Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 19 Emma Ciardi darbai mūsų kataloge
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Lucciolina yra Emma Ciardi paveikslas, kuriuo gausiausia žmonių žavisi. Po to akmuo patenka į Campo san barnaba ir A Promenade (1911). Iš 19 Emma Ciardi darbų mūsų kataloge šios 19 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
This work reflects a specific fascination with scenes of leisure and refined social life. It moves away from the heavy traditions of the past to embrace a more spontaneous, observational style. The painting captures a sense of tranquility and the simple elegance of a summer day. There is a quietude here, a feeling of a world momentarily paused in a state of relaxation. It is a study of light, movement,…
The painting Campo san barnaba emerges from the brush of Emma Ciardi, an artist whose life and vision remain deeply intertwined with the canals and light of Venice, Italy. Born into a family where art was a constant presence, she was the daughter of Guglielmo Ciardi. This lineage of Venetian painters shaped her early years, embedding the spirit of the lagoon into her very identity. She spent her life within…
Campaign With Trees
12
The RendezvousThe Phillips Collection
13
Symphony In BlueThe Phillips Collection
14
Ladies Resting In The Shade
15
Villa Albani, Rome
16
The Great Fete On The Grand Canal Venice
17
Sweet Agreements
18
Pierrot Et Colombine Dans Un Parc
19
Rio Di San Giovanni E Paolo A VeneziaGallerie d'Italia – Milano
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
4 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Emma Ciardi darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Ca' Rezzonico – XVIII amžiaus Venecijos muziejus |
Venecija | 3 | Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus, The Grand Canal with the Chiesa della Salute |
 The Phillips Collection |
Vašingtonas | 2 | The Rendezvous, Symphony In Blue |
 Brooklyn Museum |
Brooklyn | 1 | Brooklyn Museum |
 Gallerie d'Italia – Milano |
Milan | 1 | Rio Di San Giovanni E Paolo A Venezia |
Ilgi23 metų karjera, nuo 1911 iki 1933: garsiausi Emma Ciardi originalūs darbai, pateikiami metais po metų.
Pasirinkite metus, kad pamatytumėte originalus darbus.
Lucciolina. Toliausiai eina Campo san barnaba ir A Promenade (1911).
Lucciolina, Campo san barnaba, A Promenade, Brooklyn Museum, Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus, The Grand Canal with the Chiesa della Salute, Venetian Canal, Venice From The Lagoon ir Diaphanous Day. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 19 Emma Ciardi darbų, skirtų laikotarpiui nuo 1911 iki 1933.
Daugiausia – Ca' Rezzonico – XVIII amžiaus Venecijos muziejus (Venecija), The Phillips Collection (Vašingtonas) ir Brooklyn Museum (Brooklyn). Viršuje esančiame muziejų sąraše yra visi jie.
Šioje pusėje seniausias darbas yra A Promenade (1911), o naujausias – Canal of St. John and Paulus and Scuola di San Marc (1933).
Italy (4), Canal (2) ir Buildings (2) iš 19 šioje pusėje esamų darbų.
Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus ir The Grand Canal with the Chiesa della Salute: Ca' Rezzonico – XVIII amžiaus Venecijos muziejus, Venecija kolekcijoje yra 3 šioje pusėje esančių darbų.
Born in Venice, Italy, in 1879, Emma Ciardi emerged from a family deeply rooted in the artistic tradition. Following in the footsteps of her father, Guglielmo Ciardi, and brother, Beppe Ciardi, she began painting as an adolescent. This familial influence provided a strong foundation for her artistic development.
Ciardi’s talent quickly became apparent, leading to her first exhibition in 1900 at the prestigious Exposition Universelle in Paris. She also showcased her work at the Promotrice in Turin that same year. This early exposure marked the beginning of a successful exhibiting career. In 1903, she participated in the Esposizione Internazionale d’Arte di Venezia and continued to exhibit there almost annually until 1932.
Emma Ciardi's artistic style is characterized by a blend of Impressionistic techniques and a fascination with the elegance of the 18th century. She became particularly known for her landscapes and evocative views of Venice, capturing the city’s unique atmosphere and charm. However, she also gained significant recognition for her neo-18th-century subjects, depicting scenes of leisure, romance, and refined social life.
Ciardi’s work resonated strongly with audiences beyond Italy. In 1910, she organized her first solo exhibition at the Leicester Galleries in London, followed by another in 1913. Further exhibitions were held at the Fine Art Society in London in 1928 and 1933. Her breakthrough in the American market came in 1923 when she exhibited at the Howard Young Gallery in New York, which secured exclusive rights to sell her paintings.
Emma Ciardi’s career was tragically cut short by her death in Venice in 1933. However, her artistic contributions were celebrated just two years later with a retrospective exhibition commemorating the fortieth anniversary of the Venice Biennale.
Ciardi's work offers a glimpse into a specific moment in time – a period of artistic transition and revivalism. Her ability to blend Impressionistic techniques with historical themes created a unique aesthetic that continues to captivate viewers today. She stands as a notable figure in Italian art history, representing the vibrant artistic scene of early 20th-century Venice.
