Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 88 Žanas Žozefas Benžamenas Konstantas darbai mūsų kataloge
Trumpai tariant
Scene in a Harem (Un Envoi de Serbie) (1876) yra viena矚 most žiūrėlių pritraukiančių Žanas Žozefas Benžamenas Konstantas tapierių; originalas saugomas Metropolitano meno muziejus, Niujorkas. Po to akmuo patenka į Caucasian Boy (1902) ir Židonas Bizantijoje. Iš 88 Žanas Žozefas Benžamenas Konstantas darbų mūsų kataloge šios 85 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The canvas presents Scene in a Harem (Un Envoi de Serbie), a work that invites the viewer into a private, shadowed interior. This painting, created in 1876, carries several names that whisper of its complex subject matter. It is known as Three Figures in an Interior (Un Envoi de Serbie) and also bears the alternative title The Serbian Concubine (Un Envoi de Serbie). Each name offers a different lens through…
The painting depicts a young girl positioned as the central figure. She wears a red hat adorned with a single feather. Her long hair descends along her back, and her gaze is directed toward a point outside the frame. She is dressed in clothing consistent with the traditional attire of the Caucasus region. In the background, several other figures are visible, including one person standing to the left of the…
Žan Žozefas Benjaminas Konstantas – Bizantijos Švietimo Salė Žan Žozefas Benjaminas Konstantas (1845 m.), Prancūzijos dailininkas ir graviuras, išsiskiria savo rytietišku tema ir portretų meistriškumu. Jis studijavo Toulouse École des Beaux-Arts, kuriame buvo Aleksandras Kabanelio mokytojas, įvykdė reikšmę Ž.Ž.B. Konstantaso kūrybai sukėlusią kelionę į Maroką 1872 metais – šį žygį jis laikė kaip katalizatorių įsikelti į rytietiško meno pasaulį ir tapo vienu iš žymiausiųjų rytietiškuoju dailininkų. Šis žygis nebuvo tik…
The canvas titled Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre) captures a monumental shift in history. Jean-Joseph Benjamin-Constant brings the viewer into the immediate aftermath of the siege of Constantinople in 1453 CE. The oil on canvas presents the triumphant entrance of the Ottoman Sultan, Mehmed II, as he moves through the city. This moment marks the conclusion…
In this medium close-up portrait, Jean-Joseph Benjamin-Constant centers John Brooks Henderson against a dark, atmospheric background. The subject is framed by a heavy, black fur-trimmed coat worn over a dark suit. A white shirt and a green cravat provide a sharp point of contrast against the somber tones of the attire. The man’s face is defined by a well-groomed grey beard and thin-rimmed spectacles that catch the light. To the…
The oil on canvas titled Entrance of Mohammed II was painted by Jean-Joseph Benjamin-Constant in 1876. This work depicts the historical conquest of Constantinople. The subject matter focuses on the triumphant entrance of the Ottoman Sultan, Mehmed II, into the city. The scene captures a specific moment of transition following the siege of the city in 1453 CE.
In Arabes assis, Jean-Joseph Benjamin-Constant places three figures within a quiet, shared space. Two adults and a child sit together, their forms gathered in a moment of stillness. They rest upon an ornate rug, the patterns of which anchor the group to the ground. The scene captures individuals from North Africa or the Middle East, presented through the lens of the 19th-century Orientalist movement.
In "Portrait of a Bearded Young Man Called l'Albinos" by Jean-Joseph Benjamin-Constant, the subject emerges from a heavy, shadow-filled void. This bust-length portrait, created about 1875, centers on a young man whose pale features and light hair earn him the name l'Albinos. He sits with arms crossed against his chest, a posture that suggests a quiet guardedness or a deep, inward-looking introspection. The man’s light-colored hair and beard catch the…
The artwork titled Sketch for the church of Clichy-la-Garenne: The Immaculate Conception was created by the French artist Jean-Joseph Benjamin-Constant. This piece dates to about 1874. The subject matter is religious in nature, specifically representing the Immaculate Conception. The composition focuses on a single seated figure, depicted in a manner consistent with classical academic traditions.
Harem in Morocco is an oil on canvas painted by Jean-Joseph Benjamin-Constant. The work dates to about 1878. It captures a crowded, opulent interior through a high-angle perspective, looking into a cavernous room filled with architectural layers and heavy textiles.
The Pasha's Soldiers1880 · Rhode Island School of Design Museum of Art
12
Dance of the Veil1880
13
Odalisque1882
14
Odalisque1880
15
Carpet Seller in Tangiers1883
16
Lutetia Famae Genitrix.1880 · Musée des Augustins
17
Benjamin-Constant - Le caïd marocain Tahamy1880 · Musée d'art et d'histoire de Narbonne
18
Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1889 · Petit Palais
19
Sketch for the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1890 · Petit Palais
20
Evening on the Seashore—Tangiers1891 · Milwaukee Art Museum
21
Arcadian1893 · Musée Victor Hugo
22
Portrait of Jean Montfraix at the Age of Twelve Years1893 · Musée des Augustins
23
Portrait of Henri d'Orléans, Duke of Aumale1896 · Condé muziejus
24
Mary Henderson1895 · National Portrait Gallery
25
Portrait of His Two Sons (André and Emmanuel)1899 · Musée des Augustins
26
Portrait of Angèle Delasalle1900 · Petit Palais
27
Portrait of Elia Demidof1900 · Nacionalinė galerija
28
The Rt Hon. William McEwan MP (1827-1913)1900 · Polesden Lacey
29
Odalisque1900 · Musée d'art et d'histoire de Narbonne
30
Portrait of my son André1895 · Musée d'Orsay
31
Lying Odalisque1870 · Musée d'Orsay
32
Entry of Mahomet II into Constantinople
33
L'Imperatrice Theodora Au Colisee
34
Favorite of the Emir
35
The Cherifas1884 · Musée des Beaux-Arts
36
Favorite of the Emir1879
37
Dr John Chapman1885 · Nottingham Castle Museum And Art Gallery
38
Oriental Woman with a Drum1880
39
Empress Theodora at the Coliseum1889
40
Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1893 · Petit Palais
41
Henrietta Maria Walter, Wife of Arthur Fraser Walter of Bearwood, High Steward of Woking1896
42
Odalisque1880 · Baltimore Museum of Art
43
Portrait of a Renaissance ManMusée des Augustins
44
In the Sultan's PalaceUtah Museum of Fine Arts
45
The Daughter of Caesar
46
At Rest
47
AutoportraitMusée des Augustins
48
Portrait Of Mme M. S. DervizErmitažas
49
Arabian Nights
50
Salome with the Head of St. John the Baptist
51
Contemplation
52
Helene Vincent
53
Herodiade
54
Les Chérifas
55
Le Masque de BeethovenMusée des Augustins
56
Portrait d'Emmanuel, fils de l'artisteMusée des Augustins
57
The Palace Guard With Two Leopards
58
Victory
59
The Favorite of the Emir1879 · National Gallery of Art
60
JudithMetropolitano meno muziejus
61
The Count of Toulouse Has His Standards Blessed at Saint-SerninMusée des Augustins
62
Bird and AnimalStatens Museum For Kunst
63
Gifts from a PashaMusée Des Beaux Arts
64
The Watchful Guard
65
Judith
66
Judith
67
The Houses of Parliament, London
68
The Sultan's TigerMetropolitano meno muziejus
69
Victrix
70
Maures à TangerVictoria Art Gallery
71
On the Terrace
72
Harem Women
73
Paris Welcoming The World
74
Drying Clothes
75
Portrait d'Emmanuel Arago (Fils de l'astronome François Arago. Benjamin Constant a épousé une de ses filles.)Musée des Augustins
76
Harem Scene
77
Twilight Hours
78
Afternoon Langour
79
Antigone au chevet de PolyniceMusée des Augustins
80
Portrait Of An Arab Woman
81
Guarding The Chieftain
82
Toulouse Capitole entrée du pape Urbain II
83
OdalisqueMetropolitano meno muziejus
84
Le jour des funérailles - Scène du Maroc1889 · Petit Palais
85
Evening on Terraces (Morocco)1879 · Montrealio meno muziejus
#3 Židonas Bizantijoje
#4 Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre)
#5 John Brooks Henderson
#16 Lutetia Famae Genitrix.
#18 Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Žanas Žozefas Benžamenas Konstantas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Musée des Augustins |
Tuluza | 12 | Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), Portrait of a Bearded Young Man Called l'Albinos, Lutetia Famae Genitrix. |
 Petit Palais |
Paris | 6 | Sketch for the church of Clichy-la-Garenne: The Immaculate Conception, Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities, Sketch for the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities |
 Metropolitano meno muziejus |
Niujorkas | 4 | Scene in a Harem (Un Envoi de Serbie), Judith, The Sultan's Tiger |
 National Portrait Gallery |
Vašingtonas | 2 | John Brooks Henderson, Mary Henderson |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 2 | Benjamin-Constant - Le caïd marocain Tahamy, Odalisque |
 Musée d'Orsay |
Paris | 2 | Portrait of my son André, Lying Odalisque |
 Sakovos meno rūmai – kultūros istorijos muziejus |
Tbilisi | 1 | Caucasian Boy |
| Dahesh Museum of Art | Niujorkas | 1 | Arabes assis |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The canvas presents Scene in a Harem (Un Envoi de Serbie), a work that invites the viewer into a private, shadowed interior. This painting, created in 1876, carries several names that whisper of its complex subject matter. It is known as Three Figures in an Interior (Un Envoi de Serbie) and also bears the alternative title The Serbian Concubine (Un Envoi de Serbie). Each name offers a different lens through…
The Pasha's Soldiers is an oil painting by Jean-Joseph Benjamin-Constant. Created about 1880, this work belongs to the Orientalist movement, a period where the artist turned his attention toward the customs and aesthetics of North Africa and the Ottoman Empire. It reflects the specific interests that emerged following his travels to Morocco in 1872.
In this medium close-up portrait, Jean-Joseph Benjamin-Constant centers John Brooks Henderson against a dark, atmospheric background. The subject is framed by a heavy, black fur-trimmed coat worn over a dark suit. A white shirt and a green cravat provide a sharp point of contrast against the somber tones of the attire. The man’s face is defined by a well-groomed grey beard and thin-rimmed spectacles that catch the light. To the…
The painting depicts a young girl positioned as the central figure. She wears a red hat adorned with a single feather. Her long hair descends along her back, and her gaze is directed toward a point outside the frame. She is dressed in clothing consistent with the traditional attire of the Caucasus region. In the background, several other figures are visible, including one person standing to the left of the…
Scene in a Harem (Un Envoi de Serbie) (1876), Metropolitano meno muziejus, Niujorkas. Toliau seka Caucasian Boy (1902) ir Židonas Bizantijoje.
31 metų amžiaus: Scene in a Harem (Un Envoi de Serbie) sukurta 1876 m. Nr. Žanas Žozefas Benžamenas Konstantas gimė 1845.
Scene in a Harem (Un Envoi de Serbie), Caucasian Boy, Židonas Bizantijoje, Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), John Brooks Henderson, Entrance of Mohammed II, Arabes assis, Portrait of a Bearded Young Man Called l'Albinos, Sketch for the church of Clichy-la-Garenne: The Immaculate Conception ir Harem in Morocco. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 88 Žanas Žozefas Benžamenas Konstantas darbų, skirtų laikotarpiui nuo 1870 iki 1902.
Daugiausia – Musée des Augustins (Tuluza), Petit Palais (Paris) ir Metropolitano meno muziejus (Niujorkas). Viršuje esančiame muziejų sąraše yra visi jie.
1880s laikotarpiu: 14 iš 85 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Pasha's Soldiers.
Šioje pusėje seniausias darbas yra Lying Odalisque (1870), o naujausias – Caucasian Boy (1902).
Man (12), Woman (11) ir Women (10) iš 85 šioje pusėje esamų darbų.
Oil On Canvas, iš 85 šios puslapio darbų – 26.
Orientalism, vadovaujantis šios puslapio originalais kūriniais.
Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), Portrait of a Bearded Young Man Called l'Albinos ir Lutetia Famae Genitrix.: Musée des Augustins, Tuluza kolekcijoje yra 12 šioje pusėje esančių darbų.
