Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 97 Eilifas Petersenas darbai mūsų kataloge
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Galerijos akimais, garsiausias Eilifas Petersenas paveikslas yra The painter Kalle Løchen (1885). The Crucifixion (1878) ir Figure Study of the Farmer Florian Killian. (1872) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 97 Eilifas Petersenas darbų mūsų kataloge, galerija žemiau pristato 97 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
The painter Kalle Løchen is a portrait by Eilif Peterssen, executed in 1885. This work of Bildende kunst captures the likeness of Kalle Løchen, a man whose own life was split between the quiet of the studio and the public light of the stage. The subject sits held within the frame, a figure of specific presence and weight.
The painting titled The Crucifixion is a work by the Norwegian artist Eilif Peterssen. This specific piece is categorized as an altarpiece. It was created about 1878.
The oil on canvas work titled "Figure Study of the Farmer Florian Killian." was executed by the artist Eilif Peterssen. This portrait depicts the subject, Florian Killian, in a close-up, three-quarter view of the head and shoulders. The painting was created in 1872.
The portrait presents an older man, captured from the chest up in a medium close-up. A single, directional light source strikes the subject, casting one side of the face into deep shadow while illuminating the weathered textures of the skin. This chiaroscuro effect emphasizes the deep lines and intense expression of the subject, creating a sense of psychological weight. The color palette remains muted, relying on earthy tones of charcoal…
The painting known as Figure Studies after ®The Amassadors of England¯ emerges from the brush of Eilif Peterssen. Created in 1875, this work captures a specific moment of tension through its figurative arrangement. The canvas holds a group of figures that seem caught in a pause, their presence defined by the heavy weight of their historical attire.
The Death of Corfitz Ulfeldt by Eilif Peterssen presents a somber, atmospheric scene centered on two figures. Painted about 1874, the work captures a moment of profound melancholy. One figure appears elderly, characterized by white hair and a beard, while a second figure leans toward them. This interaction suggests a heavy sense of intimacy, grief, or exhaustion between the two subjects.
The oil painting titled The Death of Corfitz Ulfeldt is a work by the Norwegian artist Eilif Peterssen. It captures a heavy, historical moment through the medium of oil on canvas. The scene is a study of mortality set against a landscape of muted tones and turbulent skies.
Portrait of the Painter Andrea Gram is an oil on canvas work by the Norwegian artist Eilif Peterssen. Executed about 1878, the portrait features Grete Ingeborg Johanne Andrea Gram as its subject. Gram was a Norwegian painter herself, known for her landscapes and portraits, and she studied under Peterssen during her time in Munich.
The artwork titled Portrait of the Painter Harriet Backer is a work by the Norwegian artist Eilif Peterssen. Created in 1878, the painting depicts the subject, Harriet Backer, in a seated position. At the time this portrait was executed, Backer was a private student of Peterssen in Munich.
The oil painting titled Faust was executed by the Norwegian artist Eilif Peterssen. This work dates to about 1874. The subject of the painting is a scholar or thinker engaged in intense study within a dimly lit, rustic interior.
Study of an old Man1875 · National Museum of Art, Architecture and Design
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Venice enthroned. Copy after Veronese1875 · National Museum of Art, Architecture and Design
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Copy of a Portrait of a Venetian Patrician1875 · National Museum of Art, Architecture and Design
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The Banquet of Dives. Copy after B. Veneziano1875 · National Museum of Art, Architecture and Design
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SS Cosmas and Damian. Copy after Tizian1875 · National Museum of Art, Architecture and Design
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Self-Portrait1876 · National Museum of Art, Architecture and Design
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Interior from Rothenburg with Christian Krohg1874 · National Museum of Art, Architecture and Design
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The Death of Corfitz Ulfeldt1873 · National Museum of Art, Architecture and Design
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Sigbrit Willoms and Dyveke Sigbritsdatter1876 · National Museum of Art, Architecture and Design
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Didrik Slagheck. (Portrettstudie til Christian II undertegner dødsdommen over Torben Oxe")"1875 · National Museum of Art, Architecture and Design
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En ungarsk baron1874 · National Museum of Art, Architecture and Design
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Absorbed in his Studies1874 · Nationalmuseum
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Henrik Ibsen1875
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Peder Severin Krøyer1875 · Hirschsprung Collection
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Portrait of Hans Fredrik Gude1873 · Oslo Museum
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Self-portrait1874 · Lillehammer Art Museum
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Portrait of Hans Olaf Heyerdahl1875 · Oslo Museum
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Judas Iskariot1877 · Lillehammer Art Museum
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Kvinne1877
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Christ in Gethsemane1879
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Portrait of Christian Lasson1885 · Oslo Museum
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Siesta in an Osteria in Sora1880 · National Museum of Art, Architecture and Design
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Summer Night at Sandø1884 · National Museum of Art, Architecture and Design
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Portrait of the Painter Christian Meyer Ross1879 · National Museum of Art, Architecture and Design
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The painter Kalle Løchen1885 · National Museum of Art, Architecture and Design
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Portrait of the Painter Kitty L. Kielland1880 · National Museum of Art, Architecture and Design
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Andante. Autumn Evening at Ask1879 · National Museum of Art, Architecture and Design
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The artist Christian Krohg1882 · National Museum of Art, Architecture and Design
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Portrait of the artist's mother1884
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Mrs. Nicoline Peterssen1882
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Self-portrait1890 · Oslo Museum
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Portrait of "Mor Utne"1888 · National Museum of Art, Architecture and Design
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Shearing Sheep1892 · Trondheim Kunstmuseum
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The artist's Wife1888 · Lillehammer Art Museum
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Portrait of Alexander L. Kielland1887 · Museum Stavanger
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Edvard Grieg Беларуская Эдвард Грыг1891 · National Museum of Art, Architecture and Design
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Jærbilde with Girl by the Gate1895 · Museum Stavanger
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Portrait of the Author Arne Garborg1894 · National Museum of Art, Architecture and Design
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Portrait of Mrs. Ria Willams, b. Dick1895 · National Museum of Art, Architecture and Design
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From the Norwegian Archipelago1894 · Statens Museum For Kunst
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Alexander L. Kielland1893
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Portrait of norwegian author Henrik Ibsen1895 · Private Collection
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Portrait of Gunnar Knudsen1917 · Oslo Museum
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Portrait of Bredo Henrik von Munthe af Morgenstierne1917 · Oslo Museum
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Thorvald Klaveness1914
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Portrait of Jon Peterssen1915 · Oslo Museum
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Portrait of Kristofer Berg1918 · Oslo Museum
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Portrait of Jens Petter Hallén1924 · Oslo Museum
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Judas Iskariot1878 · Nordnorsk Kunstmuseum
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Interior from a Cowshed1872 · National Museum of Art, Architecture and Design
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The Killing of Abel. Copy after Tintoretto1875 · National Museum of Art, Architecture and Design
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Miracle of St Mark. Copy after Tintoretto1875 · National Museum of Art, Architecture and Design
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Mountains near Innsbruck1877 · National Museum of Art, Architecture and Design
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Hunting Nymph1875
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Under Salmesangen1878 · Nordnorsk Kunstmuseum
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The Beach at Porto d'Anzio1880 · National Museum of Art, Architecture and Design
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From Holleia1884 · National Museum of Art, Architecture and Design
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Landscape from Meudon, France1884 · Nationalmuseum
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English Moonrise over the dunes1883 · Skagens Museum
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From the Beach at Sele1889 · National Museum of Art, Architecture and Design
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Sunshine1892 · National Museum of Art, Architecture and Design
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Summer Night1886 · National Museum of Art, Architecture and Design
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Nocturne1887 · Nationalmuseum
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On the Watch, Jæren1889 · KODE Art museums and composer homes
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Nocturne1889 · Museum Stavanger
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Untitled (AQR648)1890
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Norwegian Title missing1890 · National Museum of Art, Architecture and Design
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Untitled (AQR63U)1892
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Nocturne1887 · National Museum of Art, Architecture and Design
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Chateau d'Arques in Normandy1896 · National Museum of Art, Architecture and Design
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Sandø1894
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Kveld, Sele (Gedine på haugen)1896
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Mountain Farms in Øye in Valdres1901 · National Museum of Art, Architecture and Design
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The Manor Ledaal in Stavanger1900 · National Museum of Art, Architecture and Design
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Interior from the Farm Tomle1901 · National Museum of Art, Architecture and Design
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Evening in Skogstad in Valdres1902 · National Museum of Art, Architecture and Design
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Rikeball og stolt Gudbjørg1900 · National Museum of Art, Architecture and Design
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Kunstnerens hustru Nicoline Peterssen, født GramNational Museum of Art, Architecture and Design
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Ascension of Jesus1909
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The salmon fisherLillehammer Art Museum
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Anemoner1924
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Sevilosen
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Norsk bokmål Eilif Peterssen En Aften i Det norske Selskab, 1892
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Hunter in the forest near Ask
95
Sunshine, Kalvøya
96
Christian II signing the Death Warrant of Torben Oxe1870
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Helvig Paus1915
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Eilifas Petersenas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 48 | Figure Study of the Farmer Florian Killian., Figure Study of the Farmer Florian Killian., Figure Studies after ®The Amassadors of England¯ |
 Oslo Museum |
Oslo | 9 | Portrait of Hans Fredrik Gude, Portrait of Hans Olaf Heyerdahl, Portrait of Christian Lasson |
 Lillehammer Art Museum |
Lillehammer | 4 | Self-portrait, Judas Iskariot, The artist's Wife |
 Nationalmuseum |
Stokholmas | 3 | Absorbed in his Studies, Landscape from Meudon, France, Nocturne |
 Museum Stavanger |
3 | Portrait of Alexander L. Kielland, Jærbilde with Girl by the Gate, Nocturne | |
 Nordnorsk Kunstmuseum |
Tromsø | 2 | Judas Iskariot, Under Salmesangen |
 Hirschsprung Collection |
Kopenhidga | 1 | Peder Severin Krøyer |
 Trondheim Kunstmuseum |
Trondheim | 1 | Shearing Sheep |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The painting titled The Crucifixion is a work by the Norwegian artist Eilif Peterssen. This specific piece is categorized as an altarpiece. It was created about 1878.
The painter Kalle Løchen is a portrait by Eilif Peterssen, executed in 1885. This work of Bildende kunst captures the likeness of Kalle Løchen, a man whose own life was split between the quiet of the studio and the public light of the stage. The subject sits held within the frame, a figure of specific presence and weight.
This work is a Self-portrait by the Norwegian artist Eilif Peterssen. Created about 1890, the oil painting offers a direct encounter with the artist himself. It is a quiet, intimate study of a man, presented in a medium close-up that focuses on the head and shoulders. The subject looks toward the viewer with a serious, contemplative expression, inviting a sense of psychological depth through his steady gaze.
The oil painting titled Portrait of Gunnar Knudsen captures a moment of stillness in the life of the Norwegian politician. Created by the artist Eilif Peterssen, the work presents the subject in a formal manner. The portrait was executed about 1917. It remains a significant record of the man's presence, rendered with the steady hand of a painter accustomed to the weight of character.
In this 1924 oil portrait, Jens Petter Hallén is presented in a bust-length composition, facing the viewer with a direct, steady gaze. The subject is positioned centrally against a neutral, brownish-grey background that recedes into soft, blurred edges. He wears a dark coat over a white shirt, creating a sharp tonal contrast that draws the eye toward the center of the canvas. The lighting originates from the front-left, casting gentle…
The painter Kalle Løchen (1885). Toliausiai eina The Crucifixion (1878) ir Figure Study of the Farmer Florian Killian. (1872).
33 metų amžiaus: The painter Kalle Løchen sukurta 1885 m. Nr. Eilifas Petersenas gimė 1852.
The painter Kalle Løchen, The Crucifixion, Figure Study of the Farmer Florian Killian., Figure Study of the Farmer Florian Killian., Figure Studies after ®The Amassadors of England¯, The Death of Corfitz Ulfeldt, The Death of Corfitz Ulfeldt, Portrait of the Painter Andrea Gram, Portrait of the Painter Harriet Backer ir Faust. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 97 Eilifas Petersenas darbų, skirtų laikotarpiui nuo 1870 iki 1924.
Daugiausia – National Museum of Art, Architecture and Design (Oslo), Oslo Museum (Oslo) ir Lillehammer Art Museum (Lillehammer). Viršuje esančiame muziejų sąraše yra visi jie.
1870s laikotarpiu: 39 iš 97 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Crucifixion.
Šioje pusėje seniausias darbas yra Christian II signing the Death Warrant of Torben Oxe (1870), o naujausias – Portrait of Jens Petter Hallén (1924).
Man (34), Woman (14) ir Portrait (13) iš 97 šioje pusėje esamų darbų.
Oil On Canvas, iš 97 šios puslapio darbų – 39.
Figure Study of the Farmer Florian Killian., Figure Study of the Farmer Florian Killian. ir Figure Studies after ®The Amassadors of England¯: National Museum of Art, Architecture and Design, Oslo kolekcijoje yra 48 šioje pusėje esančių darbų.
In the heart of nineteenth-century Norway, a period defined by a burgeoning national identity and a profound connection to the rugged Nordic landscape, Eilif Peterssen emerged as a transformative force. Born Hjalmar Eilif Emanuel Peterssen in 1852 within the vibrant cultural atmosphere of Christiania, now Oslo, his very lineage was steeped in the artistic traditions of his homeland. From his early years in the district of Frogner, Peterssen demonstrated an innate sensitivity to the world around him, a trait that would later manifest in his ability to capture both the monumental scale of Norwegian nature and the intimate nuances of the human soul. His journey was not merely one of personal growth but a sophisticated odyssey through Europe’s most prestigious art capitals, each stop adding a new layer of complexity to his brushwork.
The foundation of his technical mastery was laid in his native Norway, where he studied at the Johan Fredrik Eckersberg School of Painting. However, the true expansion of his artistic vocabulary occurred as he ventured beyond the borders of his birth nation. His travels through Copenhagen and Germany brought him into contact with the rigorous academic traditions of the Royal Danish Academy of Fine Arts and the innovative spirit of the Weimar Saxon-Grand Ducal Art School in Karlsruhe. It was during these formative years that Peterssen began to move away from strict realism, absorbing the experimental energies of his contemporaries. His time in Munich proved particularly transformative; under the guidance of masters like Wilhelm von Diez and Franz von Lenbach, he embraced the bold, expressive color palettes and plein air techniques characteristic of the Munich School, a movement that would forever alter his approach to light and atmosphere.
Peterssen’s oeuvre is a breathtaking duality of subject matter, oscillating between the grandiosity of historical narrative and the quiet intimacy of portraiture. He gained early acclaim with his powerful history painting, Christian II signing the Death Warrant of Torben Oxe, a work that showcased his ability to command dramatic tension and historical weight. Yet, it was in the realm of portraiture that he truly established himself as one of Norway's most revered chroniclers of character. His portraits were more than mere likenesses; they were psychological studies that captured the essence of the era's most influential figures. Through his brush, the contemplative moods of legendary composer Edvard Grieg and the intellectual depth of playwright Henrik Ibsen were rendered with a profound, lifelike dignity.
Parallel to his success in portraiture was his deep, spiritual connection to the Norwegian landscape. As a prominent figure within the circle of the Skagen Painters, Peterssen sought to capture the ephemeral qualities of light as it danced across the Nordic terrain. His landscapes are characterized by an Impressionistic sensibility, where the boundaries between earth and sky often blur into a cohesive, atmospheric whole. Whether depicting the serene stillness of Sevilosen or the evocative, muted tones of The Salmon Fisher, his work evokes a sense of solitude and reverence for the natural world. His ability to translate the rugged textures of Norway into soft, luminous compositions allowed him to become a pioneer of Norwegian Landscape Impressionism.
Beyond the canvas, Eilif Peterssen’s influence extended into the very fabric of Norwegian national symbolism. In 1905, a year of immense political significance for Norway, he was tasked with designing the nation's new coat of arms. His creation, featuring the iconic Norwegian lion, became a permanent fixture of the state's identity, used by both the government and the royal house to this day. This achievement underscores his role not just as an observer of culture, but as an active participant in the construction of a national aesthetic.
The significance of Peterssen’s career lies in his ability to bridge the gap between traditional academic realism and the modern, emotive impulses of Impressionism. His life's work serves as a vital link in the evolution of Nordic art, reflecting a period of intense transition and creative flowering. To look upon a Peterssen painting is to witness a master navigating the delicate balance between the tangible reality of the physical world and the intangible beauty of light and emotion. His legacy remains etched in the landscapes he loved and the faces he immortalized, standing as a testament to the enduring power of the Norwegian spirit.
