Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 39 Georges Rouget darbai mūsų kataloge
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Galerijos akimais, garsiausias Georges Rouget tapas yra Saint Louis Forgiving Pierre de Bretagne (1817), kurio originalas eksponuojamas Musée des Beaux-Arts de Quimper, Kampė. Sketch for the church Saint Gervais "Ecce Homo" (1819) ir Jean-Nicolas Houchard (1835) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 39 Georges Rouget darbų mūsų kataloge, galerija žemiau pristato 39 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
The scene unfolds in Saint Louis Forgiving Pierre de Bretagne, a work that captures a heavy moment of royal grace. Georges Rouget brings this historical encounter to life through oil on canvas, freezing a gesture of mercy in time. The painting dates to about 1817, a period when the weight of history meets the precision of the brush. We find ourselves watching a pivotal interaction between a king and a…
In the Sketch for the church Saint Gervais "Ecce Homo" by Georges Rouget, the scene unfolds through a crowded and dynamic arrangement. The composition utilizes a multi-layered assembly of figures to generate a sense of chaotic movement and mounting tension. From a slightly low-angle perspective, the viewer looks upward toward an elevated platform where the central subject is presented to the crowd. This positioning emphasizes the weight of the moment,…
In this 1835 portrait, we encounter Jean-Nicolas Houchard, a man whose presence commands the space through a quiet, heavy dignity. The subject is captured in a bust-length composition, his body turned slightly away while his gaze meets the viewer with a solemnity that suggests a life lived amidst the pressures of authority. There is a palpable sense of gravity in his expression, a stillness that speaks of the weight of…
A middle-aged man sits in a moment of profound stillness, his gaze drifting toward the upper right as if caught by a sudden, unspoken thought. He is draped in the heavy, dark navy blue of a jacket that absorbs the light, contrasting sharply against the crisp, creamy white of his cravat. The light strikes the left side of his face with a deliberate intensity, sculpting the sharp lines of his…
This portrait bust, executed in white marble, presents the head and shoulders of Achille Alexandre Alphonse, Viscount de Cailleux. The sculpture is rendered in a Neoclassical style, emphasizing anatomical precision and a smooth, polished surface on the skin. The subject is positioned in a frontal, centered composition against a neutral, solid gray background. Light enters from the upper left, casting soft shadows across the brow, the bridge of the nose,…
The King of Rome in the Tuileries Garden is a formal portrait by the French painter Georges Rouget. Executed about 1850, the work captures a young boy dressed in ceremonial or high-status attire. The subject is positioned within an expansive, manicured garden setting, presented in a vertical orientation that emphasizes his stature.
The canvas before you presents not merely a likeness, but an embodiment of the 19th century’s fascination with portraiture – a meticulously rendered study in dignity and quiet authority. Painted by Georges Rouget between 1803 and 1857, this depiction of Jean Pierre Thenot is more than just a representation; it's a window into a specific moment in French history, imbued with the formal elegance and restrained emotion characteristic of his…
PHILIPPE HENRI SCHUNCK (1757 1847)
12
ARMAND LOUIS DE GONTAUT, DUC DE BIRON, GENERAL EN CHEF DE L'ARMEE DU RHIN (1747 1793)
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BERTRAND CLAUSEL, CAPITAINE AU 43E DE LIGNE EN 1792 (1772 1842)
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MARIE HENRI FRANCOIS DE FRANQUETOT, DUC DE COIGNY, MARECHAL DE FRANCE (1737 1821)
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SAINT LOUIS RENDANT LA JUSTICE SOUS LE CHENE DE VINCENNES.1260
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HENRI IV DEVANT PARIS ASSIEGE.AOUT 1590
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VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846)Opera House
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LAURENT GOUVION SAINT CYR, CAPITAINE AU 1ER BATAILLON DE CHASSEURS DE PARIS EN 1792 (1764 1830)Opera House
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ASSEMBLEE DES NOTABLES A ROUEN.4 NOVEMBRE 1596
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CLAUDE VICTOR PERRIN, LIEUTENANT COLONEL DU 5E BATAILLON DU RHONE EN 1792 (1764 1841)
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GEORGES ROUGET (1784 1864)
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Napoléon présente le roi de Rome aux dignitaires de l'Empire, 20 mars 1811Opera House
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LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, VICE AMIRAL (1745 1804)
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LOUIS RENE MADELEINE LEVASSOR DE LA TOUCHE TREVILLE, CONTRE AMIRAL EN 1792 (1745 1804)
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Oedipe et Antigone sur le mont Cytheron
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FRANCOIS MIRANDA, LIEUTENANT GENERAL ( 1816)
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AUGUSTE FREDERIC LOUIS VIESSE DE MARMONT, LIEUTENANT D'ETAT MAJOR D'ARTILLERIE EN 1792 (1774 1852)
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CLOVIS III, ROI D'AUSTRASIE, DE NEUSTRIE ET DE BOURGOGNE ( 695)
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CHARLES III, DIT LE SIMPLE, ROI DE FRANCE (879 929)
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MORT DE SAINT LOUIS DEVANT TUNIS.25 AOUT 1270
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Portrait du général M. Portrait d'homme (titre ancien)
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MARIAGE DE NAPOLEON 1ER ET DE MARIE LOUISE.2 AVRIL 1810
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NAPOLEON RECOIT A SAINT CLOUD LE SENATUS CONSULTE QUI LE PROCLAME EMPEREUR DES FRANCAIS.18 MAI 1804
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SAINT LOUIS RECOIT A PTOLEMAIS LES ENVOYES DU VIEUX DE LA MONTAGNE.1251
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SAINT LOUIS MEDIATEUR ENTRE LE ROI D'ANGLETERRE ET SES BARONS.23 JANVIER 1264Opera House
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Mariage de Napoléon Ier et de Marie Louise, 2 avril 1810
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MESDEMOISELLES MOLLIENLiuvro muziejus
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FRANCOIS CHASSELOUP LAUBATAS GENERŲ KOMANDIRĖS PORTRETASMinistère de la Défense Nationale
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EMMANUEL DE GROUCHY, COLONEL DU 2E DRAGON EN 1792 (1766 1847)
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Georges Rouget darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Opera House |
Versalio | 6 | Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794), VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846) |
 Liuvro muziejus |
Paryžius | 2 | JEAN PIERRE THENOT (1803 1857), MESDEMOISELLES MOLLIEN |
 Musée des Beaux-Arts de Quimper |
Kampė | 1 | Saint Louis Forgiving Pierre de Bretagne |
 Petit Palais |
Paris | 1 | Sketch for the church Saint Gervais "Ecce Homo" |
 Musée de l'Armée |
Paris | 1 | Jean-Nicolas Houchard |
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 1 | Jacques-Louis David |
 Musée Fesch |
Eks-an-Pransą | 1 | The King of Rome in the Tuileries Garden |
 Ministère de la Défense Nationale |
Paris | 1 | FRANCOIS CHASSELOUP LAUBATAS GENERŲ KOMANDIRĖS PORTRETAS |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The scene unfolds in Saint Louis Forgiving Pierre de Bretagne, a work that captures a heavy moment of royal grace. Georges Rouget brings this historical encounter to life through oil on canvas, freezing a gesture of mercy in time. The painting dates to about 1817, a period when the weight of history meets the precision of the brush. We find ourselves watching a pivotal interaction between a king and a…
In this 1835 portrait, we encounter Jean-Nicolas Houchard, a man whose presence commands the space through a quiet, heavy dignity. The subject is captured in a bust-length composition, his body turned slightly away while his gaze meets the viewer with a solemnity that suggests a life lived amidst the pressures of authority. There is a palpable sense of gravity in his expression, a stillness that speaks of the weight of…
This portrait bust, executed in white marble, presents the head and shoulders of Achille Alexandre Alphonse, Viscount de Cailleux. The sculpture is rendered in a Neoclassical style, emphasizing anatomical precision and a smooth, polished surface on the skin. The subject is positioned in a frontal, centered composition against a neutral, solid gray background. Light enters from the upper left, casting soft shadows across the brow, the bridge of the nose,…
The King of Rome in the Tuileries Garden is a formal portrait by the French painter Georges Rouget. Executed about 1850, the work captures a young boy dressed in ceremonial or high-status attire. The subject is positioned within an expansive, manicured garden setting, presented in a vertical orientation that emphasizes his stature.
Saint Louis Forgiving Pierre de Bretagne (1817), Musée des Beaux-Arts de Quimper, Kampė. Toliau seka Sketch for the church Saint Gervais "Ecce Homo" (1819) ir Jean-Nicolas Houchard (1835).
34 metų amžiaus: Saint Louis Forgiving Pierre de Bretagne sukurta 1817 m. Nr. Georges Rouget gimė 1783.
Saint Louis Forgiving Pierre de Bretagne, Sketch for the church Saint Gervais "Ecce Homo", Jean-Nicolas Houchard, Jacques-Louis David, Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, The King of Rome in the Tuileries Garden, JEAN PIERRE THENOT (1803 1857), DEBARQUEMENT DE SAINT LOUIS EN EGYPTE.4 JUIN 1249, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) ir FRANCOIS CHRISTOPHE KELLERMAN, GENERAL EN CHEF DE L'ARMEE DE LA MOSELLE EN 1792 (1735 1820). Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 39 Georges Rouget darbų, skirtų laikotarpiui nuo 1817 iki 1850.
Daugiausia – Opera House (Versalio), Liuvro muziejus (Paryžius) ir Musée des Beaux-Arts de Quimper (Kampė). Viršuje esančiame muziejų sąraše yra visi jie.
1810s laikotarpiu: 2 iš 39 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Saint Louis Forgiving Pierre de Bretagne.
Šioje pusėje seniausias darbas yra Saint Louis Forgiving Pierre de Bretagne (1817), o naujausias – The King of Rome in the Tuileries Garden (1850).
Portrait (6), Man (4) ir Dignified (3) iš 39 šioje pusėje esamų darbų.
Oil On Canvas, iš 39 šios puslapio darbų – 6.
Neoclassicism, vadovaujantis šios puslapio originalais kūriniais.
Achille Alexandre Alphonse, Viscount de Cailleux (1788-1876), Director of the Musées royaux, ALEXANDRE FRANCOIS MARIE, VICOMTE DE BEAUHARNAIS, GENERAL EN CHEF DE L'ARMEE DU RHIN (1760 1794) ir VICTOR GUY BARON DUPERRE, MATELOT EN 1792 (1775 1846): Opera House, Versalio kolekcijoje yra 6 šioje pusėje esančių darbų.
