Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 35 Georgas Penczas darbai mūsų kataloge
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Galerijos akimais, garsiausias Georgas Penczas tapas yra Portrait of Lienhard Hirschvogel (1542), kurio originalas eksponuojamas Bavarijos valstybinės paveikslų kolekcijos, Miunchas. Portrait of a beardless man (1531) ir Caritas Romana (1538) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 35 Georgas Penczas darbų mūsų kataloge, galerija žemiau pristato 34 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
The man sits in a quiet, heavy stillness, his gaze directed slightly away from the viewer toward an unseen point to the right. He is Lienhard Hirschvogel, a merchant of Nuremberg, and he carries the weight of his status in the very fabric of his being. The light enters from the upper left, brushing against the high ridge of his forehead and the bridge of his nose, leaving the right…
In this intimate bust portrait, we encounter a man caught in a moment of profound contemplation. He is positioned slightly off-center, his gaze directed toward the right of the frame, as if lost in a thought that has momentarily pulled him away from the viewer. The composition is tight, bringing us into a close, almost uncomfortably personal proximity with the subject. His expression is stoic, perhaps even weary, carrying a…
Georg Pencz executed this oil on canvas in 1538. Known alternatively as Cimon and Pero, the work is titled Caritas Romana. The composition centers on an ancient Roman legend involving the bond between a father and daughter.
The oil on canvas work titled Roman Charity was executed by the German artist Georg Pencz in 1538. This painting captures a singular, heavy moment between two figures. It is a study of skin and shadow, rendered with the precision of a man who understood the weight of a line. The scene focuses on the figures of Cimon and Pero.
A quiet intimacy settles between the two figures in this monochrome study. The knight sits, a heavy presence of metal and muscle, while a younger page leans in to assist with the weight of the armor. Light falls from the upper left, carving the ridges of the steel pauldrons and catching the soft curve of a cheek. It is a moment of preparation, stripped of the clamor of battle. The…
In the quiet corridors of the Wallraf-Richartz-Museum in Cologne, there exists a window into the spiritual fervor of the sixteenth century. Georg Pencz’s Angel, painted in 1525, is not merely a depiction of a celestial being; it is an intimate encounter with the divine. This slender, vertical masterpiece, measuring a delicate 50 x 17 cm, captures a moment of profound stillness and devotion. The composition centers on a kneeling angel,…
The light enters from the left, a steady stream that carves shapes out of the shadows. In this 1541 oil painting, a woman sits with an infant cradled against her, her form anchored by the weight of motherhood. Beside them, a young boy occupies a small table, his presence part of a quiet, geometric arrangement. A cat rests near the scene, its fur rendered with a tactile softness that contrasts…
Portrait of the Nuremberg Mintmaster Jörg Herz, executed by Georg Pencz in 1545, presents a formal likeness of a man of significant professional standing. The sitter, Jörg Herz, was a prominent goldsmith and the mintmaster of Nuremberg. His identity and social position are central to the work's purpose, capturing a specific moment in the life of a key figure in the city's industrial and economic structure.
The gaze of a dignified man meets the viewer in the Portrait of a Gentleman, a work painted by Georg Pencz in 1549. This portrait captures a man of high status, his presence defined by the heavy, luxurious textures of his attire. He sits with a quiet authority, his figure draped in a dark cloak and a sleeve of deep red, accented by the soft, tactile grey of fur lining.…
The scene unfolds through Saint Jerome Meditating, a work by the German artist Georg Pencz. Created in 1548, the painting captures a quiet, heavy moment of contemplation. Pencz, a man of many talents, lived his life as an engraver, painter, and printmaker. He was born in Nuremberg, Germany, around 1500 and remained a significant figure in the artistic landscape until his death on 11 October 1550.
Desiderius Erasmus (1466-1536)1537 · Royal Collection
12
Portrait of a bearded man1533 · Kunsthistorisches Museum
13
Portrait of Elisabeth Schwetzer1545 · Bode Museum
14
The Painter Erhard Schwetzer from Nuremberg1544 · Bode Museum
15
Portrait of a Girl1547 · Minneapolis Institute of Art
16
Saint Jerome1544 · Bavarijos valstybinės paveikslų kolekcijos
17
Portrait of a Man1540 · Szépművészeti Múzeum
18
Portrait of Count Palatine Ottheinrich1550 · Ermitažas
19
Caritas1528 · Germanisches Nationalmuseum
20
Young Man in BlackRoyal Collection
21
The Martyrdom of Saint Sebastian
22
Queen Tomyris Receiving the Head of Cyrus, King of Persia
23
Writ of Fire
24
Venus and cupidGemäldegalerie
25
Portrait of Erasmus von Rotterdam
26
Christ in the crown of thorns.National Museum in Wrocław
27
A sleeping woman
28
Portrait of a bearded Gentlemen
29
Leda and the SwanMuseo del Prado
30
A winged, blindfolded woman
31
A woman eating from a plate and a monkey eating fruit
32
Portrait of a bearded man.Šv. Jono Pauliaus II kolekcijos muziejus
33
Lot and his daughters.
34
Portrait of a Seated Youth1544 · Galleria degli Uffizi
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Georgas Penczas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 3 | Portrait of Lienhard Hirschvogel, Family Portrait, Saint Jerome |
 Kunsthistorisches Museum |
Viena | 2 | Portrait of a beardless man, Portrait of a bearded man |
 Nacionalinis muziejus Varšuvoje |
Varšuva | 2 | Caritas Romana, Roman Charity |
 Royal Collection |
Londonas | 2 | Desiderius Erasmus (1466-1536), Young Man in Black |
 Bode Museum |
Berlin | 2 | Portrait of Elisabeth Schwetzer, The Painter Erhard Schwetzer from Nuremberg |
 Statens Museum For Kunst |
Kopenhaga | 1 | Page Dressing a Knight in his Amour |
 Wallraf-Richartz-Museum |
Kelnas | 1 | Angel |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Portrait of the Nuremberg Mintmaster Jörg Herz |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In the quiet corridors of the Wallraf-Richartz-Museum in Cologne, there exists a window into the spiritual fervor of the sixteenth century. Georg Pencz’s Angel, painted in 1525, is not merely a depiction of a celestial being; it is an intimate encounter with the divine. This slender, vertical masterpiece, measuring a delicate 50 x 17 cm, captures a moment of profound stillness and devotion. The composition centers on a kneeling angel,…
In this intimate bust portrait, we encounter a man caught in a moment of profound contemplation. He is positioned slightly off-center, his gaze directed toward the right of the frame, as if lost in a thought that has momentarily pulled him away from the viewer. The composition is tight, bringing us into a close, almost uncomfortably personal proximity with the subject. His expression is stoic, perhaps even weary, carrying a…
The man sits in a quiet, heavy stillness, his gaze directed slightly away from the viewer toward an unseen point to the right. He is Lienhard Hirschvogel, a merchant of Nuremberg, and he carries the weight of his status in the very fabric of his being. The light enters from the upper left, brushing against the high ridge of his forehead and the bridge of his nose, leaving the right…
In the quiet intensity of Georg Pencz’s Portrait of Count Palatine Ottheinrich, we are transported back to the vibrant, turbulent heart of the German Renaissance. This is not merely a likeness of a man; it is a profound encounter with power, piety, and the sophisticated artistry of the sixteenth century. The subject, Otto Henry—a figure of immense political significance who would later become the Elector Palatine—is captured in a moment…
Portrait of Lienhard Hirschvogel (1542), Bavarijos valstybinės paveikslų kolekcijos, Miunchas. Toliau seka Portrait of a beardless man (1531) ir Caritas Romana (1538).
42 metų amžiaus: Portrait of Lienhard Hirschvogel sukurta 1542 m. Nr. Georgas Penczas gimė 1500.
Portrait of Lienhard Hirschvogel, Portrait of a beardless man, Caritas Romana, Roman Charity, Page Dressing a Knight in his Amour, Angel, Family Portrait, Portrait of the Nuremberg Mintmaster Jörg Herz, Portrait of a Gentleman ir Saint Jerome Meditating. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 35 Georgas Penczas darbų, skirtų laikotarpiui nuo 1525 iki 1550.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Kunsthistorisches Museum (Viena) ir Nacionalinis muziejus Varšuvoje (Varšuva). Viršuje esančiame muziejų sąraše yra visi jie.
1540s laikotarpiu: 12 iš 34 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Portrait of Lienhard Hirschvogel.
Šioje pusėje seniausias darbas yra Angel (1525), o naujausias – Portrait of Count Palatine Ottheinrich (1550).
Man (13), Woman (6) ir Beard (5) iš 34 šioje pusėje esamų darbų.
Oil On Panel, iš 34 šios puslapio darbų – 9.
German renaissance ir Northern renaissance, vadovaujantis šios puslapio originalais kūriniais.
Portrait of Lienhard Hirschvogel, Family Portrait ir Saint Jerome: Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 3 šioje pusėje esančių darbų.
