Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 50 Džordžas Grejas Barnardas darbai mūsų kataloge
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Iš visų originalų, kuriuos paliko Džordžas Grejas Barnardas, garsiausias yra The Mystery of Life (1897). Tiesiog už jų seka Sherman and His Generals (1866) ir Untitled (1846). Mūsų kataloge yra 50 darbų autoriaus Džordžas Grejas Barnardas; galerija išsaugojo 47 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
The Mystery of Life is a marble relief created by the American sculptor George Grey Barnard. Modeled between 1895 and 1897, this work belongs to a specific series of allegorical images exploring the themes of Life and Death. It was originally conceived as a component of an urn intended to hold the ashes of Anton Seidl.
In the quiet, monochromatic depths of George N. Barnard’s Sherman and His Generals, we find more than a mere photographic record; we encounter a profound meditation on authority and the heavy mantle of leadership. Created in 1866, this striking work captures nine men—most notably General William Tecumseh Sherman and his senior commanders—arranged in a deliberate, semi-circular formation. There is an undeniable gravity to their presence, as they sit upon chairs…
This work, titled Untitled, is a vintage daguerreotype photograph created by George Grey Barnard. Dating from about 1846, the piece offers a rare glimpse into a specific moment of mid-19th-century portraiture. It captures a family portrait of four children, presented with the formal arrangement characteristic of the era.
This work is titled Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign. It was captured by George N. Barnard in 1864. The image provides a direct record of the devastation within the city, specifically focusing on the remnants of a church. A prominent clock tower rises from the wreckage, marking the site of what was once a central structure.
In this monochromatic albumen silver print from 1864, we find ourselves standing before a scene of quiet, heavy stillness. The image captures a moment of pause amidst the chaos of the American Civil War, specifically within the context of Sherman's Campaign. A solitary cannon, its metallic form rendered in subtle shades of gray, sits positioned within defensive fortifications. It is the central weight of the composition, anchored by the dark,…
Ringold, Georgia from the album Photographic Views of Sherman's Campaign is a photographic work by George N. Barnard. Produced in 1864, the image captures a landscape where natural terrain meets human settlement. The scene presents a view of rolling hills and dense forest, punctuated by a small village and a prominent stone wall in the foreground.
In "Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866)" by George Grey Barnard, the scene unfolds as a heavy, silent aftermath of conflict. The composition is dominated by the towering ruins of a large building, its broken architecture reaching upward like a fractured skeleton against the sky. These remnants of a church or cathedral loom over the landscape, their jagged edges and sharp, broken surfaces…
A Snapshot of Resilience: George Grey Barnard’s “City of Atlanta, Georgia No. 2” The photograph presented here—George Grey Barnard’s “City of Atlanta, Georgia No. 2,” created in 1866—is more than just a depiction of a street scene; it's a testament to endurance and an emblem of the American spirit emerging from the shadow of Reconstruction. Captured during Sherman’s devastating march through Georgia, this panoramic view offers a glimpse into the…
Le Lys Casse (The Broken Lily) is a pencil drawing by the American sculptor George Grey Barnard. Created about 1910, the work reflects the artist's engagement with the human form through a medium distinct from his primary sculptural practice.
In the quiet stillness of George Grey Barnard’s Solitude, or Adam and Eve, one finds much more than a mere depiction of biblical figures; one encounters a profound meditation on the very essence of human intimacy. Created in 1906, this exquisite marble masterpiece captures a moment of tender vulnerability, where the boundaries between two souls seem to dissolve into the stone itself. The sculpture portrays Adam and Eve locked in…
Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign1864
12
Fountain and Park, Savannah from the album Photographic Views of Sherman's Campaign1864
13
The Crest of Mission Ridge from the album Photographic Views of Sherman's Campaign1864
14
The Hell Hole, Battlefield of New Hope Church from the album Photographic Views of Sherman's Campaign1864
15
The Potter House, Atlanta from the album Photographic Views of Sherman's Campaign1864
16
The Battle Ground of Resaca, No. 1 from the album Photographic Views of Sherman's Campaign1864
17
Interior View of Fort Sumter from the album Photographic Views of Sherman's Campaign1864
18
Savannah River, near the City from the album Photographic Views of Sherman's Campaign1864
19
Orchard Knob, from Mission Ridge from the album Photographic Views of Sherman's Campaign1864
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Pass in the Racoon Range, No. 1 from the album Photographic Views of Sherman's Campaign1864
21
Sherman's Hair Pins1864
22
The Battle Ground of Resaca, No.2 from the album Photographic Views of Sherman's Campaign1864
23
Ruins of the Pinckney Mansion, Charleston from the album Photographic Views of Sherman's Campaign1864
24
The Battle Ground of Resaca, No. 3 from the album Photographic Views of Sherman's Campaign1864
25
The New Capitol, Columbia, South Carolina from the album Photographic Views of Sherman's Campaign1864
26
Atlanta, from the Works, No. 3 from the album Photographic Views of Sherman's Campaign1864
27
Pass in the Raccoon Range, No. 2 from the album Photographic Views of Sherman's Campaign1864
28
Exterior View of Fort Sumter from the album Photographic Views of Sherman's Campaign1864
29
Trestle Bridge, at Whiteside from the album Photographic Views of Sherman's Campaign1864
30
Rebel Works in front of Atlanta, No. 1 from the album Photographic Views of Sherman's Campaign1864
31
Battlefield of New Hope Church, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign1864
32
Buen Ventura, Savannah from the album Photographic Views of Sherman's Campaign1864
33
Battlefield of the New Hope Church, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign1864
34
Lu La Lake, Lookout Mountain from the album Photographic Views of Sherman's Campaign1864
35
Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign1864
36
Battlefield of Atlanta, 22nd July, 1864, No. 1 from the album Photographic Views of Sherman's Campaign1864
37
Ruins of the R.R. Depot, Charleston from the album Photographic Views of Sherman's Campaign(1866)1864
38
Untitled (Chicago after the Chicago Fire)1871
39
(Untitled) (Mansfield 1907)1907
40
(Untitled Head, Two Women, studies)1920
41
(Untitled Striding Figure)1925
42
(Untitled Woman and Serpent)1925
43
My Mother As I Visioned When a Boy1935
44
(Untitled Head)1925
45
Therefore1924
46
The Dance1910 · Smithsonian American Art Museum
47
The Leap of the Soul1921
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
#5 Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign
#13 The Crest of Mission Ridge from the album Photographic Views of Sherman's Campaign
#14 The Hell Hole, Battlefield of New Hope Church from the album Photographic Views of Sherman's Campaign
#16 The Battle Ground of Resaca, No. 1 from the album Photographic Views of Sherman's Campaign
#4 Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign
#12 Fountain and Park, Savannah from the album Photographic Views of Sherman's Campaign
#18 Savannah River, near the City from the album Photographic Views of Sherman's Campaign
#19 Orchard Knob, from Mission Ridge from the album Photographic Views of Sherman's Campaign
#23 Ruins of the Pinckney Mansion, Charleston from the album Photographic Views of Sherman's Campaign
#25 The New Capitol, Columbia, South Carolina from the album Photographic Views of Sherman's Campaign
#26 Atlanta, from the Works, No. 3 from the album Photographic Views of Sherman's Campaign
#28 Exterior View of Fort Sumter from the album Photographic Views of Sherman's Campaign
#31 Battlefield of New Hope Church, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign
#36 Battlefield of Atlanta, 22nd July, 1864, No. 1 from the album Photographic Views of Sherman's Campaign
#37 Ruins of the R.R. Depot, Charleston from the album Photographic Views of Sherman's Campaign(1866)
#38 Untitled (Chicago after the Chicago Fire)
3 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Džordžas Grejas Barnardas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 J. Paul Getty muziejus |
Los Andželis | 2 | Sherman and His Generals, City of Atlanta, Georgia, No. 2 |
 Taft Museum of Art |
Cincinnati | 1 | Solitude, or Adam and Eve |
 Smithsonian American Art Museum |
Vašingtonas | 1 | The Dance |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Untitled (Chicago after the Chicago Fire) is a work by the American sculptor George Grey Barnard. Created about 1871, the piece captures a city scene defined by buildings in ruins. The imagery reflects the immediate aftermath of the Great Fire of 1871, a catastrophe that leveled four square miles of Chicago and left 100,000 residents homeless.
The Mystery of Life is a marble relief created by the American sculptor George Grey Barnard. Modeled between 1895 and 1897, this work belongs to a specific series of allegorical images exploring the themes of Life and Death. It was originally conceived as a component of an urn intended to hold the ashes of Anton Seidl.
In the quiet stillness of George Grey Barnard’s Solitude, or Adam and Eve, one finds much more than a mere depiction of biblical figures; one encounters a profound meditation on the very essence of human intimacy. Created in 1906, this exquisite marble masterpiece captures a moment of tender vulnerability, where the boundaries between two souls seem to dissolve into the stone itself. The sculpture portrays Adam and Eve locked in…
Le Lys Casse (The Broken Lily) is a pencil drawing by the American sculptor George Grey Barnard. Created about 1910, the work reflects the artist's engagement with the human form through a medium distinct from his primary sculptural practice.
The Mystery of Life (1897). Toliausiai eina Sherman and His Generals (1866) ir Untitled (1846).
34 metų amžiaus: The Mystery of Life sukurta 1897 m. Nr. Džordžas Grejas Barnardas gimė 1863.
The Mystery of Life, Sherman and His Generals, Untitled, Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign, Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign, Ringold, Georgia from the album Photographic Views of Sherman's Campaign, Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866), City of Atlanta, Georgia, No. 2, Le Lys Casse (The Broken Lily) ir Solitude, or Adam and Eve. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 50 Džordžas Grejas Barnardas darbų, skirtų laikotarpiui nuo 1871 iki 1935.
Daugiausia – J. Paul Getty muziejus (Los Andželis), Taft Museum of Art (Cincinnati) ir Smithsonian American Art Museum (Vašingtonas). Viršuje esančiame muziejų sąraše yra visi jie.
1920s laikotarpiu: 6 iš 47 šioje pusėje esančių darbų buvo sukurtos tada, iš jų (Untitled Head, Two Women, studies).
Šioje pusėje seniausias darbas yra Untitled (Chicago after the Chicago Fire) (1871), o naujausias – My Mother As I Visioned When a Boy (1935).
Landscape (13), Trees (12) ir Sky (12) iš 47 šioje pusėje esamų darbų.
Black and White Photography, iš 47 šios puslapio darbų – 16.
Contemporary realism ir Documentary photography, vadovaujantis šios puslapio originalais kūriniais.
Sherman and His Generals ir City of Atlanta, Georgia, No. 2: J. Paul Getty muziejus, Los Andželis kolekcijoje yra 2 šioje pusėje esančių darbų.
