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1 garsiausių Marie Wiegmann paveikių – kiekvienas yra unikalus
Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 2 Marie Wiegmann darbai mūsų kataloge
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Half-length Portrait of a Woman (1857) yra viena矚 most žiūrėlių pritraukiančių Marie Wiegmann tapierių; originalas saugomas Augustiner Museum, Freiburgas. Iš 2 Marie Wiegmann darbų mūsų kataloge šios 1 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
1820 – 1893, Srebrna Góra
Daugiausia darbų: Augustiner Museum
10 geriausių Marie Wiegmann paveikslų: galerijos akimais
Muziejai, kuriuose saugomi Marie Wiegmann originalūs darbai
1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Marie Wiegmann darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Augustiner Museum |
Freiburgas | 1 | Half-length Portrait of a Woman |
Marie Wiegmann darbai per metus: kiekvieno unikalūs originalūs kūriniai
Visi čia pateikiami datuoti Marie Wiegmann originalūs darbai priklauso vienoms metams – 1857: jie išvardyti pagal budulį.
Darbai pagal metus
Pasirinkite metus, kad pamatytumėte originalus darbus.
Marie Wiegmann tapų klausimai galerijai
Koks yra garsiausias Marie Wiegmann kūrinys?Atsakymas
Half-length Portrait of a Woman (1857)
Kuriuo amžiaus atσταση Marie Wiegmann sukūrė Half-length Portrait of a Woman?Atsakymas
37 metų amžiaus: Half-length Portrait of a Woman sukurta 1857 m. Nr. Marie Wiegmann gimė 1820.
Kiek žinoma Marie Wiegmann darbų?Atsakymas
Mūsų kataloge yra 2 darbų autoriaus Marie Wiegmann.
Kur galima pamatyti garsiausių Marie Wiegmann originalų?Atsakymas
Daugiausia – Augustiner Museum (Freiburgas). Viršuje esančiame muziejų sąraše yra visi jie.
Marie Wiegmann: meno kūrinys – autoportretas
A Life in Brushstrokes
Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.
In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.
The Subjects of Her Canvas
Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.
Beyond stories, she was a painter of people and quiet moments. Some of her known works include:
- A Venetian Lady
- A Young Girl with Roses
- A French Woman of 1792
- Portrait of Karl Schnasse
Recognition and Legacy
Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.
She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.