Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 112 Kristoferis Viljamas darbai mūsų kataloge
Trumpai tariant
Galerijos akimais, garsiausias Kristoferis Viljamas tapas yra The Awakening of Wales (1911), kurio originalas eksponuojamas Caernarfon Royal Town Council, Carnarvon. Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926) ir Sunset in the Welsh Hills (1920) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 112 Kristoferis Viljamas darbų mūsų kataloge, galerija žemiau pristato 100 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel* is more than just a depiction of a man; it's an encapsulation of ambition, intellect, and the quiet dignity of service—qualities that define both the subject and Williams’s artistic vision. Executed in 1926, during Reichel’s tenure as Principal of Bangor University, the painting transcends mere likeness, immersing viewers in a carefully…
The light begins to fade over the landscape in Sunset in the Welsh Hills, a work painted by Christopher Williams in 1920. This scene captures a moment where the sun retreats behind the mountain peaks, casting a warm glow across the terrain. The hills stretch toward the horizon, their silhouettes defined by the changing light of the evening. It is a quiet observation of the Welsh landscape, frozen in a…
In the evocative portrait Ceridwen, the late Victorian master Christopher Williams invites us into a realm where myth and reality converge. The painting presents a profound moment of introspection, centered on a woman draped in vibrant, crimson attire that commands the viewer's immediate attention. Seated amidst a rugged, primordial landscape of weathered rocks, she rests her chin upon her hands, her gaze lost in a deep, contemplative trance. This is…
The air in the room feels heavy with the weight of quiet thought. Thomas Francis Roberts sits motionless, his presence commanding the space through a stillness that feels almost physical. He is draped in deep crimson academic robes, a color so intense it seems to pulse against the muted, earthy tones of the private study. His hands are clasped in his lap, fingers interlaced in a gesture of composed reflection.…
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
In Reverend J Thomas by Christopher Williams, the subject is captured in a three-quarter length portrait, seated slightly off-center within the embrace of an ornate wooden chair. The composition rests at eye-level, establishing a direct and respectful connection with the viewer. His posture remains composed and steady, a quiet anchor amidst the shadows. The arrangement of the figure suggests a moment of stillness, held within the heavy grain of the…
A single figure dominates this vertical oil composition, positioned slightly off-center to suggest a quiet, arrested movement. The subject, a woman draped in a voluminous white gown, occupies an opulent interior where the background dissolves into blurred architectural details and heavy drapery. Warm earthy tones of ochre, beige, and muted brown establish a somber, grounded atmosphere. Light enters from a singular source, casting deep shadows that define the contours of…
A formal three-quarter length portrait of Colonel Sir Thomas Berry Cusack-Smith, depicted in the twilight of his life. Seated in an ornate chair, the subject is positioned slightly off-center, creating a balanced composition that emphasizes his dignified presence. He is rendered in full military attire, complete with medals and a Sam Browne belt, which anchor the figure within a tradition of service and duty. The lighting, originating from the upper…
The portrait depicts an elderly man seated within a room defined by dark wooden paneling and draped red fabric. He is positioned centrally, occupying much of the frame. The subject wears heavy, dark robes that fall in deep folds around his torso. His hands rest upon a book held in his lap. Light enters from the upper left, casting shadows across the contours of his face and the textures of…
Roland Williams (Hwfa Môn) (1823–1905)1905 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
12
Cader Idris1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
13
Sunset Glow on Cader Idris1920 · Aberystwyth University School of Art Museum And Galleries
14
Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
15
Tangiers1914 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
16
Sir John Williams (1840–1926), Bt, GCVO, MD1919 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
17
Borth y Gest1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
18
Model 105M R59C, Keystone Shower Door, 57.4 × 59 , Chrome Raindrop, SKU 109149, 96235. 970 084 000, (Meiko), Vancouver, B.C., April 6, 2005 (No. 1)2005
19
Barmouth1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
20
Llwyngwril, Near Barmouth
21
Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891)1920 · Bangor universiteto
22
Cader Idris and Bird Rock1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
23
Paolo and Francesca1902
24
Dame Margaret Lloyd George (1866–1941)1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
25
Holidays, Village Girls at Llangrannog1915 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
26
Thomas Henry Thomas (1834–1915)1902
27
Mr Evan Williams, the Artist's Father1903
28
The Aldobrandini Wedding1904 · Aberystwyth University School of Art Museum And Galleries
29
Alice Sophia Amelia Stopford Green (1847–1929)1899
30
Mrs Parry Jones1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
31
Reverend W. E. Prydderch (1846–1931)1900 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
32
Self PortraitNational Library of Wales
33
Lloyd George as Chancellor of the Exchequer
34
Dryslwyn Castle1910
35
Evening Glow, Venice
36
The Remorse of Judas1911
37
Judas the Iscariot And It Was Night1906 · Aberystwyth University School of Art Museum And Galleries
38
Mrs Elizabeth Poole Hughes1910 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
39
The Investiture of the Prince of Wales, 19111911 · Caernarfon Royal Town Council
40
The Artist's Son, Ivor (1908–1982)Llyfrgell Genedlaethol Cymru / The National Library of Wales
41
David Lloyd George (1863–1945)1917
42
Storm over Cader Idris1917
43
On the Barmouth Estuary1917
44
Old Barmouth1917
45
Sir John Rhys (1840–1915)1913
46
Llangranog, a Fresh Morning1917
47
Colour Study for the Tomb of the Unknown Warrior1916 · Aberystwyth University School of Art Museum And Galleries
48
Street Scene in Tangiers1914
49
Criccieth Castle1917
50
The Red Dress1917
51
The Snowdon Horseshoe1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
52
'Now I'm the Judge', Gwyn Williams, the Artist's Son1912
53
Dyffwys1917 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
54
A Coastal View Porth y Nant, Lleyn1912 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
55
The Welsh Division at Mametz Wood, 1916 (detail)1917 · Royal Welch Fusiliers Regimental Museum
56
Hero and Leander1915
57
Barmouth Moonlight1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
58
Borth y Gest, Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
59
Barmouth Evening1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
60
Dyffwys, North Wales1920
61
Mametz Wood (sketch)1920
62
Reflections, Venice1921 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
63
Professor Sir Henry Jones (1852–1922)1923
64
Venice, Moonlight1925
65
The Cader Idris Range1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
66
Rytas iš Barmouto1913 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
67
Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926)1923 · Bangor universiteto
68
Rachel2020 · Paintings in Hospitals
69
Study for 'A Garden by the Sea', William Morris1906 · Aberystwyth University School of Art Museum And Galleries
70
Untitled (Kunsthalle Zürich (Opening), Switzerland, 2007)2007
71
Untitled (Sammlung Haubrok, Berlin, Germany, 2007)2007
72
Bergische Bauernscheune, Junkersholz, Leichlingen, September 29th, 20092010
73
Barmouth Estuary1914
74
View from Arthog
75
Coast near Holyhead
76
Richard Lloyd
77
Criccieth Castle
78
Up the Barmouth Estuary
79
John Hinds, Esq. (1862–1928)
80
Near Merthyr Mawr
81
Sunset off the Lleyn Peninsula
82
Santa Maria della Salute, Venice
83
Family on Barmouth Island
84
Cader Idris
85
Owen Owen (1850–1920)
86
In North Wales
87
Barmouth Beach
88
Branwen
89
Cregennan Lake by Moonlight
90
Mountainous Landscape with Trees in the Foreground (Merthyr Mawr)
91
Sir John Morris Jones (1864–1929), SeatedBangor universiteto
92
A Fresh Morning, Llangranog
93
Mountains, Seen from a River over Trees (Merthyr Mawr)
94
Evening Cardigan Bay
95
The Ligurian Coast from Rapallo
96
Sunlit Arch, Santa Margherita
97
David Lloyd George (1863–1945)
98
Atalanta
99
Laugharne Castle, Carmarthenshire
100
Mrs Sackvill Evans
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Kristoferis Viljamas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 25 | Roland Williams (Hwfa Môn) (1823–1905), Cader Idris, Llangrannog |
 Aberystwyth University School of Art Museum And Galleries |
Aberystwyth | 6 | Thomas Francis Roberts (1860–1919), Principal (1891–1919), Sunset Glow on Cader Idris, The Aldobrandini Wedding |
 Bangor universiteto |
Bangor | 4 | Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), Sir Henry Jones (1852–1922), MA, LLD, Professor of Philosophy (1884–1891), Reverend Thomas Shankland (1858–1927), Welsh Librarian, University College of North Wales (1904–1913), Librarian of the Arts Library (1913–1926) |
 Caernarfon Royal Town Council |
Carnarvon | 2 | The Awakening of Wales, The Investiture of the Prince of Wales, 1911 |
 National Library of Wales |
Aberystwyth | 2 | Reverend J Thomas, Self Portrait |
 Glynn Vivian Art Gallery |
Swansea | 1 | Ceridwen |
 National Gallery of Ireland |
Dublin | 1 | Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) |
 Royal Welch Fusiliers Regimental Museum |
Carnarvon | 1 | The Welsh Division at Mametz Wood, 1916 (detail) |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The room feels heavy with the weight of a life lived in quiet contemplation. An elderly man sits anchored in the center of the frame, his presence commanding the space through a stillness that seems to vibrate with unspoken history. He is a figure of substance, draped in dark, heavy fabrics that absorb the light, leaving only the textures of his beard and the weathered lines of his face to…
"The Awakening of Wales," painted in 1911 by Christopher Williams, is more than just a depiction of a woman dancing; it’s a potent embodiment of Welsh identity and the burgeoning cultural revival of its time. Measuring 272 x 130 cm, this oil on canvas work, currently residing within the Caernarfon Royal Town Council collection, pulsates with an energy born from both Romantic ideals and a deep connection to the nation’s…
Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927): A Portrait of Visionary Leadership Christopher Williams’s *Sir Henry Rudolf Reichel* is more than just a depiction of a man; it's an encapsulation of ambition, intellect, and the quiet dignity of service—qualities that define both the subject and Williams’s artistic vision. Executed in 1926, during Reichel’s tenure as Principal of Bangor University, the painting transcends mere likeness, immersing viewers in a carefully…
The Awakening of Wales (1911), Caernarfon Royal Town Council, Carnarvon. Toliau seka Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927) (1926) ir Sunset in the Welsh Hills (1920).
38 metų amžiaus: The Awakening of Wales sukurta 1911 m. Nr. Kristoferis Viljamas gimė 1873.
The Awakening of Wales, Sir Henry Rudolf Reichel (1856–1931), First Principal (1884–1927), Sunset in the Welsh Hills, Ceridwen, Thomas Francis Roberts (1860–1919), Principal (1891–1919), Richard Lloyd (1834–1917), Reverend J Thomas, Helen, Portrait of Colonel Sir Thomas Berry Cusack-Smith, 5th Bt (1859-1929) ir Sir John Morris Jones (1864–1929). Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 112 Kristoferis Viljamas darbų, skirtų laikotarpiui nuo 1899 iki 1930.
Daugiausia – Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth), Aberystwyth University School of Art Museum And Galleries (Aberystwyth) ir Bangor universiteto (Bangor). Viršuje esančiame muziejų sąraše yra visi jie.
1910s laikotarpiu: 36 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Awakening of Wales.
Šioje pusėje seniausias darbas yra Alice Sophia Amelia Stopford Green (1847–1929) (1899), o naujausias – The Cader Idris Range (1930).
Portrait (9), Landscape (7) ir Formal attire (4) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 21.
Celtic revival, vadovaujantis šios puslapio originalais kūriniais.
Roland Williams (Hwfa Môn) (1823–1905), Cader Idris ir Llangrannog: Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth kolekcijoje yra 23 šioje pusėje esančių darbų.
Kristofers Deividas Viljamas (1873–1934) – žymus valų menininkas, kurio karjera apėmė vėlyvąją Viktorijos epochą ir ankstyvuosius XX amžiaus dešimtmečius. Jis ypač gerai žinomas dėl savo įtaurių portretų, alegorinių scenų ir peizažų, kurie dažnai atspindėjo stiprų valų tapatybės jausmą bei keltų renesanso dvasią. Viljamas buvo menininkas, kuris sugebėjo subtiliai perteikti savo šalies istoriją, mitologiją ir gamtos grožį tapybos kalba.
Gimęs Maesygwrath kaime, Wale, Kristofers iš pradžių susidūrė su tėvo, Evano Viljamo, prieštaravimu. Tėvas svajojo apie sūnaus medicinos karjerą. Tačiau lemiamas vizitas į Liverpulio Walker Art Gallery 1892 metais, kur jį giliai sujudino Frederiko Leightono kūrinys *Persejas ir Andromeda*, uždegė jo aistrą menui. Ši patirtis sustiprino jo ryžtą siekti gyvenimo kaip meno kūrėjo. Viljamas suvokė, kad tik tapyba gali išreikšti jo vidinį pasaulį ir įamžinti grožį, kuris jį supo.
Kristofers pradėjo formalų meno mokymąsi Neath Technical Institute institute pas poną Kerą 1892–1893 metais. Vėliau jis tęsė studijas Royal College of Art tris metus, o nuo 1896 iki 1901 metų – Royal Academy Schools akademijoje. Šios mokyklos suteikė jam tvirtus techninius įgūdžius ir akademinį pagrindą. Frederikas Leightonas buvo reikšminga ankstyvoji įtaka, įkvėpusi Viljamo akademišką požiūrį ir dėmesį detalėms. Taip pat jis semėsi įkvėpimo iš prerafaelitų estetikos ir platesnių keltų renesanso meno srovių. Jo darbuose galima aptikti subtilias istorinių motyvų ir gamtos vaizdų jungtis, kurios atspindi jo gilų susidomėjimą valų kultūra.
Viljamas pirmą kartą eksponavo Royal Academy akademijoje 1902 metais su *Paolo ir Franseska*, o po metų – savo tėvo portretu. Per visą karjerą jis eksponavo aštuoniolika paveikslų šioje prestižinėje galerijoje. 1910 metais jį pakvietė prisijungti prie Royal Society of British Artists, kur per ateinančią dešimtmetį surengė trisdešimt septynias parodas. Lemiama akimirka įvyko 1911 metais, kai karalius George V užsakė Viljamui sukurti paminklinį paveikslą, skirtą Edvardo, princo of Waleso, inauguracijai Karnarvono pilyje. Jis sukūrė du šio svarbaus darbo variantus. Viljamas greitai tapo paklausiu portretistu, kurdamas panašumus į žymias figūras, tokias kaip Deividas Lloydas George’as, seras Johnas Williamsas ir seras Henry Jonesas.
Viljamo darbai pasižymi:
Kristofers Viljamas suvaidino svarbų vaidmenį propaguojant valų meną ir kultūrą savo gyvenimo metu. Jis aktyviai dalyvavo Nacionaliniame Eisteddfod festivalyje kaip teisėjas ir tarnavo komitetuose Nacionaliniam Valų muziejui bei Garbingajai Cymmrodorion draugijai. Jo darbai atspindi stiprų nacionalinės tapatybės jausmą ir prisidėjo prie valų meno klestėjimo ankstyvuoju XX amžiumi. Viljamo paveikslai saugomi daugybėje viešųjų kolekcijų, įskaitant Nacionalinį Valų muziejų, Karališkąją kolekciją ir Glynn Vivian Art Gallery galeriją, užtikrinant jo palikimą toliau įkvepti ir žavėti žiūrovus šiandien. Jis buvo brolis-in-law kitam menininkui Fred Appleyard, o tėvas astronomui Evan Gwyn Williams ir menininkui Ivor Williams.
