Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 26 Léonard Limousin darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Léonard Limousin garsiausias yra Crucifixion (1553), esantis Liuvro muziejus kolekcijoje, Paryžius. Tiesiog už jų seka Henri d'Albret (1503–55), King of Navarre (1556) ir Preachment (1500). Mūsų kataloge yra 26 darbų autoriaus Léonard Limousin; galerija išsaugojo 25 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
Created in 1553, the Crucifixion by Léonard Limousin represents a significant achievement in High Renaissance enamel painting. This work was commissioned for the Sainte Chapelle in Paris, a setting that underscores the religious devotion of the era. As the central panel of an altarpiece, it was designed to anchor a larger theological narrative during a period of profound religious upheaval.
This portrait miniature, executed in painted enamel on copper, captures Henri d'Albret, King of Navarre, in a three-quarter view. The subject is rendered against a deep, saturated cobalt blue background that provides a stark contrast to the dark tones of his attire. A white feather rises from his black cap, adding a singular point of brightness to the composition. The technique relies on the meticulous application of glass-like pigments to…
Within the intricate world of 16th-century French portraiture, Leonard Limosin's “Portrait of Anne the Montmorency (detail)” stands as a testament to both technical mastery and subtle emotional depth. More than simply a likeness, it’s a carefully constructed tableau – a glimpse into the life and status of a powerful noblewoman within the turbulent political landscape of France. The painting, executed around 1556, is not merely a representation; it's an invitation…
In the delicate, luminous world of sixteenth-century French portraiture, Léonard Limosin’s Portrait of Anne the Montmorency stands as a breathtaking testament to both technical mastery and subtle emotional depth. This exquisite work is far more than a mere likeness; it is a carefully constructed tableau that offers an intimate glimpse into the life and status of a powerful noble figure within the turbulent political landscape of France. As we gaze…
In the quiet elegance of the French Renaissance, few objects capture the intersection of courtly sophistication and tactile artistry as exquisitely as the Tric-Trac Board by the legendary enameller Léonard Limosin. Created in 1537, this is not merely a functional game board for an early form of backgammon; it is a profound statement of status, craftsmanship, and the refined leisure of the Valois court. At first glance, the viewer is…
In the intimate scale of this exquisite enamel plaque, we encounter the commanding presence of Odet de Coligny, Cardinal of Châtillon. Created in 1567 by the master Léonard Limosin, this work serves as more than a mere portrait; it is a window into the profound dignity of the French Renaissance. The subject gazates outward with a gaze that is both piercing and contemplative, his features rendered with such precision that…
Portrait of Galiot de Genouillac1546 · Musée de l'Évêché
12
St John1547 · Musée des Beaux-Arts
13
St Paul and St Thomas1547 · Liuvro muziejus
14
Angel with the ladder used for the deposition of Christ, detail of an altarpiece with the Resurrection, Limoges artwork.
15
The Triumph of the Eucharist and the Catholic Faith1561 · The Frick Collection
16
Portrait of a Man (Guillaume Farel?)1546 · The Frick Collection
17
Dido
18
Aeneas
19
The dauphin, the future François II
20
Portrait of Guy Chabot, Baron de Jarnac
21
The Crucifixion, central panel of an altarpiece.
22
Angel with the Cross and St Veronica's veil, detail of an altarpiece with the Resurrection, Limoges artwork.
23
Angel with the sponge and lance, two instruments of the Passion of Christ, detail of an altarpiece with the Resurrection, Limoges artwork.
24
The Resurrection, central panel of an altarpiece.
25
Portrait of a Man (Antoine de Bourbon?)1560 · The Frick Collection
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
#21 The Crucifixion, central panel of an altarpiece.
#22 Angel with the Cross and St Veronica's veil, detail of an altarpiece with the Resurrection, Limoges artwork.
#23 Angel with the sponge and lance, two instruments of the Passion of Christ, detail of an altarpiece with the Resurrection, Limoges artwork.
#24 The Resurrection, central panel of an altarpiece.
7 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Léonard Limousin darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Liuvro muziejus |
Paryžius | 5 | Crucifixion, Portrait of Anne the Montmorency (detail), Portrait of Anne the Montmorency |
 The Frick Collection |
Niujorkas | 4 | Odet de Coligny, cardinal of Châtillon, The Triumph of the Eucharist and the Catholic Faith, Portrait of a Man (Guillaume Farel?) |
 Metropolitano meno muziejus |
Niujorkas | 1 | Henri d'Albret (1503–55), King of Navarre |
 Cleveland Museum of Art |
Klevlandas | 1 | Preachment |
 Taft Museum of Art |
Cincinnati | 1 | Plaque with Odet de Coligny, Cardinal of Châtillon |
 Musée de l'Évêché |
Limoges | 1 | Portrait of Galiot de Genouillac |
 Musée des Beaux-Arts |
Chartres | 1 | St John |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In the quiet elegance of the French Renaissance, few objects capture the intersection of courtly sophistication and tactile artistry as exquisitely as the Tric-Trac Board by the legendary enameller Léonard Limosin. Created in 1537, this is not merely a functional game board for an early form of backgammon; it is a profound statement of status, craftsmanship, and the refined leisure of the Valois court. At first glance, the viewer is…
Created in 1553, the Crucifixion by Léonard Limousin represents a significant achievement in High Renaissance enamel painting. This work was commissioned for the Sainte Chapelle in Paris, a setting that underscores the religious devotion of the era. As the central panel of an altarpiece, it was designed to anchor a larger theological narrative during a period of profound religious upheaval.
In the intimate scale of this exquisite enamel plaque, we encounter the commanding presence of Odet de Coligny, Cardinal of Châtillon. Created in 1567 by the master Léonard Limosin, this work serves as more than a mere portrait; it is a window into the profound dignity of the French Renaissance. The subject gazates outward with a gaze that is both piercing and contemplative, his features rendered with such precision that…
Crucifixion (1553), Liuvro muziejus, Paryžius. Toliau seka Henri d'Albret (1503–55), King of Navarre (1556) ir Preachment (1500).
48 metų amžiaus: Crucifixion sukurta 1553 m. Nr. Léonard Limousin gimė 1505.
Crucifixion, Henri d'Albret (1503–55), King of Navarre, Preachment, Odet de Coligny, cardinal of Châtillon, Henri d'Albret, Francis, Duke of Guise, Portrait of Anne the Montmorency (detail), Portrait of Anne the Montmorency, Tric-Trac Board ir Plaque with Odet de Coligny, Cardinal of Châtillon. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 26 Léonard Limousin darbų, skirtų laikotarpiui nuo 1537 iki 1567.
Daugiausia – Liuvro muziejus (Paryžius), The Frick Collection (Niujorkas) ir Metropolitano meno muziejus (Niujorkas). Viršuje esančiame muziejų sąraše yra visi jie.
1550s laikotarpiu: 7 iš 25 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Crucifixion.
Šioje pusėje seniausias darbas yra Tric-Trac Board (1537), o naujausias – Plaque with Odet de Coligny, Cardinal of Châtillon (1567).
Man (4), Portrait (4) ir Arts (4) iš 25 šioje pusėje esamų darbų.
Enamel, iš 25 šios puslapio darbų – 9.
Renaissance, vadovaujantis šios puslapio originalais kūriniais.
Crucifixion, Portrait of Anne the Montmorency (detail) ir Portrait of Anne the Montmorency: Liuvro muziejus, Paryžius kolekcijoje yra 5 šioje pusėje esančių darbų.
