Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 42 Henry Mosleris darbai mūsų kataloge
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Pilgrims' Grace (1897) yra Henry Mosleris paveikslas, kuriuo gausiausia žmonių žavisi. Po to akmuo patenka į Christmas Morning (1916) ir Elizabeth Moerlein Portrait, 1869 (1869). Iš 42 Henry Mosleris darbų mūsų kataloge šios 40 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this bust-length oil portrait, Henry Mosler captures Carl Heinrich Spitzner within a formal oval format. The subject sits slightly off-center, his gaze directed toward the viewer with a calm and serious expression. This eye-level perspective establishes an intimate connection, pulling the sitter into the immediate space of the observer. The dignity of the 19th-century sitter is held in the stillness of his posture.
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
The oil sketch titled Sketch for Chimney Corner is a work by the artist Henry Mosler. Created about 1892, the piece captures a fleeting moment of domestic light. It remains part of the permanent collection at the Cincinnati Art Museum.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In "The Spirit of the Rainbow" by Henry Mosler, a nude female figure is positioned in a reclining, weightless pose, appearing to float across a large, sweeping arc. This rainbow spans the composition from the upper left to the lower right, establishing a sense of movement and celestial scale. The figure's pale skin is illuminated by light that emanates from within the rainbow itself, casting a soft glow across the…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
In this Henry Mosler Self-portrait, the artist Henry Mosler presents himself in a bust-length composition that feels remarkably intimate. He is positioned slightly off-center, meeting the viewer through a close-up, eye-level view. His gaze is steady and contemplative, suggesting a moment of quiet introspection. The subject is an elderly man, and the arrangement of his features invites a sense of psychological depth. This approach is characteristic of late 19th-century academic…
Later Afternoon1919
12
Lost Cause1869
13
Plum Street Temple1866
14
Portrait of a Rabbi's Wife (Ktherine Schiff Illowy.)1869
15
Portrait of a Rabbi (Rabbi Bernard Illowy.)1869
16
Heidi1877
17
Quadroon Girl1878
18
The Quadroon Girl1878 · Cincinnati Art Museum
19
The Last Sacraments1884
20
Peasant Girl and Doves1880
21
Harvest Festival1884
22
Return of the Shrimp Fishers1880
23
Visit of the Marquese1887
24
The Husking Bee1890
25
New Year's Morning1888
26
Portrait of Agnes1888
27
Daydreaming1898
28
The Chimney Corner1893 · Cincinnati Art Museum
29
Portrait of EdithCincinnati Art Museum
30
Charles Henry Spitzner as a Young Child
31
The Sewing Lesson
32
Siesta1910
33
Vegetable Vendor1906
34
Quilting Bee1916
35
Rio Aguirvate1913
36
Young Indian Woman (also known as Young Indian Girl)1887
37
Courtship1874 · Nelson-Atkins Museum of Art
38
Just Moved1870 · Metropolitano meno muziejus
39
Study for EVENING OF THE BATTLE (1882)Cincinnati Art Museum
40
The Return of the Prodigal Son1879 · Musée d'Orsay
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Henry Mosleris darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Cincinnati Art Museum |
Sinciatiati | 5 | Sketch for Chimney Corner, The Quadroon Girl, The Chimney Corner |
 Cincinnati Museum Center at Union Terminal |
Cincinnati | 2 | Elizabeth Moerlein Portrait, 1869, George B. Cox |
 Smithsonian American Art Museum |
Vašingtonas | 1 | The Spirit of the Rainbow |
 Dayton Art Institute |
Dayton | 1 | The Beauty |
 National Portrait Gallery |
Vašingtonas | 1 | Henry Mosler Self-portrait |
 Nelson-Atkins Museum of Art |
Kansas City | 1 | Courtship |
 Metropolitano meno muziejus |
Niujorkas | 1 | Just Moved |
 Musée d'Orsay |
Paris | 1 | The Return of the Prodigal Son |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
Pilgrims' Grace (1897). Toliausiai eina Christmas Morning (1916) ir Elizabeth Moerlein Portrait, 1869 (1869).
56 metų amžiaus: Pilgrims' Grace sukurta 1897 m. Nr. Henry Mosleris gimė 1841.
Pilgrims' Grace, Christmas Morning, Elizabeth Moerlein Portrait, 1869, Carl Heinrich Spitzner, Mathilde Therese Pannwitz Spitzner, Sketch for Chimney Corner, George B. Cox, The Spirit of the Rainbow, The Beauty ir Henry Mosler Self-portrait. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 42 Henry Mosleris darbų, skirtų laikotarpiui nuo 1866 iki 1920.
Daugiausia – Cincinnati Art Museum (Sinciatiati), Cincinnati Museum Center at Union Terminal (Cincinnati) ir Smithsonian American Art Museum (Vašingtonas). Viršuje esančiame muziejų sąraše yra visi jie.
1880s laikotarpiu: 8 iš 40 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Last Sacraments.
Šioje pusėje seniausias darbas yra Plum Street Temple (1866), o naujausias – The Beauty (1920).
Man (4), Woman (4) ir People (3) iš 40 šioje pusėje esamų darbų.
Oil On Canvas, iš 40 šios puslapio darbų – 8.
Realism, vadovaujantis šios puslapio originalais kūriniais.
Sketch for Chimney Corner, The Quadroon Girl ir The Chimney Corner: Cincinnati Art Museum, Sinciatiati kolekcijoje yra 5 šioje pusėje esančių darbų.
