion of the lower frame, reflecting the fading light of the setting sun. Several boats are positioned within the harbor; some sit close to the viewer, while others appear as smaller silhouettes in the distance. The cityscape rises behind the water, composed of various buildings that define the horizon. A warm…
In the shimmering embrace of the French Riviera, Maximilien Luce captures a moment of timeless tranquility in The Port of Saint-Tropez. Painted in 1893, this masterpiece serves as a window into the soul of a bustling Mediterranean harbor, where the rhythmic dance of the tides meets the vibrant pulse of human activity. At the heart of the composition, a majestic sailboat rests anchored at the pier, its sails catching the…
Street Scene in Winter1915
12
Le chantier1911 · Musée d'Orsay
13
The Pile Drivers, Quai de la Seine at Billancourt
14
La Sainte-Chapelle1902 · Art Institute of Chicago
15
Slag Heap1896 · Musée d'Ixelles
16
A Paris Street in May 1871 (also known as The Commune)1903 · Musée d'Orsay
17
The Seine at Herblay1890 · Musée d'Orsay
18
Saint-Tropez1892 · Wallraf-Richartz-Museum
19
Landscape with Willow Trees1887 · Kelvingrove Art Gallery and Museum
20
Quai de l'École, Paris, Evening1889
21
The Fishing Port at Saint-Tropez1892
22
View of London1892
23
Paris, the Seine and the Quai de la Megisserie viewed from the Quai de Horloge1892
24
Portrait of Paul Signac1890
25
Poissy, Women in a Garden1893
26
Street Scene in Gisors1895 · Wallraf-Richartz-Museum
27
Paris: Boulevard at Night1893
28
The Cathedral at Gisors, View of the Ramparts1898 · Dixon Gallery and Gardens
29
The River Sambre at Charleroi1896 · Chazen Museum of Art
30
The River Sambre in Charleroi1896 · Yale University Art Gallery
31
The Banks of the Seine River in Pari1893 · Yale University Art Gallery
32
Rue Ravignan, Paris1893 · Houston meno muziejus
33
Charleroi1895
34
Portrait of Henri-Edmond Cross1898
35
Motherhood1898
36
Tall Furnaces1896
37
The Quai Conti, Daytime1896
38
The Good Samaritan1896
39
The Opening of the Rue Reaumur1896
40
Notre-Dame, View from the Quay Montebello1897
41
Saint Tropez, Two Woman by the Gulf1896
42
Fields1895
43
Children in the Fields1897
44
Haystack1897
45
Saint Tropez, Les Canoubiers1895
46
The Orchard at Eragny1895
47
The Thames and the Houses of Parliament, London1895
48
Paris, Rue Cortot, Madame Luce on the Balcony1893
49
Poissy, Madame Dillon1893
50
The Thames at London, Vauxhall Bridge1893
51
Seinequai in Paris1899 · Bavarijos valstybinės paveikslų kolekcijos
52
At the Riverbank1903 · Wallraf-Richartz-Museum
53
The River Eure at Garennes1901 · Wallraf-Richartz-Museum
54
Parisian Landscape. Banks of the Seine1901 · Petit Palais
55
Village by a Riverbank1901 · Petit Palais
56
Saint-Michel Bridge and Quai des Orfèvres around 19051905 · Carnavalet muziejus
57
Notre Dame1900 · San Diegos meno muziejus
58
Country Scene with Three Houses and Tree1900 · Yale University Art Gallery
59
Notre Dame1899 · Minneapolis Institute of Art
60
The Boulogne Embankment1905 · Finnish National Gallery
61
The Quai de Montebello and Sainte-Geneviève Hill1901
62
Saint-Tropez1900
63
Orleans, View of the Pont Georges V and the Cathedral Sainte Croix1905
64
The Sambre, Marchiennes1899
65
Félix Fénéon1903 · Musée d'Orsay
66
Notre Dame, Paris1901
67
Woman from Behind1900
68
The Seine at Pont Saint-Michel1900
69
Street in Paris1905
70
View of the Observatory Quarter (also known as View of the Observatory)1882 · Musée d'Orsay
71
The Brickyard1908 · Musée des impressionnismes Giverny
72
The Red Flag or the Trade Union Battle1910 · Musée de l'Hôtel-Dieu
73
Bessy-Sur-Cure, les Lavandières au Bord de l'Eau1906
74
Flodlandskab med pram og både1907 · Statens Museum For Kunst
75
Portrait of a Peasant
76
Nude combing her hair
77
Notre-Dame de Paris1910
78
Landscape with figures resting under trees
79
Rolleboise - The Old Barn
80
Young woman putting on her stockings
81
Portrait of Georges Seurat
82
The carter
83
Le Treport
84
Street Scene 1
85
Bathers at Tréport
86
Le Pont-Neuf, Paris
87
Farmers at the farm
88
Cottage near Bonniches
89
Fishermen on the pier
90
The Tuileries in Paris
91
Paramé beach
92
The port of Rotterdam 2
93
Plant in Charleroi 1
94
return
95
On the docks
96
The road 1
97
Rolleboise, lunch outdoors
98
on the way
99
Rolleboise, the small arm of the Seine
100
Rouen, the port
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Maksimiljenas Liusė darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Musée d'Orsay |
Paris | 8 | The Pile Drivers, Le chantier, A Paris Street in May 1871 (also known as The Commune) |
 Wallraf-Richartz-Museum |
Kelnas | 5 | Saint-Tropez, Street Scene in Gisors, At the Riverbank |
 Yale University Art Gallery |
Niū Hevenas | 3 | The River Sambre in Charleroi, The Banks of the Seine River in Pari, Country Scene with Three Houses and Tree |
 Petit Palais |
Paris | 3 | Parisian Landscape. Banks of the Seine, Village by a Riverbank |
 Musée de l'Hôtel-Dieu |
Mantes-la-Jolie | 4 | The Red Flag or the Trade Union Battle |
 Carnavalet muziejus |
Paris | 3 | Saint-Michel Bridge and Quai des Orfèvres around 1905 |
 Musée Lambinet |
Versailles | 1 | Paris, View of the Seine, Night |
 Kröller-Müller muziejus |
Otterlo | 1 | Region of Paris, View of Montmartre |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The scene unfolds through the eyes of Maximilien Luce, who captures the presence of Notre Dame in Paris. This work, titled Notre Dame, presents the cathedral as it exists within the urban landscape. The artist focuses on the massive towers that rise above the surrounding city, anchoring the composition. It is a moment frozen in time, where the architecture meets the movement of the streets.
Maximilien Luce’s “The Pile Drivers,” completed in 1902, transcends mere depiction; it's a visceral embodiment of the burgeoning industrial age and a masterful demonstration of Neo-Impressionist artistry. Currently residing at the Musée d’Orsay in Paris, this monumental canvas—measuring 153 x 195 cm—commands attention not only for its scale but also for Luce’s audacious stylistic choices and profound engagement with social commentary.
Maximilien Luce’s technical approach underwent a significant evolution throughout his career. He began his professional practice as an Impressionist, focusing on the immediate effects of light and atmosphere. This early period eventually gave way to the scientific rigor of Neo-Impressionism. During this phase, he adopted the pointillist technique, which involves the application of tiny, distinct dots of pure color to the canvas. This method relies on optical mixing to achieve…
The Pile Drivers (1902), Musée d'Orsay, Paris. Toliau seka Notre Dame (1899) ir The Flood (1910).
44 metų amžiaus: The Pile Drivers sukurta 1902 m. Nr. Maksimiljenas Liusė gimė 1858.
The Pile Drivers, Notre Dame, The Flood, View of London (Cannon Street), Paris, View of the Seine, Night, Region of Paris, View of Montmartre, The Port of Rotterdam, Evening, The Port of Saint-Tropez, Notre Dame ir La Gare de l'Est. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 309 Maksimiljenas Liusė darbų, skirtų laikotarpiui nuo 1882 iki 1917.
Daugiausia – Musée d'Orsay (Paris), Wallraf-Richartz-Museum (Kelnas) ir Yale University Art Gallery (Niū Hevenas). Viršuje esančiame muziejų sąraše yra visi jie.
1890s laikotarpiu: 41 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Notre Dame.
Šioje pusėje seniausias darbas yra View of the Observatory Quarter (also known as View of the Observatory) (1882), o naujausias – La Gare de l'Est (1917).
France (9), Cityscape (7) ir Landscape (7) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 7.
Pointillism, vadovaujantis šios puslapio originalais kūriniais.
The Pile Drivers, Le chantier ir A Paris Street in May 1871 (also known as The Commune): Musée d'Orsay, Paris kolekcijoje yra 6 šioje pusėje esančių darbų.
