Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 41 Čarls Vestas Kopas darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Čarls Vestas Kopas garsiausias yra Charles West Cope (1879), esantis National Portrait Gallery kolekcijoje, Londras. Tiesiog už jų seka Home Dream (1869) ir The Embarkation of the Pilgrim Fathers for New Engand, 1620 (1856). Mūsų kataloge yra 41 darbų autoriaus Čarls Vestas Kopas; galerija išsaugojo 41 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
This oil portrait by Charles West Cope, created about 1879, presents an elderly man in a medium close-up composition. The subject is positioned in a three-quarter profile, though his gaze is directed toward the viewer. He wears a dark skullcap and a heavy, textured garment that meets a bright white shirt collar. The man's expression remains steady and contemplative as he looks forward.
In the quietude of a dimly lit interior, Charles West Cope presents a scene of profound stillness in his oil painting, Home Dream. Created about 1869, the work captures a solitary woman seated in the shadows of a nocturnal room. She rests slightly to the left of the frame, her presence anchoring the quiet space. Whether she has drifted into a deep sleep or remains lost in a heavy, wandering…
To gaze upon Charles West Cope’s depiction of The Embarkation of the Pilgrim Fathers for New England, 1620 is to be instantly transported across the vast, churning waters of time. This monumental canvas does more than merely record a historical event; it captures the very breath of human determination. The scene unfolds with palpable weight and profound anticipation as a group of pioneering souls gathers at the water's edge. One…
In the grand, hushed halls of art history, few moments capture the weight of institutional legacy as poignantly as Charles West Cope’s The Council of the Royal Academy selecting Pictures for the Exhibition, 1875. This masterful composition serves as a window into a vanished era of Victorian prestige, transporting the viewer directly into the heart of the decision-making process that once dictated the pulse of the British art world. The…
In his 1868 masterpiece, The Life's Story, 'Othello', Act I Scene 3, Charles West Cope captures a moment of profound human connection. The painting depicts a group of people seated around a table in what appears to be a dining room or banquet hall. The scene portrays a gathering of individuals engaged in conversation and enjoying each other's company, with some figures standing nearby. The table is set with various…
An Italian Hostelry is a painting by the artist Charles West Cope. This work dates to about 1838. The artist, Charles West Cope, was born in Leeds, United Kingdom, on July 28, 1811, and lived until 1890.
The painting depicts a group of individuals gathered within an indoor setting, likely a studio or a gallery. A window allows light to enter the room, illuminating a collection of people. One figure is positioned prominently, holding a palette and a brush, which identifies him as an artist or an art student. In the background, the presence of easels and various art-related implements suggests a workspace dedicated to the practice…
The scene unfolds within L'allegro, a work by Charles West Cope that captures a moment of profound serenity. Created about 1848, this painting finds its soul in the verses of Milton's poetry. The artist translates literary rhythm into a visual presence, inviting the viewer to witness a quiet, celestial harmony. It is a scene where the boundaries between the earthly and the divine seem to soften.
The portrait titled Edward, the Black Prince brings a figure of medieval history into the immediate presence of the viewer. Painted by the English artist Charles West Cope, this work captures the likeness of a man who lived through the turbulence of the Hundred Years' War. We find ourselves looking upon Edward the Black Prince, a formidable military commander whose life was defined by the weight of his lineage and…
In this 1847 portrait, we find ourselves drawn into a private, contemplative moment. A woman sits by a window, her presence defined by a soft, blue veil that rests upon her head and shoulders. She is lost in a book, her attention turned inward, away from the viewer and toward the printed word. The light from the window seems to settle gently upon her, catching the texture of her attire…
Il penseroso1848
12
Judge Gascoigne Committing Prince Henry to Prison1844 · Parlamento meno kolekcija
13
The Hawthorn Bush1842
14
Mother and Child1852
15
The Martyrdom of Laurence Saunders at Coventry (right panel of triptych)1851
16
The Martyrdom of Laurence Saunders at Coventry (central panel of triptych)1851
17
The Martyrdom of Laurence Saunders at Coventry (left panel of triptych)1851
18
Fra Beato Angelico1865
19
The thorn1866
20
The Council of the Royal Academy selecting Pictures for Exhibition CR1876
21
The Music Lesson1876
22
Portrait Of The Artist's Daughter
23
Edward The Black Prince
24
Prayertime
25
Palpitation
26
A Portrait of Margaret
27
The music lesson
28
Cottage interior
29
The night alarm the advance
30
Florence Cope Saying Grace At Dinnertime
31
The Inkeeper's Daughter
32
George Herbert And His Mother
33
Attempted arrest of 5 members of the House of Commons
34
Conferring The Order Of The Garter On Edward The Black Prince
35
The First Piano Lesson
36
Spirit of the Well
37
Breakfast time
38
the Awakening of King Lear by the kiss of Cordelia
39
Hope deferred and hopes and fears that kindle hope
40
Genius between Tragedy and Comedy
41
Cardinal Wolsey at the Gate of Leicester Abbey1847 · Royal Collection
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
6 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Čarls Vestas Kopas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Parlamento meno kolekcija |
Londonas | 3 | The Life's Story, 'Othello', Act I Scene 3, Edward, the Black Prince, Judge Gascoigne Committing Prince Henry to Prison |
 National Portrait Gallery |
Londras | 2 | Charles West Cope, Joseph Mallord William Turner |
 Yale Center for British Art |
New Haven | 1 | Home Dream |
 Vestminsterio rūmai |
Londonas | 1 | The Embarkation of the Pilgrim Fathers for New Engand, 1620 |
 Karališkoji meno akademija |
Londonas | 1 | The Council of the Royal Academy selecting Pictures for the Exhibition, 1875 |
 Royal Collection |
Londonas | 1 | Cardinal Wolsey at the Gate of Leicester Abbey |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
An Italian Hostelry is a painting by the artist Charles West Cope. This work dates to about 1838. The artist, Charles West Cope, was born in Leeds, United Kingdom, on July 28, 1811, and lived until 1890.
The scene unfolds within L'allegro, a work by Charles West Cope that captures a moment of profound serenity. Created about 1848, this painting finds its soul in the verses of Milton's poetry. The artist translates literary rhythm into a visual presence, inviting the viewer to witness a quiet, celestial harmony. It is a scene where the boundaries between the earthly and the divine seem to soften.
To gaze upon Charles West Cope’s depiction of The Embarkation of the Pilgrim Fathers for New England, 1620 is to be instantly transported across the vast, churning waters of time. This monumental canvas does more than merely record a historical event; it captures the very breath of human determination. The scene unfolds with palpable weight and profound anticipation as a group of pioneering souls gathers at the water's edge. One…
In the quietude of a dimly lit interior, Charles West Cope presents a scene of profound stillness in his oil painting, Home Dream. Created about 1869, the work captures a solitary woman seated in the shadows of a nocturnal room. She rests slightly to the left of the frame, her presence anchoring the quiet space. Whether she has drifted into a deep sleep or remains lost in a heavy, wandering…
This oil portrait by Charles West Cope, created about 1879, presents an elderly man in a medium close-up composition. The subject is positioned in a three-quarter profile, though his gaze is directed toward the viewer. He wears a dark skullcap and a heavy, textured garment that meets a bright white shirt collar. The man's expression remains steady and contemplative as he looks forward.
Charles West Cope (1879), National Portrait Gallery, Londras. Toliau seka Home Dream (1869) ir The Embarkation of the Pilgrim Fathers for New Engand, 1620 (1856).
68 metų amžiaus: Charles West Cope sukurta 1879 m. Nr. Čarls Vestas Kopas gimė 1811.
Charles West Cope, Home Dream, The Embarkation of the Pilgrim Fathers for New Engand, 1620, The Council of the Royal Academy selecting Pictures for the Exhibition, 1875, The Life's Story, 'Othello', Act I Scene 3, An Italian Hostelry, Joseph Mallord William Turner, L'allegro, Edward, the Black Prince ir Maiden Meditation. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 41 Čarls Vestas Kopas darbų, skirtų laikotarpiui nuo 1837 iki 1879.
Daugiausia – Parlamento meno kolekcija (Londonas), National Portrait Gallery (Londras) ir Yale Center for British Art (New Haven). Viršuje esančiame muziejų sąraše yra visi jie.
1840s laikotarpiu: 7 iš 41 šioje pusėje esančių darbų buvo sukurtos tada, iš jų L'allegro.
Šioje pusėje seniausias darbas yra Joseph Mallord William Turner (1837), o naujausias – Charles West Cope (1879).
Woman (9), People (8) ir Man (6) iš 41 šioje pusėje esamų darbų.
Oil, iš 41 šios puslapio darbų – 12.
Academic realism, vadovaujantis šios puslapio originalais kūriniais.
The Life's Story, 'Othello', Act I Scene 3, Edward, the Black Prince ir Judge Gascoigne Committing Prince Henry to Prison: Parlamento meno kolekcija, Londonas kolekcijoje yra 3 šioje pusėje esančių darbų.
