Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 103 Francis Wheatley darbai mūsų kataloge
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Galerijos akimais, garsiausias Francis Wheatley tapas yra The Saithwaite Family (1785), kurio originalas eksponuojamas Metropolitano meno muziejus, Niujorkas. The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare ir Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 103 Francis Wheatley darbų mūsų kataloge, galerija žemiau pristato 100 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
We are looking at The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, a work executed by the English painter Francis Wheatley. This piece dates to 1782 and captures a specific moment of social and military significance. It depicts the second Earl reviewing the Aldborough Volunteers at Belan, a scene that places the viewer directly into the historical landscape of the late 18th century.
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
A young woman leans against a cold stone ledge, her presence a soft weight against the dark, blurred shadows of a woodland background. She is captured in a three-quarter length pose, her body angled slightly away while her gaze remains steady and contemplative. The light, descending from the upper left, brushes the curve of her cheek and the pale expanse of her torso, leaving the folds of her heavy jacket…
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
is a portrait by the British painter Francis Wheatley, executed in about 1775. Also identified as Percival Bentley or by the accession number B1977.14.126, the work captures a man in costume. The subject is presented within a landscape, accompanied by a seated dog.
Mrs. Bentley is a portrait by the British painter Francis Wheatley. Executed in about 1775, the work captures a woman in a moment of poised stillness. She is the singular focus of this composition, a figure of quiet dignity set against a naturalistic backdrop. The brushwork defines the soft contours of her presence, anchoring her within the frame.
The Browne Family is an oil on canvas painting by the English artist Francis Wheatley. Executed in 1778, this work depicts members of the Browne family positioned within a landscape. The composition focuses on the subjects as they engage in leisure activities near a body of water.
The Oliver and Ward Familie, painted by Francis Wheatley in 1778, presents a formal group portrait set within a pastoral landscape. This oil on canvas work captures a multi-generational assembly, centering on the family of a wealthy widow, Mrs. Ward (née Pye). The subjects are arranged in a loose semi-circle, creating a sense of intimacy and presence within an outdoor setting.
The oil on canvas painting titled Spring was executed by the English artist Francis Wheatley. This work is part of the Marion Davies Collection and is currently held by the Los Angeles County Museum of Art. The piece is identified by the accession number M.71.29.1.
Portrait of a Married Couple in a Park1770 · Gemäldegalerie
12
Portrait of The Marquess and Marchioness of Antrim1782 · National Gallery of Ireland
13
Lord Spencer Hamilton (1742-1791)1778 · Royal Collection
14
A Gentleman and his Dog in a Landscape1780 · Yale Center for British Art
15
Mrs. Barclay and Her Children1776 · Yale Center for British Art
16
Portrait of a Man, called George Basil Woodd1780 · Yale Center for British Art
17
Henry Addington, Later first Viscount Sidmouth1785 · Yale Center for British Art
18
Preparing for Market1795 · Birmingham Museum and Art Gallery
19
Captain Arthur Phillip, ca. 1787, by Francis Wheatley1786 · New South Wales valstybinė biblioteka
20
The Mistletoe Bough1790 · Yale Center for British Art
21
Soldier with Country Women Selling Ribbons, near a Military Camp1788 · Yale Center for British Art
22
Captain Steven1795 · Yale Center for British Art
23
Helena and Count Bertram before the King of France1793
24
Night1799 · Yale Center for British Art
25
Evening1799 · Yale Center for British Art
26
Noon1799 · Yale Center for British Art
27
Morning1799 · Yale Center for British Art
28
The Wilkinson Family1776 · Detroito meno institutas
29
Winter1793 · Los Angelos apygardos meno muziejus
30
The Benevolent Cottager
31
The Winter's Tale
32
Sir John Sebright
33
View on the Medway1776 · Yale Center for British Art
34
Family Group1780 · National Gallery of Art
35
Portrait of Mr and Mrs RichardsonNational Gallery of Ireland
36
Mary's DreamNational Gallery of Ireland
37
Child with a DogNational Gallery of Ireland
38
Winter Fuel
39
The Medway at Rochester,Yale Center for British Art
40
Mrs Pearce
41
Portrait Of A Gentleman And His Wife
42
The Comedy Of Errors
43
Love And Charity
44
Portrait Of A BoyŠkotijos Nacionalinė galerija
45
The Return From The Market
46
Lake windermere
47
The Harvest Waggon
48
The Lord Mayor's Procession By Water To Westminster, London
49
A Woman Spinning In A Farmyard Setting
50
Outside The Cottage Door
51
Returned From Market, Engraved
52
Caroline Ambrose
53
Mr ThraleYale Center for British Art
54
Portrait of a country girl
55
Sir Barnard Turner
56
Return From The Shoot
57
Portrait Of A Milkmaid
58
Sir John Irwin, Kb, Reviewing Troops In DublinNational Portrait Gallery
59
The Return From Market
60
Mother And Child
61
The Encampment At Brighton
62
Seashore At Howth, Ireland
63
Mr. Bailey of Stanstead
64
Man With A Dog
65
Girl With A Dog And Fruit
66
The Village Street
67
Family Group
68
A Scene In 'twelfth Night', Act Iii
69
An Unknown ManYale Center for British Art
70
Girl Holding A Silver Salver
71
Benjamin Bond HopkinsFitzwilliam Museum
72
The Hay Cart
73
Arthur PhillipNational Portrait Gallery
74
The Disaster
75
Country Folk Outside A Rustic Tavern
76
Lady Easy's Steinkirk
77
The Sailor's ReturnNational Maritime Museum
78
Mr. Ironmonger, Solicitor,
79
A Scene From Shakespeare's 'the Tempest'Birmingham Museum and Art Gallery
80
Death Of A Bird
81
The soldier's return
82
John Ambrose
83
Henrietta Ambrose, Actress
84
The Harvest Wagon
85
The Love Letter
86
A Peasant Boy
87
Henry GrattanNational Portrait Gallery
88
An Officer On HorsebackScotney Castle
89
The O’Neill Boys with a Chariot in the Grounds of Shane’s Castle
90
John O'neill
91
Rachel Therisa Of Jijona, Near Alicante, Spain
92
Burial Of A Bird
93
The Sportsman's Refreshment
94
A Family Group In A Landscape
95
The Careless Servant
96
Edward And Priscilla Wakefield With Mrs Wakefield's Sister, Catherine Bell
97
Young Marlow And Miss Hardcastle
98
Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales1789 · National Portrait Gallery
99
The Dublin Volunteers on College Green, 4th November 17791779 · National Gallery of Ireland
100
The Salmon Leap, Leixlip1783 · Yale Center for British Art
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Francis Wheatley darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 23 | Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son |
 National Gallery of Ireland |
Dublin | 5 | Portrait of The Marquess and Marchioness of Antrim, Portrait of Mr and Mrs Richardson, Mary's Dream |
 National Portrait Gallery |
Londras | 3 | Sir John Irwin, Kb, Reviewing Troops In Dublin, Arthur Phillip, Henry Grattan |
 Los Angelos apygardos meno muziejus |
Los Anželesas | 2 | Spring, Winter |
 Birmingham Museum and Art Gallery |
Birminghamas | 2 | Preparing for Market, A Scene From Shakespeare's 'the Tempest' |
 Metropolitano meno muziejus |
Niujorkas | 1 | The Saithwaite Family |
 Gemäldegalerie |
Berlynas | 1 | Portrait of a Married Couple in a Park |
 Royal Collection |
Londonas | 1 | Lord Spencer Hamilton (1742-1791) |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
The Saithwaite Family (1785), Metropolitano meno muziejus, Niujorkas. Toliau seka The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare ir Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792).
38 metų amžiaus: The Saithwaite Family sukurta 1785 m. Nr. Francis Wheatley gimė 1747.
The Saithwaite Family, The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son, Mr. Bentley, Mrs. Bentley, The Browne Family, The Oliver and Ward Familie ir Spring. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 103 Francis Wheatley darbų, skirtų laikotarpiui nuo 1770 iki 1799.
Daugiausia – Yale Center for British Art (New Haven), National Gallery of Ireland (Dublin) ir National Portrait Gallery (Londras). Viršuje esančiame muziejų sąraše yra visi jie.
1790s laikotarpiu: 12 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave.
Šioje pusėje seniausias darbas yra Portrait of a Married Couple in a Park (1770), o naujausias – Night (1799).
Man (17), Landscape (17) ir Woman (13) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 28.
Neoclassicism, vadovaujantis šios puslapio originalais kūriniais.
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven ir A Sportsman with His Son: Yale Center for British Art, New Haven kolekcijoje yra 23 šioje pusėje esančių darbų.
Francis Wheatley (1747–1801) buvo iškilmingas XVIII amžiaus anglų portretų ir peizažų paveikslų kūrybinis meistras, garsėjantis kaimo gyvenimo, socialinių scenų bei savo laikų dvasios įtvirtinimu portretuose. Gimęs Londone, Covent Garden, Wild Court rezydencijoje, jis alongside savo sparčiai augančios meninės karjeros nuglebė sudėtingą asmeninį gyvenimą, palikdamas paveldą, vertinamas dėl savo prieinamumo ir traukumo.
Wheatley ankstyvoji gyvenimo etapa buvo kupinas tiek galimybių, tiek netolika.
Kaip meistro siuvėjo sūnus, jis labai anksti išradėjo talentą piešti. Studijuodamas Viliamo Shipley piešimo mokykloje – svarioje institucijoje ambicingiems menininkams – bei Karališkojoje akademijoje, jis įgijo oficialių meninių technikų žinių. Wheatley rodė didelę perspektyvą, pelnydamas kelias priząlarını iš Menų draugijos, taip demonstruodamas savo atsidavimą ir meistriškumą. Jis padėjo dekoruoti Vauxhall Gardens, populiarią Londono pramogų valandą, bei bendradarbiavo su Johnu Hamiltonu Mortimeriu kurdamas lubų paveikslą Brocket Hall rūmaiems, skirtą Lordui Melbourne, taip įgijęs vertingos patirties didelėms dekoratyvines projektams.
Wheatley karjeros kelias buvo tarsi rėžtas periodais, kurie alternavo sėkmę ir asmeninį nerimą. 1778 metais jis pradėjo dalyvauti parodoje Karališkojoje akademijoje, greitai užsitikrindamas patyrusio portretininko reputaciją ir kritikos pagarbą. Tačiau jaunystės impulsyvumas atvedė jį prie prabangaus gyvenimo būdo ir augančios skolos. 1му 1779 metais jis su Elizabeth Gresse, kitą menininką John Alexander Gresse (1741–1794) žmoną, pabėgo į Airį. Šis įvykis privertė jį gyventi tremtyje, tačiau kartu suteikė deriąs grindų meninei galimybei.
Wheatley kūrybinė veikla buvo įvairiapradė, apimanti portretinę tapybą, peizažus ir žanrinę tapybą. Nors jis sukūrė keletas temų Boydell'io Šekspiro galerijai bei iliustracijų Bell'io poetų išleidimui, jo ilgalaikė atsidarymo vertė kyla iš jo peizažų ir kaimo temų.
Jo stilius pasižymi malonia paprosto ir prieinamumu. Jis vengė pernelyg daug ornamentacijos, dėvėdamas dėmesį į temų esmę ir vaizduojamų scenų atmosferą. Wheatley peizažuose dažnai matomos idiliškos kaimo vietos, pilnos kasdienybės veiklos figūrų, atspindinčios augantį pastoralinių temų susidomėjimą XVIII amžiaus pabaigoje.
Francis Wheatley 1790 metais buvo išrinktas Karališkosios akademijos asociatu, o 1791 metais – akademiku. 1787 metais jis susiženiavo su Clara Maria Leigh (1768–1838), taip pat menininke. Jo kūriniai atspindi kintančią Anglijos socialinę aplinką jo gyvenimo metu, įtvirtindami tiek aristokratijos prachtą, tiek kaimo gyvenimo žavesį. Nors kai kurie samtų menininkai jį praskelbė šešėliu, Wheatley prieinamas stilius ir patrauklios temos užtikrino jam populiarumą plačia auditorijoje. Jis prisimenamas kaip svarbi XVIII amžiaus anglų meno figūra, sujungusi formalią portretinę tapybą su augančiu susidomėjimu peizažų ir žanrinės tapybos temomis.
