Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Trumpai tariant
Dead Wildfowl (1674) yra viena矚 most žiūrėlių pritraukiančių Jacob Biltius tapierių; originalas saugomas Statens Museum For Kunst, Kopenhaga. Po to akmuo patenka į Dead Birds (1670) ir Snip, hanging (1663). Iš 10 Jacob Biltius darbų mūsų kataloge šios 10 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
3 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Jacob Biltius darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
| Kopenhaga | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Ilgi17 metų karjera, nuo 1663 iki 1679: garsiausi Jacob Biltius originalūs darbai, pateikiami metais po metų.
Pasirinkite metus, kad pamatytumėte originalus darbus.
Daugiau nuo 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Daugiau nuo 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Kopenhaga. Toliau seka Dead Birds (1670) ir Snip, hanging (1663).
41 metų amžiaus: Dead Wildfowl sukurta 1674 m. Nr. Jacob Biltius gimė 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall ir Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 10 Jacob Biltius darbų, skirtų laikotarpiui nuo 1663 iki 1679.
Daugiausia – Statens Museum For Kunst (Kopenhaga), Fries Museum (Leeuwarden) ir Kunsthandel P. de Boer. Viršuje esančiame muziejų sąraše yra visi jie.
1663 laikotarpiu: 2 iš 10 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Snip, hanging.
Šioje pusėje seniausias darbas yra Snip, hanging (1663), o naujausias – Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) ir Dark background (2) iš 10 šioje pusėje esamų darbų.
Oil On Canvas, iš 10 šios puslapio darbų – 2.
Dead Wildfowl, Dead Birds ir Wildfowl on a Wooden Table: Statens Museum For Kunst, Kopenhaga kolekcijoje yra 5 šioje pusėje esančių darbų.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.