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The Artist Painting Queen Victoria (1895) yra viena矚 most žiūrėlių pritraukiančių Frederic Marlett Bell-Smith tapierių; originalas saugomas Kanados Nacionalinė galerija, Otava. Po to akmuo patenka į Daybreak (1886) ir Mists and Glaciers of the Selkirks (1911). Iš 8 Frederic Marlett Bell-Smith darbų mūsų kataloge šios 6 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
10 geriausių Frederic Marlett Bell-Smith paveikslų: galerijos akimais
Muziejai, kuriuose saugomi Frederic Marlett Bell-Smith originalūs darbai
1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Frederic Marlett Bell-Smith darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
| Otava | 6 | The Artist Painting Queen Victoria, Daybreak, Mists and Glaciers of the Selkirks |
Frederic Marlett Bell-Smith per dešimtmečius: vieniškas originalas kiekvienam
Darbai pagal dešimtmečius
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Frederic Marlett Bell-Smith tapų klausimai galerijai
Koks yra garsiausias Frederic Marlett Bell-Smith kūrinys?Atsakymas
The Artist Painting Queen Victoria (1895), Kanados Nacionalinė galerija, Otava. Toliau seka Daybreak (1886) ir Mists and Glaciers of the Selkirks (1911).
Kuriuo amžiaus atσταση Frederic Marlett Bell-Smith sukūrė The Artist Painting Queen Victoria?Atsakymas
49 metų amžiaus: The Artist Painting Queen Victoria sukurta 1895 m. Nr. Frederic Marlett Bell-Smith gimė 1846.
Kiek žinoma Frederic Marlett Bell-Smith darbų?Atsakymas
Mūsų kataloge yra 8 Frederic Marlett Bell-Smith darbų, skirtų laikotarpiui nuo 1886 iki 1916.
Kur galima pamatyti garsiausių Frederic Marlett Bell-Smith originalų?Atsakymas
Daugiausia – Kanados Nacionalinė galerija (Otava). Viršuje esančiame muziejų sąraše yra visi jie.
Kuriuo laikotarpiu Frederic Marlett Bell-Smith sukūrė savo žymiausias paveikslus?Atsakymas
1900s laikotarpiu: 2 iš 6 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Sunny Sandown, Isle of Wight.
Kuris iš garsių Frederic Marlett Bell-Smith paveikslų yra pirmasis, o kuris – paskutinis?Atsakymas
Šioje pusėje seniausias darbas yra Daybreak (1886), o naujausias – St. Mary-le-Strand (1916).
Kurius Frederic Marlett Bell-Smith originalius galėčiau pamatyti Kanados Nacionalinė galerija?Atsakymas
The Artist Painting Queen Victoria, Daybreak ir Mists and Glaciers of the Selkirks: Kanados Nacionalinė galerija, Otava kolekcijoje yra 6 šioje pusėje esančių darbų.
Frederic Marlett Bell-Smith: meno kūrinys – autoportretas
A Life in Canadian Landscapes
Frederic Marlett Bell-Smith was a Canadian landscape painter who emigrated from England to British North America in 1866. After studying at the South Kensington School of Art, he worked as an artist and photographer in Montreal, where he helped his father, John Bell-Smith, found the Society of Canadian Artists in 1867. His career saw him move through Hamilton, Ontario, and Toronto, and he spent time teaching art classes at various institutions, including the Ontario College of Art and the Toronto Art School. In 1896, he traveled to Paris to study at the Académie Colarossi.
Bell-Smith became well known for his depictions of the Canadian Rockies and the Selkirk Range, as well as works featuring Quebec and Maine. In 1886, he traveled to the Canadian west to paint vistas of the area, frequently returning to work near Lake Louise. He was a founding member of several prestigious organizations, including the Royal Canadian Academy of Arts and the Ontario Society of Artists.
Notable Works and Portraits
Beyond his landscapes, Bell-Smith captured scenes of late Victorian and Edwardian life. One of his most famous paintings, Lights of a City Street, portrays the intersection of Yonge and King Streets in Toronto in 1894. This work features the artist himself as a man buying a newspaper, his son as a man raising his hat, and a local constable named Bill Redford as the policeman.
Bell-Smith also achieved distinction in portraiture. He secured a sitting with Queen Victoria, who permitted him to position her as he wished during a cordial session that lasted over an hour. This achievement followed his ability to obtain sittings with Princesses Beatrice and Louise. His later work was characterized by warm accents and a sensitivity to French Impressionism.

