Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 45 Karlosas Švabė darbai mūsų kataloge
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Galerijos akimais, garsiausias Karlosas Švabė paveikslas yra Death And The Gravedigger -. Design for the Front Cover of “L’evangile De Notre Seigneur Jesus-Christ Selon Saint Pierre” (1895) ir Paroles d'un croyant (1908) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 45 Karlosas Švabė darbų mūsų kataloge, galerija žemiau pristato 44 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
In this quiet, somber scene, we find ourselves in a snow-covered cemetery, where the air feels heavy with the weight of an inevitable encounter. A dark-winged angel, appearing as a young woman with an inscrutable expression, crouches at the edge of a freshly dug pit. Her black shroud and large, dark wings create a striking silhouette against the pale, wintry landscape. Before her lies a gravedigger, an elderly man dressed…
The image centers on a quiet, sacred embrace. A woman, draped in heavy, flowing robes, holds the infant Jesus against a backdrop of swirling, organic clouds. The light does not strike from a single source but seems to bloom from behind the figures, casting a soft halo around the child. Every line is a curve, a rhythmic movement that mimics the drift of smoke or the swell of a tide.…
A winged figure rises from a heavy stone block, her form caught in a moment of profound purpose. She stands atop a base inscribed with the words "AU PEUPLE," her body angled toward the heavens. One arm reaches upward, clutching a torch that carries a flickering flame, a beacon of light against the stillness. Her wings are vast and intricate, composed of a delicate web of lines that suggest both…
We are looking at Paroles d'un croyant, a significant work by the artist Carlos Schwabe. This piece was created as an illustration for the text by Félicité de Lamennais. It emerged from a period of intense creative output for Schwabe, specifically around 1908. The work is closely tied to a publication released in Paris in 1908, appearing on page 157 of that volume.
The artwork presents a monochromatic scene rendered in shades of gray, black, and white. A central figure is depicted wielding a sword directly above the head of another person. This vertical arrangement creates a focal point of tension between the two forms. The lighting is directional, casting strong highlights on the faces and the blade of the sword, while leaving other areas in deep shadow. The background is textured and…
An angelic figure drifts through a dreamscape of swirling clouds and scattered stars, suspended in a moment of profound stillness. The figure lies diagonally across the frame, a graceful silhouette that seems to float amidst the celestial expanse. Every line of the body and every fold of the wings suggests a state of deep contemplation or perhaps a quiet surrender to divine grace. The scene is stripped of color, existing…
In this 1908 work, we find ourselves drawn into a quiet, monochrome encounter that feels suspended in time. The composition is vertically oriented, pulling the eye upward through a series of elongated, graceful figures. On the left, a figure draped in flowing robes listens with an intensity that suggests a profound spiritual reception. Opposite them, a more structured figure holds a sword and a chain, creating a tension between the…
is a monochromatic artwork from 1908 that presents a religious scene. The composition is symmetrical and centered around the figure of Christ, who dominates the upper portion of the image. Below him, a kneeling figure is positioned in a hierarchical arrangement, suggesting a moment of supplication or blessing. A thorny crown frames the scene, adding a symbolic layer to the narrative.
A grotesque figure sits entombed within the hollow of a human skull, creating a scene of profound psychological tension. The composition feels flattened, stripping away traditional perspective to force the viewer into an immediate, unsettling confrontation with mortality. Every inch of the work vibrates with a sense of unease, as the skeletal structure of the skull frames the central figure within its dark, empty eye sockets and nasal cavity. This…
A large, central figure rises from a dark, swirling mass, its mouth open as if caught in the middle of a profound utterance. This is the heart of Paroles d'un croyant, a work where the boundaries between the physical and the spiritual seem to dissolve. Two smaller faces emerge from the gloom on either side of the primary form, their features partially obscured by the surrounding chaos. Pale, tangled hair…
Paroles d'un croyant1908
12
Revolt
13
Posthumous Remorse
14
Design for the Back Cover of “L’evangile De Notre Seigneur Jesus-Christ Selon Saint Pierre”1895
15
Étude De Nu
16
Prophet
17
Death And The Gravedigger -
18
Hymn
19
The Denial Of Saint Peter
20
Spleen Et Ideal -
21
Don Juan In Hell
22
Le Faune
23
Destruction
24
Chrysis Taking a Lover
25
The Annunciation
26
Notre pere avec son baton
27
BenedictionNationalmuseum
28
The Profane And The Sacred
29
Salon De La Rose
30
The Clock
31
Poster Of The First Rosicrucian Exposition
32
Death And The Gravedigger
33
L'ame Du Vin
34
La Vierge Aux Lys
35
The Albatros
36
Hatred’s Cask
37
Les Fleurs Du Mal
38
La Douleur
39
Porträt Der Tochter
40
The Wine Of Lovers
41
Damned Women
42
Elysian Fields
43
Morning Twilight
44
Spleen Et IdealFin-de-Siècle Museum
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Karlosas Švabė darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Nationalmuseum |
Stokholmas | 1 | Benediction |
 Fin-de-Siècle Museum |
Brussels | 1 | Spleen Et Ideal |
Karjera Karlosas Švabė šiame puslapyje tęsiasi 14 metus, nuo 1895 iki 1908: kiekvienas metai pateikiamas su garsiausiais originalais.
Pasirinkite metus, kad pamatytumėte originalus darbus.
The image centers on a quiet, sacred embrace. A woman, draped in heavy, flowing robes, holds the infant Jesus against a backdrop of swirling, organic clouds. The light does not strike from a single source but seems to bloom from behind the figures, casting a soft halo around the child. Every line is a curve, a rhythmic movement that mimics the drift of smoke or the swell of a tide.…
Daugiau nuo 1895
A winged figure rises from a heavy stone block, her form caught in a moment of profound purpose. She stands atop a base inscribed with the words "AU PEUPLE," her body angled toward the heavens. One arm reaches upward, clutching a torch that carries a flickering flame, a beacon of light against the stillness. Her wings are vast and intricate, composed of a delicate web of lines that suggest both…
Daugiau nuo 1908
Death And The Gravedigger -. Toliausiai eina Design for the Front Cover of “L’evangile De Notre Seigneur Jesus-Christ Selon Saint Pierre” (1895) ir Paroles d'un croyant (1908).
Death And The Gravedigger -, Design for the Front Cover of “L’evangile De Notre Seigneur Jesus-Christ Selon Saint Pierre”, Paroles d'un croyant, Paroles d'un croyant, Paroles d'un croyant, Paroles d'un croyant, Paroles d'un croyant, Paroles d'un croyant, Paroles d'un croyant ir Paroles d'un croyant. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 45 Karlosas Švabė darbų, skirtų laikotarpiui nuo 1895 iki 1908.
Daugiausia – Nationalmuseum (Stokholmas) ir Fin-de-Siècle Museum (Brussels). Viršuje esančiame muziejų sąraše yra visi jie.
1908 laikotarpiu: 9 iš 44 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Paroles d'un croyant.
Šioje pusėje seniausias darbas yra Design for the Front Cover of “L’evangile De Notre Seigneur Jesus-Christ Selon Saint Pierre” (1895), o naujausias – Paroles d'un croyant (1908).
Woman (4), Monochrome (4) ir Angel (3) iš 44 šioje pusėje esamų darbų.
Drawing, iš 44 šios puslapio darbų – 3.
Art nouveau ir Symbolism, vadovaujantis šios puslapio originalais kūriniais.
