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2 garsiausių Jan Griffier II paveikių rinkinys: galerijos išboru
Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 2 Jan Griffier II darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Jan Griffier II garsiausias yra River Landscape (1743), esantis Nationalmuseum kolekcijoje, Stokholmas. Mūsų kataloge yra 2 darbų autoriaus Jan Griffier II; galerija išsaugojo 2 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
1688 – 1750, Amsterdam
Daugiausia darbų: Nationalmuseum
Jan Griffier II geriausios 10 paveikslų: galerijos pasirinkimas
Muziejai, kuriuose saugomi Jan Griffier II originalūs darbai
2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Jan Griffier II darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Nationalmuseum |
Stokholmas | 1 | River Landscape |
 Anglesey Abbey |
1 | View of Windsor Castle from the north |
Jan Griffier II metai po metų: originalūs darbai, apibūdinantys kiekvieną iš jų
Vos vos dešimtmetis, nuo 1735 iki 1743, suteikė pasauliui kiekvieną nurodytą Jan Griffier II originalą iš šios kolekcijos: štai jie, metus po metų.
Darbai pagal metus
Pasirinkite metus, kad pamatytumėte originalus darbus.
Kolekcjonerų klausimai apie Jan Griffier II paveikslus
Kuriu darbu Jan Griffier II yra labiausiai garsus?Atsakymas
River Landscape (1743)
Kokia buvo Jan Griffier II amžius, kai buvo sukurtas River Landscape?Atsakymas
55 metų amžiaus: River Landscape sukurta 1743 m. Nr. Jan Griffier II gimė 1688.
Kiek paveikslų paliko Jan Griffier II?Atsakymas
Mūsų kataloge yra 2 Jan Griffier II darbų, skirtų laikotarpiui nuo 1735 iki 1743.
Kuriuose muziejuose eksponuojami Jan Griffier II šedevrai?Atsakymas
Daugiausia – Nationalmuseum (Stokholmas) ir Anglesey Abbey. Viršuje esančiame muziejų sąraše yra visi jie.
Kokie yra pirmasis ir paskutinis garsieji Jan Griffier II originalūs darbai?Atsakymas
Šioje pusėje seniausias darbas yra View of Windsor Castle from the north (1735), o naujausias – River Landscape (1743).
Jan Griffier II: gyvenimas ir kūryba
A Life Between Two Worlds
Born in Amsterdam, Jan Griffier II carried the legacy of his father, Jan Griffier I, into the bustling streets of England. His life was shaped by the movement between the Dutch Republic and the English landscape, a transition that defined his place in the eighteenth century. While some accounts of his lineage have been clouded by the confusion of generations, he was the son of the elder Griffier and the younger brother of Robert. He eventually made his home in London, settling in the prestigious area of Pall Mall, where his presence was felt within the artistic circles of the day.
His existence was marked by a quiet influence on those who followed. He did not merely paint; he lived among the creators of his era, leaving a mark on the development of others, such as Christian August Lorentzen. His presence in London suggests a man who was deeply integrated into the social and creative fabric of the city, moving through its streets as a painter of significant standing.
The Craft of the Landscape
The work of Jan Griffier II was rooted in the observation of the natural world and the architectural grandeur of his adopted home. His brush captured the essence of the English terrain, seeking to translate the physical reality of the land into a visual language. His skill was such that his depictions of significant locations, like Windsor Castle, remain part of the historical record of English art.
His technical approach involved:
- The depiction of topographical views from specific vantage points.
- A focus on the relationship between architecture and the surrounding environment.
- The translation of light and shadow across the English countryside.
A Legacy in London
As the years passed, Griffier became a fixture of the London art scene. He lived through a period of significant change, maintaining his practice as a painter until his death in London. His life reflects the movement of talent across the sea, contributing to the visual history of England through his specific eye for the landscape. He remains a figure of interest for those studying the lineage of Dutch-influenced painting in the British Isles.