Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 51 Fra Bartolomeo darbai mūsų kataloge
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Worship of Venus (1516) yra viena矚 most žiūrėlių pritraukiančių Fra Bartolomeo tapierių; originalas saugomas Galleria degli Uffizi, Florencija. Po to akmuo patenka į Last Judgment (1499) ir Noli Me Tangere (1506). Iš 51 Fra Bartolomeo darbų mūsų kataloge šios 50 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
Fra Bartolomeo’s “Worship of Venus,” painted in 1516 and currently residing within the hallowed halls of the Galleria degli Uffizi, is more than just a depiction of a classical myth; it's a vibrant snapshot of Renaissance humanism, artistic innovation, and the enduring fascination with beauty. This chalk drawing, rendered with a remarkable sensitivity to light and shadow – a hallmark of Fra Bartolomeo’s style – transports us to a bustling…
To stand before Fra Bartolomeo’s fresco of the Last Judgment is to confront the sublime terror and ultimate promise of human existence. This monumental work, executed around 1499, is not merely a depiction of an afterlife event; it is a profound theological meditation rendered in breathtaking color and dramatic composition. The scene unfolds with overwhelming energy, centering on the figure of Christ, who presides over the final reckoning. One feels…
Fra Bartolomeo's “Noli Me Tangere,” painted around 1506, transcends mere depiction; it embodies the profound spiritual essence of the High Renaissance. This serene tableau captures a pivotal scene from Holy Scripture – Jesus Christ and Mary Magdalene confronting each other at the tomb after his resurrection – offering viewers an unparalleled glimpse into faith’s transformative power.
Fra Bartolomeo's "The Incarnation with Six Saints," painted in 1515, is more than just a religious depiction; it’s a carefully constructed tableau of faith, hierarchy, and the profound mystery at the heart of Christian belief. Measuring a modest 96 x 76 cm, this painting transcends its size to offer a glimpse into the contemplative atmosphere favored by Florentine artists of the High Renaissance. The scene unfolds within a richly detailed…
Fra Bartolomeo’s “The Adoration of the Christ Child,” completed in 1499, stands as a testament to the artistic fervor of Florence during the High Renaissance. Currently residing within the Galleria Borghese, Rome, this tempera painting on wood transcends mere depiction; it embodies a profound meditation on faith and humility—themes central to humanist thought at the time.
The air feels still around the figures, held in a soft, directional light that spills from the left. A mother and her infant are caught in a private exchange, their faces illuminated against a deep, shadowy background that pulls all attention toward them. The Madonna leans inward, her gaze fixed upon the child with a look of serene contemplation. Her skin possesses a smooth, natural warmth, while the deep reddish-orange…
The composition unfolds within a hazy, atmospheric landscape, rendered in muted earth tones of ochre and sienna. At the center, a female figure draped in loosely gathered cloth holds an infant of considerable age, while a second youthful figure interacts at her feet. To the side, Adam is rendered in profile, his form remaining a drawn element without full tonal variation. This unfinished state reveals the artist's process, showing light…
Step closer and observe the man before us. He sits in a medium close-up, his gaze directed slightly to the right, away from the viewer, as if caught in a moment of private thought. There is a certain dignity in his posture, a stillness that suggests a life of reflection. The composition centers him against a landscape that recedes into the distance through subtle atmospheric perspective. You can see the…
The Madonna and Child emerges from the quietude of the High Renaissance, a period where balance and grace define the visual language. In this work, Fra Bartolomeo captures the Virgin Mary and the infant Jesus in a moment of profound stillness. The painting, dated 1516, belongs to the Italian Renaissance, reflecting the era's pursuit of harmony and idealized form. Every line and contour seems to breathe with a sense of…
The painting titled Holy Family emerged from the workshop of Fra Bartolomeo in 1497. This work captures a quiet moment of domesticity centered on the Holy Family. The figures occupy a space defined by stillness and the weight of their presence. It is a study of sacred kinship rendered during the transition of the Italian Renaissance.
Penitent saint Jerome1498 · Gemäldegalerie
12
Assumption of Mary1508 · Gemäldegalerie
13
The Madonna and Child in a landscape with Saint Elizabeth and the Infant Saint John the Baptist1516
14
Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso)1505 · Metropolitano meno muziejus
15
The Rest on the Flight into Egypt with St. John the Baptist1509 · J. Paul Getty muziejus
16
Annunciation1497 · Duomo
17
Madonna and Child with Saint Anne and the patron saints of Florence1510 · Nacionalinis muziejus Varšuvoje
18
Vision of St Bernard with Sts Benedict and John the Evangelist (detail)1504 · Galleria degli Uffizi
19
The Holy Family with St John the Baptist1506 · Thyssen-Bornemisza muziejus
20
Rest on the Flight into Egypt1500 · Palazzo Vescovile
21
Madonna della Misericordia1515 · Museo Nazionale di Villa Guinigi
22
Christ Crowned with ThornsSan Marko vienuolynas
23
The Holy Family with Saint John the BaptistNational Gallery of Ireland
24
deathbed of the Virgin
25
Madonna and Child by Fra BartolomeoMusée de Grenoble
26
Holy Family1490 · Alte Pinakothek
27
Woman kneeling in prayer, seen from behind (study for the figure of St Catherine)Kupferstichkabinett
28
DepositionMount Stewart
29
Presentation of Christ in the Temple1516 · Kunsthistorisches Museum
30
Porcia1490
31
Minerva1490
32
Assumption of the Virgin with St. John the Baptist and St. Catherine of Alexandria1516 · Museo di Capodimonte
33
Vision of St Bernard with Sts Benedict and John the Evangelist1504 · Galleria degli Uffizi
34
God the Father with Sts Catherine of Siena and Mary Magdalen1509 · Museo Nazionale di Palazzo Mansi
35
Portrait of Girolamo Savonarola1498 · San Marko vienuolynas
36
The Marriage of St Catherine of Siena1511 · Liuvro muziejus
37
Madonna and child with saints1512
38
Mystic Marriage of St Catherine1512 · Galleria Palatina
39
The Virgin adoring the Child with Saint JosephNational Gallery
40
The Adoration of the Christ Child1499 · Galleria Borghese
41
Madonna and Child with Four Angels1514 · Ermitažas
42
Madonna and Child with the Young Saint John the Baptist1497 · Metropolitano meno muziejus
43
Grand Council Altarpiece1510 · San Marco muziejus
44
Christ with the Four Evangelists1516 · Galleria Palatina
45
Prophet Job1516 · Galleria dell'Accademia di Firenze
46
The Nativity1507 · Art Institute of Chicago
47
The Madonna and Child with Saint JohnNational Gallery
48
The Annunciation (front), Circumcision and Nativity (back)1500 · Galleria degli Uffizi
49
Lamentation1511 · Galleria Palatina
50
Prophet Isaiah1516 · Galleria dell'Accademia di Firenze
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
#12 Assumption of Mary
#13 The Madonna and Child in a landscape with Saint Elizabeth and the Infant Saint John the Baptist
#14 Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso)
#15 The Rest on the Flight into Egypt with St. John the Baptist
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Fra Bartolomeo darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Galleria degli Uffizi |
Florencija | 4 | Worship of Venus, Vision of St Bernard with Sts Benedict and John the Evangelist (detail), Vision of St Bernard with Sts Benedict and John the Evangelist |
 San Marko vienuolynas |
Firena | 3 | Last Judgment, Christ Crowned with Thorns, Portrait of Girolamo Savonarola |
 Liuvro muziejus |
Paryžius | 3 | Noli Me Tangere, The Incarnation with Six Saints, The Marriage of St Catherine of Siena |
 Metropolitano meno muziejus |
Niujorkas | 3 | Portrait of a Man, Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso), Madonna and Child with the Young Saint John the Baptist |
 Galleria Palatina |
Firena | 3 | Mystic Marriage of St Catherine, Christ with the Four Evangelists, Lamentation |
 Galleria Borghese |
Roma | 2 | The Adoration of the Christ Child (detail), The Adoration of the Christ Child |
 Kunsthistorisches Museum |
Viena | 2 | Madonna and Child, Presentation of Christ in the Temple |
 Gemäldegalerie |
Berlynas | 2 | Penitent saint Jerome, Assumption of Mary |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
To stand before Fra Bartolomeo’s fresco of the Last Judgment is to confront the sublime terror and ultimate promise of human existence. This monumental work, executed around 1499, is not merely a depiction of an afterlife event; it is a profound theological meditation rendered in breathtaking color and dramatic composition. The scene unfolds with overwhelming energy, centering on the figure of Christ, who presides over the final reckoning. One feels…
Fra Bartolomeo's “Noli Me Tangere,” painted around 1506, transcends mere depiction; it embodies the profound spiritual essence of the High Renaissance. This serene tableau captures a pivotal scene from Holy Scripture – Jesus Christ and Mary Magdalene confronting each other at the tomb after his resurrection – offering viewers an unparalleled glimpse into faith’s transformative power.
Fra Bartolomeo’s “Worship of Venus,” painted in 1516 and currently residing within the hallowed halls of the Galleria degli Uffizi, is more than just a depiction of a classical myth; it's a vibrant snapshot of Renaissance humanism, artistic innovation, and the enduring fascination with beauty. This chalk drawing, rendered with a remarkable sensitivity to light and shadow – a hallmark of Fra Bartolomeo’s style – transports us to a bustling…
Worship of Venus (1516), Galleria degli Uffizi, Florencija. Toliau seka Last Judgment (1499) ir Noli Me Tangere (1506).
44 metų amžiaus: Worship of Venus sukurta 1516 m. Nr. Fra Bartolomeo gimė 1472.
Worship of Venus, Last Judgment, Noli Me Tangere, The Incarnation with Six Saints, The Adoration of the Christ Child (detail), Madonna and Child, Adam and Eve with Cain and Abel, Portrait of a Man, The Madonna and Child ir Holy Family. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 51 Fra Bartolomeo darbų, skirtų laikotarpiui nuo 1490 iki 1516.
Daugiausia – Galleria degli Uffizi (Florencija), San Marko vienuolynas (Firena) ir Liuvro muziejus (Paryžius). Viršuje esančiame muziejų sąraše yra visi jie.
1510s laikotarpiu: 18 iš 50 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Worship of Venus.
Šioje pusėje seniausias darbas yra Holy Family (1490), o naujausias – Worship of Venus (1516).
Child (10), Woman (9) ir Saints (8) iš 50 šioje pusėje esamų darbų.
Oil On Panel, iš 50 šios puslapio darbų – 12.
High renaissance, vadovaujantis šios puslapio originalais kūriniais.
Worship of Venus, Vision of St Bernard with Sts Benedict and John the Evangelist (detail) ir Vision of St Bernard with Sts Benedict and John the Evangelist: Galleria degli Uffizi, Florencija kolekcijoje yra 4 šioje pusėje esančių darbų.
