Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 65 Hans Leonhardas Šioifelinas darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Hans Leonhardas Šioifelinas garsiausias yra Sanguine (so-called Female Head) (1511), esantis Kunsthistorisches Museum kolekcijoje, Viena. Tiesiog už jų seka Melancholic (so-called Youthful Head) (1511) ir Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha (1515). Mūsų kataloge yra 65 darbų autoriaus Hans Leonhardas Šioifelinas; galerija išsaugojo 63 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
A single profile emerges from a void of near-blackness. The subject, a young person with features often debated as female, rests in a quiet, side-long gaze. Light falls from the upper left, tracing the soft curve of a nose and the gentle slope of a chin. The palette is a narrow, warm world of ochre, sienna, and cream. Every line feels deliberate, as if the artist sought to trap a…
The painting titled Melancholic (so-called Youthful Head) captures a single, quiet moment of introspection. Also known as Melancholic (Head of a Youth), this portrait focuses on the singular presence of a young person. The work was executed by the artist Hans Leonhard Schäufelein in 1511.
This Renaissance-era religious composition presents a complex, crowded scene of biblical narratives. On the left, a figure representing Christ, depicted in the Ecce Homo tradition, stands partially unclothed and wearing a crown of thorns. His gaze is cast downward with a somber expression. Beside him, a man in heavy, draped robes gestures toward a group of onlookers. The composition is structured across two main planes: a raised platform on the…
The Christgartner Altar: The Coronation of Mary emerges from the shadows of history as a profound expression of faith. This religious work, titled Christgartner Altar: The Coronation of Mary, carries the hand of Hans Leonhard Schäufelein. The artist, Hans Leonhard Schäufelein, brings a specific vision to this sacred scene, marking a significant moment in the development of the German Renaissance. He brings the weight of his Nuremberg, Germany origins to…
In this detailed panel from 1515, the viewer is placed directly upon the shores of the Sea of Galilee. The composition is divided with a quiet, deliberate logic, separating the terrestrial from the maritime. In the foreground, the weight of the moment is felt through the heavy folds of drapery as Jesus Christ stands upon the shore. He gestures toward Saint Peter, who is captured in the very act of…
The oil painting titled Christgartner Altar: Liberation of Peter and Paul from the Mamertine Prison was executed by the German Renaissance artist Hans Leonhard Schäufelein. Created in 1515, the work captures a specific moment of divine intervention. The scene focuses on the biblical liberation of Saints Peter and Paul from their confinement.
Hans Leonhard Schäufelein presents Head of Christ as a centered, frontal bust-length portrait. The composition is set against a flat, textured gold background, creating a shallow depth of field that focuses attention entirely on the subject. This arrangement emphasizes the religious nature of the work, offering a humanized depiction of Christ that prioritizes spiritual presence over environmental context.
The scene captures the heavy, chaotic tension of Christ falling at the Brook Cedron. Figures crowd the foreground, their bodies locked in a struggle that creates a sense of claustrophobia. Ropes and spears cut through the composition in sharp diagonals, directing the eye toward the central figure of Christ. The weight of the moment is felt through the tension in the limbs of the men pulling him, their faces etched…
The work titled Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923) is a religious art piece. It was painted by Hans Leonhard Schäufelein. The image captures a moment of profound human struggle through the lens of sacred history.
The composition is densely packed with figures in the foreground, creating a sense of claustrophobia and tension. Christ falls on his way to Pilate, surrounded by tormentors and onlookers. The scene is rendered in a grayscale palette, emphasizing light and shadow rather than hue. Diagonal lines from raised weapons and limbs create dynamic movement, directing the eye toward the central figure. The lighting appears to come from the upper left,…
Christgartner Altar: Christ on the Cross (detached reverse of WAF 926)1515 · Bavarijos valstybinės paveikslų kolekcijos
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Saint Ulrich before the Abbot of St. Gallen1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christgartner Altar: Death of Mary1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christgartner Altar: Crucifixion of Peter1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christgartner Altar: Christ before Pilate (detached reverse of WAF 924)1515 · Bavarijos valstybinės paveikslų kolekcijos
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The Flight into Egypt1503 · Bavarijos valstybinės paveikslų kolekcijos
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Ecce Homo (Shroud)1517 · Bavarijos valstybinės paveikslų kolekcijos
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Christgartner Altar: Burial of Mary Reverse: Fall of Christ onto the Cross1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christgartner Altar: Fall of Christ during the Raising of the Cross (Detached Reverse Side of WAF 920)1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christgartner Altar: An Angel Presents Mary with the Palm1515 · Bavarijos valstybinės paveikslų kolekcijos
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Wing of a Deacon's Altar: Saint Pope Callixtus Reverse: Saint Stephen1509 · Bavarijos valstybinės paveikslų kolekcijos
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Saint Ulrich Heals the Sick1515 · Bavarijos valstybinės paveikslų kolekcijos
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Wing of a Deacon's Altar: Saint Lawrence Reverse: Saint Vincent of Valencia1509 · Bavarijos valstybinės paveikslų kolekcijos
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Christgartner Altar: Crowning with Thorns of Christ (detached reverse side of WAF 922)1515 · Bavarijos valstybinės paveikslų kolekcijos
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Saint Ulrich is Ordained as Bishop1515 · Bavarijos valstybinės paveikslų kolekcijos
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Maihingen Altar: Saint Bridget of Sweden before the Crucifix Reverse: Family Tree of the Order Founders according to the Rule of Saint Augustine1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christ Takes Leave of His Mother1504 · Gemäldegalerie
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The Last Supper1511 · Gemäldegalerie
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Crucifixion of Christ1515 · Staatliche Kunsthalle Karlsruhe
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Christgarten Altar: Saint Onuphrius1515 · Bavarijos valstybinės paveikslų kolekcijos
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Fall of Christ during the Flagellation1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christ crowned with thorns1516 · Bavarijos valstybinės paveikslų kolekcijos
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Christgarten Altar: Saint John Chrysostom1515 · Bavarijos valstybinės paveikslų kolekcijos
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Christgarten Altar: Saint Jerome1515 · Bavarijos valstybinės paveikslų kolekcijos
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Portrait of a Young Man1504 · Indianapolis muziejus
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Portrait of a man in a yellow jerkin.1507 · Nacionalinis muziejus Varšuvoje
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Crowning with Thorns1506 · Gemäldegalerie
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The Flagellation of Christ1506 · Gemäldegalerie
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Portrait of a man in a yellow jacket1507 · Nacionalinis muziejus Varšuvoje
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Crucifixion of Christ with John the Baptist and King David (Allegory of Law and Grace)1520 · Bavarijos valstybinės paveikslų kolekcijos
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Christ in the Temple1520 · Shipley Art Gallery
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The Reviling of Christ1520 · Shipley Art Gallery
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Portrait of a Young Man1527 · Dayton Art Institute
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Eitel Friedrich II of Hohenzollern by Hans Schäufelin1525 · Jagdschloss Grunewald
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Lamentation1537 · Museum Catharijneconvent
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Portrait of a Man (Self-portrait?)1534 · Gemäldegalerie
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Adoration of the Lamb1538 · Gemäldegalerie
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Portrait of a Man1505 · Galleria Borghese
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The Choleric Temperament1511
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The Agony in the Garden1516 · Alte Pinakothek
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The Circumcision of Christ1505 · Christian Museum
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History of JudithBavarijos valstybinės paveikslų kolekcijos
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Portrait of an old man in a black cloak and cap
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The Birth of Christ1505 · Christian Museum
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Christ Crowned with Thorns
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Abt alexander hummelBavarijos valstybinės paveikslų kolekcijos
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Communion
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Portrait of a man in a yellow jerkin (detail).
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Saint jeromeGemäldegalerie
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Head of a bearded man
61
The dormition of the VirginMetropolitano meno muziejus
62
The Adoration of the ShepherdsCleveland Museum of Art
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Christ carrying the cross
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
#8 Christgartner Altar: Fall of Christ at the Brook Cedron
#9 Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923)
#10 Christgartner Altar: Fall Christi on the Way to Pilatus (detached reverse side of WAF 921)
#11 Christgartner Altar: Christ on the Cross (detached reverse of WAF 926)
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Hans Leonhardas Šioifelinas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 32 | Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary, Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish |
 Gemäldegalerie |
Berlynas | 7 | Christ Takes Leave of His Mother, The Last Supper, Crowning with Thorns |
 Kunsthistorisches Museum |
Viena | 2 | Sanguine (so-called Female Head), Melancholic (so-called Youthful Head) |
 Nacionalinis muziejus Varšuvoje |
Varšuva | 2 | Portrait of a man in a yellow jerkin., Portrait of a man in a yellow jacket |
 Shipley Art Gallery |
Gateshead | 2 | Christ in the Temple, The Reviling of Christ |
 Christian Museum |
Eger | 2 | The Circumcision of Christ, The Birth of Christ |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Crucifixion of Christ |
 Indianapolis muziejus |
Indianapolis | 1 | Portrait of a Young Man |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The scene depicts three figures moving through a rugged, mountainous landscape. On the left, a man with a prominent beard and a tunic walks with a steady stride, pulling a donkey forward by a rope. The donkey carries a woman who sits upright, cradling an infant wrapped in swaddling clothes. A faint halo surrounds the woman's head. The terrain consists of rolling hills in the foreground and jagged, layered mountain…
A single profile emerges from a void of near-blackness. The subject, a young person with features often debated as female, rests in a quiet, side-long gaze. Light falls from the upper left, tracing the soft curve of a nose and the gentle slope of a chin. The palette is a narrow, warm world of ochre, sienna, and cream. Every line feels deliberate, as if the artist sought to trap a…
The painting titled Crucifixion of Christ with John the Baptist and King David (Allegory of Law and Grace) is a work of religious art. It was executed by the artist Hans Leonhard Schäufelein. This specific composition is dated 1520.
The painting presents a tightly packed group of figures gathered around the lifeless body of Jesus. The scene is set within a shallow pictorial space, where the vertical lines of a wooden cross and a ladder in the background provide a structural framework for the mourning figures. The central focus is the pale, luminous skin of Christ, which contrasts against the dark, saturated tones of the surrounding drapery. Deep crimsons,…
Sanguine (so-called Female Head) (1511), Kunsthistorisches Museum, Viena. Toliau seka Melancholic (so-called Youthful Head) (1511) ir Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha (1515).
31 metų amžiaus: Sanguine (so-called Female Head) sukurta 1511 m. Nr. Hans Leonhardas Šioifelinas gimė 1480.
Sanguine (so-called Female Head), Melancholic (so-called Youthful Head), Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary, Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish, Christgartner Altar: Liberation of Peter and Paul from the Mamertine Prison, Head of Christ, Christgartner Altar: Fall of Christ at the Brook Cedron, Christgartner Altar: Fall Christi before the Palace of Pilate (detached reverse side of WAF 923) ir Christgartner Altar: Fall Christi on the Way to Pilatus (detached reverse side of WAF 921). Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 65 Hans Leonhardas Šioifelinas darbų, skirtų laikotarpiui nuo 1503 iki 1538.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Gemäldegalerie (Berlynas) ir Kunsthistorisches Museum (Viena). Viršuje esančiame muziejų sąraše yra visi jie.
1510s laikotarpiu: 32 iš 63 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Sanguine (so-called Female Head).
Šioje pusėje seniausias darbas yra The Flight into Egypt (1503), o naujausias – Adoration of the Lamb (1538).
Man (25), Drapery (22) ir People (18) iš 63 šioje pusėje esamų darbų.
Oil On Panel, iš 63 šios puslapio darbų – 36.
Christgartner Altar: Ecce Homo Reverse: Peter Heals the Lame and Raises Tabitha, Christgartner Altar: The Coronation of Mary ir Christgartner Altar: Christ and Peter at the Sea of Galilee and Peter, who finds the tax coin in the mouth of the fish: Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 32 šioje pusėje esančių darbų.
