Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 88 Česteris Hardingo darbai mūsų kataloge
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Daniel Boone yra viena矚 most žiūrėlių pritraukiančių Česteris Hardingo tapierių; originalas saugomas National Portrait Gallery, Vašingtonas. Po to akmuo patenka į Daniel Boone (1820) ir James Madison (1829). Iš 88 Česteris Hardingo darbų mūsų kataloge šios 88 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
In the quiet, shadowed depths of Chester Harding’s Daniel Boone, one finds more than just a mere likeness of a historical figure; one encounters the very soul of the American wilderness. This evocative oil on canvas portrait serves as a profound window into the nineteenth-century Romantic movement, where the ruggedness of the individual was celebrated against the backdrop of an expanding nation. Harding, a self-taught master whose hands were once…
A dignified and somber portrait of an older man, likely Daniel Boone, rendered in a classical realist style. The composition is a medium close-up, focusing on the subject from the chest up, positioned slightly off-center to create a sense of presence. The color palette is dominated by earthy, muted tones including deep browns, ochre, and blacks, contrasted sharply by the bright white of the man's hair and the vibrant red…
This oil on canvas painting depicts James Madison, who served as the fourth president of the United States from 1809 to 1817. The portrait was executed by the artist Chester Harding around 1829-30. The subject is presented in a bust-length composition, positioned slightly off-center while looking toward the left of the frame. The sitter's expression is stoic and contemplative.
A Window Into Victorian Elegance: Chester Harding’s Portrait of Dr. Samuel Bemis Chester Harding's depiction of Dr. Samuel A. Bemis stands as a testament to the Romantic portraiture movement that flourished in mid-Victorian England—a period defined by an obsession with emotion, idealized beauty, and capturing the essence of individual character. Completed in 1842, this painting transcends mere likeness; it’s a carefully crafted visual narrative designed to convey Bemis's intellect, dignity,…
A single, bold red shawl anchors the composition, a sudden pulse of color against the dark weight of a black bodice. The subject, Hannah Davis Dudley, faces the viewer with a gaze that meets the eye directly, her presence steady and unyielding. Soft light spills from the upper left, carving the contours of her face and catching the fine, white ruffles of her collar. Her dark, voluminous hair curls around…
A formal 19th-century oil portrait captures an elderly man in a three-quarter view, his gaze meeting the observer with a sense of quiet authority. The composition places the subject slightly off-center, creating a dignified presence against a dark, somber background. Light enters from the upper left, casting the right side of the face into soft shadow while illuminating the forehead, cheek, and the crisp white of the cravat. This chiaroscuro…
The room feels quiet, held in a heavy, atmospheric stillness. A man sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left, lost in a thought that feels both private and profound. He is a figure of immense gravity, draped in a dark, matte coat that seems to absorb the very air around him. The deep blacks and somber browns of his attire…
This oil on canvas portrait by Chester Harding depicts Joseph Story. Painted in 1827, the work captures the subject in a formal manner. Story was a prominent legal figure, serving as an Associate Justice of the Supreme Court of the United States. His tenure on the Court lasted from February 3, 1812, until September 10, 1845.
This oil on canvas portrait by Chester Harding depicts Benjamin Franklin Butler. Created circa 1833, the work captures the likeness of a man who held significant legal and political positions during the early nineteenth century. Butler was a lawyer who maintained a close professional relationship with President Martin Van Buren, with whom he shared a law practice. His career in public service included an appointment as the Attorney General of…
Chester Harding rendered this oil on canvas portrait in 1829. The work presents James Monroe in a formal, bust-length composition, capturing the subject with a sense of historical weight. The artist utilizes a somber palette of deep blacks and earthy tones, which creates a sharp contrast against the white of the subject's cravat and the pale tones of the skin. Directional lighting from the upper left defines the facial features…
Henry Clay1845 · National Portrait Gallery
12
Harrison Gray Otis1833 · National Portrait Gallery
13
Loammi Baldwin1823 · National Portrait Gallery
14
Thurlow Weed1843 · National Portrait Gallery
15
Ebenezer Bliss1822 · Museum of Fine Arts
16
Eben Rollins1822 · Museum of Fine Arts
17
Lewis Ashmun1822 · Harvard Art Museums
18
Major Benjamin O'Fallon1821
19
Thomas William Anson, 1st Earl of Lichfield (1795–1854)1824 · Shugborough Hall
20
Portrait of Dr. Joseph Henshaw Flint1829 · Worcester Art Museum
21
Portrait of Mrs. Mary Martin Kinsley (ne Bellows)1825 · Minneapolis Institute of Art
22
Annie Bigelow Lawrence1831 · Museum of Fine Arts
23
Mrs. Edward Hutchinson Robbins (Elizabeth Murray)1827 · Museum of Fine Arts
24
Judge Edward Hutchinson Robbins1827 · Museum of Fine Arts
25
Mrs. John Ball Brown (Rebecca Warren)1826 · Museum of Fine Arts
26
Dr. John Ball Brown1826 · Museum of Fine Arts
27
Stephen Van Rensselaer (1764-1839)1827 · New York Historical Society
28
Tyler Bigelow (1778-1865)1830 · Harvard Art Museums
29
Margaret Morton Quincy Greene (Mrs. Benjamin Daniel Greene) (1806-1882)1826 · Harvard Art Museums
30
Josiah Parsons Cooke (1787-1880)1823 · Harvard Art Museums
31
Israel Munson (1767-1844)1839 · Harvard Art Museums
32
David Dudley (1787-1841)1836 · Harvard Art Museums
33
Portrait of Chester Harding Krum1845 · Indianapolis muziejus
34
Alvan Clark1842 · Museum of Fine Arts
35
Mrs. Ward Nicholas Boylston (Alicia Darrow)1840 · Museum of Fine Arts
36
Abbott Lawrence1842 · Museum of Fine Arts
37
Alderman Jabez Ellis1840 · Museum of Fine Arts
38
Benjamin Pickman1843 · Museum of Fine Arts
39
Self Portrait1843 · Museum of Fine Arts
40
George Hamilton Gordon, 4th Earl of Aberdeen (1784-1860)1847 · Harvard Art Museums
41
Mrs. Francis Stanton Blake1840 · Metropolitano meno muziejus
42
Portrait of Daniel Webster1849 · Rhode Island School of Design Museum of Art
43
Portrait of Eleanor Varnum Mitchell1850
44
Self-Portrait1859 · Indianapolis muziejus
45
John Lord King1860 · New Britain Museum of American Art
46
DAVY CROCKETT
47
Mrs. Abbott Lawrence (Katherine Bigelow)1855 · Wadsworth Atheneum meno muziejus
48
Self-Portrait1825 · National Gallery of Art
49
The Honorable James Lanman (1769-1841), B.A. 1788, M.A. 1791Yale University Art Gallery
50
Chester Harding Self-PortraitNational Portrait Gallery
51
Frank S. Harding1843 · Detroito meno institutas
52
Daniel Boone1820
53
John Speed Smith Family1819
54
Ship in Storm1823 · Detroito meno institutas
55
Charles Carroll of Carrollton1828 · National Gallery of Art
56
Hannah Parker Willis1831
57
Amos Lawrence1845 · National Gallery of Art
58
Frances Bibb Burnley1842
59
Mrs. Samuel Appleton (Julia Webster)1840 · New Britain Museum of American Art
60
John LemistMuseum of Fine Arts
61
Stephen Van Rensselaer 1Metropolitano meno muziejus
62
The Honorable Russell Freeman
63
Eunice Harriet Brigham 1Metropolitano meno muziejus
64
Mrs. Francis Stanton Blake 1
65
Charles Carroll
66
James GarrardMuseum Catharijneconvent
67
Self-Portrait
68
Charles Carroll of Carrollton 1
69
Bushrod Washington
70
Joshua BlakeWorcester Art Museum
71
John Eager Howard
72
Stephen Salisbury IIWorcester Art Museum
73
Mrs. Thomas Brewster Coolidge 1Metropolitano meno muziejus
74
Mrs. William Lorman
75
Elizabeth Tuckerman SalisburyWorcester Art Museum
76
Harriet Gardner Denny
77
Portrait of Mrs Kennedy
78
Sarah Stanton Blake (Mrs. Joshua Blake)Worcester Art Museum
79
Colonel James Madison Thompson
80
John ChildeCleveland Museum of Art
81
Portrait of John M. Krum
82
Thomas Abthorpe CooperArt Institute of Chicago
83
John RandolphNational Gallery of Art
84
Portrait of Mrs. Quincy
85
Charles Carroll of Carrollton
86
Portrait of Young Man
87
James MadisonYale University Art Gallery
88
Unfinished portrait of Daniel Boone
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Česteris Hardingo darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Museum of Fine Arts |
Bostonas | 14 | Ebenezer Bliss, Eben Rollins, Annie Bigelow Lawrence |
 National Portrait Gallery |
Vašingtonas | 11 | Daniel Boone, Daniel Boone, James Madison |
 Harvard Art Museums |
Kembrižas | 9 | Hannah Davis Dudley (Mrs. David Dudley) (1792-1886), Samuel Rogers (1763-1855), Lewis Ashmun |
 Worcester Art Museum |
Worcester | 5 | Portrait of Dr. Joseph Henshaw Flint, Joshua Blake, Stephen Salisbury II |
 Metropolitano meno muziejus |
Niujorkas | 4 | Mrs. Francis Stanton Blake, Stephen Van Rensselaer 1, Eunice Harriet Brigham 1 |
 National Gallery of Art |
Vašingtonas | 4 | Self-Portrait, Charles Carroll of Carrollton, Amos Lawrence |
 Detroito meno institutas |
Detroitas | 3 | Dr. Samuel A. Bemis, Frank S. Harding, Ship in Storm |
 Indianapolis muziejus |
Indianapolis | 2 | Portrait of Chester Harding Krum, Self-Portrait |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
A dignified and somber portrait of an older man, likely Daniel Boone, rendered in a classical realist style. The composition is a medium close-up, focusing on the subject from the chest up, positioned slightly off-center to create a sense of presence. The color palette is dominated by earthy, muted tones including deep browns, ochre, and blacks, contrasted sharply by the bright white of the man's hair and the vibrant red…
A single, bold red shawl anchors the composition, a sudden pulse of color against the dark weight of a black bodice. The subject, Hannah Davis Dudley, faces the viewer with a gaze that meets the eye directly, her presence steady and unyielding. Soft light spills from the upper left, carving the contours of her face and catching the fine, white ruffles of her collar. Her dark, voluminous hair curls around…
A Window Into Victorian Elegance: Chester Harding’s Portrait of Dr. Samuel Bemis Chester Harding's depiction of Dr. Samuel A. Bemis stands as a testament to the Romantic portraiture movement that flourished in mid-Victorian England—a period defined by an obsession with emotion, idealized beauty, and capturing the essence of individual character. Completed in 1842, this painting transcends mere likeness; it’s a carefully crafted visual narrative designed to convey Bemis's intellect, dignity,…
A young girl, Eleanor Varnum Mitchell, gazes directly from an oval-shaped bust-length composition. The portrait, executed in 1850, utilizes a classical, realistic style to capture a moment of quietude. Her expression remains calm and somewhat solemn, framed by the soft textures of her hair and the creamy whites of her gown. A gentle light source from the upper left illuminates her forehead and cheeks, creating subtle highlights that emerge from…
In this bust-length portrait of John Lord King, Chester Harding employs a classic, formal arrangement. The subject is positioned slightly off-center, facing toward the right of the frame. This orientation, combined with a straight-on, eye-level perspective, establishes an intimate yet respectful distance between the sitter and the viewer. The composition focuses entirely on the man's presence, as the dark, indistinct background provides no sense of setting or depth.
Daniel Boone, National Portrait Gallery, Vašingtonas. Toliau seka Daniel Boone (1820) ir James Madison (1829).
Daniel Boone, Daniel Boone, James Madison, Dr. Samuel A. Bemis, Hannah Davis Dudley (Mrs. David Dudley) (1792-1886), Samuel Rogers (1763-1855), Daniel Webster, Joseph Story, Benjamin Franklin Butler ir James Monroe. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 88 Česteris Hardingo darbų, skirtų laikotarpiui nuo 1819 iki 1860.
Daugiausia – Museum of Fine Arts (Bostonas), National Portrait Gallery (Vašingtonas) ir Harvard Art Museums (Kembrižas). Viršuje esančiame muziejų sąraše yra visi jie.
1820s laikotarpiu: 24 iš 88 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Daniel Boone.
Šioje pusėje seniausias darbas yra John Speed Smith Family (1819), o naujausias – John Lord King (1860).
Man (36), Portrait (34) ir Portraits (20) iš 88 šioje pusėje esamų darbų.
Oil On Canvas, iš 88 šios puslapio darbų – 36.
Romanticism, vadovaujantis šios puslapio originalais kūriniais.
Ebenezer Bliss, Eben Rollins ir Annie Bigelow Lawrence: Museum of Fine Arts, Bostonas kolekcijoje yra 14 šioje pusėje esančių darbų.
XIX amatoria Amerikos meno metrajuose nedaug istorijų yra tokios įtraukiančios ar drąsių kaip Chester Harding kisah. Vyras, kurio fizinė išmatencija buvo tokia pat įspūdinga kaip ir jo meninės palikties, Harding buvo virš devinties centimetrų aukščio milžinas – dominuojanti figūra, įkūnijanti patį plečiantisios Amerikos ribų dvasią. Gimęs 1792 metais Konvoje, Masačusetsas valstijoje, jo kelionė link portretavimo meistriškumo nebuvo išklota akademiniu prestižu, o labiau savyje nešiojamu ryžtu ir savikurto žmogaus ištverme. Dar prieš jam profesionaliam naudojimui įsigijus itin švelnių ežero šerų striukelių, Hardingo rankas kietino įvairūs sunkūs amatai; jis dirbo kočiu, kėdžių meistru, itin kietintoju ir net kermą kaimo svečių šeimininku. Būtent sklopstydamas skelbių dažymą Pitsburgas mieste, jo regėjimas kompozicijai ir spalvoms pradėjo susiformuoti, laidėdami pagrindus karjerai, kuri vėliau įamžins transformuojantis šalies veidus.
Hardingo talento evoliucija yra įrodymas apie transformacinę įkvėpimo galią. Jo kelias link aukšfinejo meno buvo uždegtas susitikimu su keliaujančiu paveikslėliu – įvykiu, kuris jo dėmesį nukreipė nuo buitinės pramonės nuo dirbtinio darbo link gilaus portretavimo psichologinio gylio. Nors jo pirmieji bandymai buvo pranašūs – pastebėkite paprastą savo žmonos vaizdą – troškimas tobulėti varžė jį kietinti per žemes. Jo kelionės vedė jį per Kentukio peizažus ir galiausiai į meninę Paryžiaus širdį, kur jis pasinerė į klasikinę Europos tradiciją. Šis intensyvaus mokymosi ir produktyva laikotarpis, kai jis sugebėjo sukurti stulbinančią šimtą portretų vos šešiamėnesių laikotarpiu, leido jam suderinti Amerikos ribų realizmą su išmaniu romantiniu jautrumu.
Hardingo kūrybai būdingas neįtikėtinas gebėjimas įamžinti savo subjektų esmę, eit įtampą už vieno tikslumo ir atskleisti asmenybės bei istorinio svorio svarbą asmenims, kuriuos jis piešė. Kaip romantizmo portretavimo pionierius, jis puikiai gebėjo savo modeliams suteikti orumo ir naratyvinio gylio pojūtį. Jo repertuaras apėmė vienas svarbiausių to laikoto veikėjus – nuo mokslinių pionierių iki legendinių ribų žmonių. Žvelgti į Hardingo portretą yra stebėti, kaip realiu laiku krepia Amerikos tapatybė.
Kai kuriuos jo patįsiaus į amžinybę įtvirtintus indus į Amerikos kanoną priklauso:
Galiausiai, Chester Hardingo reikšmė slypi jo vaidmenyje kaip augančios tautos vizualiniame kronikierio. Įsikūręs Sent Luisas ir plačiai keliaudamas po Pietų miestus, jis veikė kaip tiltas tarp žaliają Amerikos dykumų energijos ir išrafinuotų meninių standartų iš established Rytų pakalpės bei Europos. Jo paskirtimas garbės akademiku Nacionaliojo dizaino akademijoje 1828 metais yra oficialus pripažinimas gyvenimui, praleistam vertinant drąsią Amerikos sielą į amžiną aliejaus ir drobės kalbą.
