Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 68 Benjaminas Marshallas darbai mūsų kataloge
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A Roan Hack (1794) yra viena矚 most žiūrėlių pritraukiančių Benjaminas Marshallas tapierių; originalas saugomas Royal Collection, Londonas. Po to akmuo patenka į 'Curricle' with a Huntsman (1794) ir A Black Horse (1794). Iš 68 Benjaminas Marshallas darbų mūsų kataloge šios 67 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
A Roan Hack is a work by Benjamin Marshall, an English painter who was born in Seagrave, United Kingdom. This particular piece was created about 1794, a period during which Marshall was establishing his presence within the British art scene. The artist’s life spanned from 1768 until 1835, a time of significant transition in the depiction of sporting subjects and animal portraiture.
A dark horse stretches across the lower frame, a heavy silhouette of muscle and bone. It anchors the landscape, its form a deep, near-black weight against the earth. To the right, a huntsman stands upright, a sharp vertical line cutting through the soft, rolling horizon. His coat is a sudden shock of scarlet, a bright wound of color against the muted golds and ochres of the field. The light is…
A large, dark horse dominates the composition, positioned in profile against an expansive, moody sky. The animal's muscular structure is defined by precise lines, suggesting a deep understanding of equine anatomy. To the far left, a man in a red coat stands near a wooden gate, providing a sense of scale to the landscape. The scene is set during a quiet moment, perhaps at twilight, where the light is diffused…
Studies of Riders in the Hunting Field is an oil painting by the English sporting and animal painter Benjamin Marshall. This work, dating from about 1805, captures a moment of equestrian activity through a loose, gestural approach. It reflects the artist's deep interest in the movement and form of horses, a focus that defined much of his professional output during the Romantic era.
In Ispwell lass, Benjamin Marshall captures a quiet fragment of rural life from about 1805. The scene focuses on a man leading a horse across an open field. Two dogs move alongside them, their forms part of a steady, rhythmic progression through the landscape. This is a moment of everyday activity, stripped of grandiosity. It is a simple walk through the grass.
Richard Prince, With Damon, The Late Colonel is a portrait by Benjamin Marshall. The work is also identified as Richard Prince, with Damon, the late Colonel Mellish's Pointer. It presents the likeness of a sportsman, possibly Richard Prince.
The artwork titled The Earl of Coventry's Horse is an oil on canvas painting by the English sporting and animal painter Benjamin Marshall. Created in 1805, this equestrian portrait focuses on a single animal within a stable setting. The work is currently held in the collection of the Art Institute, Chicago.
Created about 1794, Lop by Benjamin Marshall presents a single white horse in profile. The animal is positioned centrally and slightly to the right of the frame, captured in a moment of movement. This equestrian subject is set against a rustic, atmospheric landscape that provides a muted backdrop to the animal's luminous coat.
In this oil on canvas, Benjamin Marshall presents us with a quiet moment in the life of a single brown horse. Created about 1794, the work captures a thoroughbred as it moves through a vast, open field. The animal stands as the central figure, its presence commanding the space within a wide, atmospheric landscape. One wonders about the spirit of this creature as it walks from left to right, its…
Created in 1794, this work belongs to the tradition of late 18th-century animal portraiture. The style aligns with the transition toward Romanticism, where scientific observation of the natural world meets an idealized portrayal of nature. The painting reflects the influence of anatomical study, focusing on the physical reality of the equine form. During this period, such portraits were often commissioned to document specific animals within a pastoral setting. The lighting…
Hunters At Grass,1801
12
Josiah Rose Of Liverpool, C.1790 -1800
13
J.G. Shaddick, the Celebrated Sportsman1806 · National Gallery of Art
14
George, 5th Duke Of Gordon On 'tiny',1806
15
Sam with Sam Chifney, Jr., Up,1818
16
Shoveller Held by her Trainer Will Chifney,1819
17
Priam,1830
18
Emilius With Groom,1823
19
'Zinganee' held by Sam Chifney Jr. at Newmarket,1829
20
John Gulley, C.1810
21
John Jackson
22
Three Worthies Of The Turf At Newmarket, C.1804
23
Mr Gully, engraved by Charles Turner
24
Ohn Hilton, Judge Of The Course At NewmarketYale Center for British Art
25
Portrait Of A Sportsman, Possibly Richard PrinceYale Center for British Art
26
The Duke Of Richmond's 'rough Robin' With The Jockey Frank Buckle Up
27
Match Between 'eagle' And 'eleanor'
28
Mully MolochYale Center for British Art
29
Anti-gallican
30
Bony Grey Nag
31
'zinganee' Held By Sam Chifney Junior With The Owner
32
Dustman - Bulldog And Terrier Mix
33
A Sportsman Loading A Flintlock Gun
34
Emilius
35
Diamond, With Dennis Fitzpatrick UpYale Center for British Art
36
Bay 'middleton', Winner Of The Epsom Derby
37
Portrait Of Daniel Lambert
38
Lt. General Thomas Grovesnor's Chestnut Filly
39
Thomas Hilton And His Hound 'glory'
40
George, Marquess Of HuntlyYale Center for British Art
41
Muly moloch
42
A Grey ArabFitzwilliam Museum
43
Josiah Rose Of LiverpoolYale Center for British Art
44
The Rev. Edward Cage
45
Griffith Owen, Harpist To The Corbet Family Of Ynysymaengwyn
46
Dr John Bowles
47
Daniel Lambert -
48
Racehorse
49
Frank Buckle, John Wastel, Robert RobsonYale Center for British Art
50
Broodmare With Foal And Terrier
51
'skiff', A Bay Racehorse Held By A Groom On
52
A Farmer With A Horse And CartUpton House
53
'shrapnell', W. Arnull Up With Trainer Dixon Boyce
54
Archibald Kennedy
55
Foxhunting SceneYale Center for British Art
56
Thomas Mellish on his Hunter 'Saucebox'
57
Daniel Lambert -
58
James Belcher, Bare-knuckle Champion Of England
59
Broodmare With Foal, And A TerrierYale Center for British Art
60
Interior Of A Barn With A Milkmaid And Farm Labourer
61
General Sir Thomas Stirling Of Ardoch And Strowan
62
A Golden Chestnut Racehorse by a Rock Formation
63
Francis Const on a bay hunter
64
The Prince Of Wales's Favourite Roan Hack
65
Sir Charles Bunbury With Cox, His Trainer, And A Stable-lad - A Study For 'surprise And Eleanor'
66
Portraits Of Cattle Of The Improved Short-horned Breed, The Property Of J. Wilkinson Esq. Of Lenton, Near Nottingham
67
Daniel Lambert
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
7 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Benjaminas Marshallas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 10 | Studies of Riders in the Hunting Field, Ohn Hilton, Judge Of The Course At Newmarket, Portrait Of A Sportsman, Possibly Richard Prince |
 Royal Collection |
Londonas | 6 | A Roan Hack, 'Curricle' with a Huntsman, A Black Horse |
 National Portrait Gallery of Sweden |
Strängnäs | 1 | Richard Prince, With Damon, The Late Colonel |
 Art Institute of Chicago |
Čikagos | 1 | The Earl of Coventry's Horse |
 National Gallery of Art |
Vašingtonas | 1 | J.G. Shaddick, the Celebrated Sportsman |
 Fitzwilliam Museum |
1 | A Grey Arab | |
 Upton House |
Banbury | 1 | A Farmer With A Horse And Cart |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
A Roan Hack is a work by Benjamin Marshall, an English painter who was born in Seagrave, United Kingdom. This particular piece was created about 1794, a period during which Marshall was establishing his presence within the British art scene. The artist’s life spanned from 1768 until 1835, a time of significant transition in the depiction of sporting subjects and animal portraiture.
Studies of Riders in the Hunting Field is an oil painting by the English sporting and animal painter Benjamin Marshall. This work, dating from about 1805, captures a moment of equestrian activity through a loose, gestural approach. It reflects the artist's deep interest in the movement and form of horses, a focus that defined much of his professional output during the Romantic era.
The scene unfolds in a moment of high tension within the painting titled Sam with Sam Chifney, Jr., Up, by Benjamin Marshall. Created in 1818, the work captures a specific, high-stakes connection between a man and his mount. The subject is the jockey Sam Chifney, Jr., frozen in the midst of his craft. He sits atop a horse named Sam, a creature that carries a name chosen specifically to honor…
A man in a black coat and top hat stands in the foreground, his hand a steady anchor against the flank of a large brown horse. He points, a silent command directed toward the animal's powerful frame. The horse is a heavy presence of muscle and light, its coat a deep, earthy brown. Behind them, the landscape opens into a flat, grassy expanse under a clear sky. Two other riders,…
is an oil painting by the British artist Benjamin Marshall, executed about 1830. The work focuses on the celebrated British Thoroughbred racehorse and sire of the same name. Marshall, a significant figure in the history of British sporting art, captured the animal during a period of immense success for the horse on the turf.
A Roan Hack (1794), Royal Collection, Londonas. Toliau seka 'Curricle' with a Huntsman (1794) ir A Black Horse (1794).
26 metų amžiaus: A Roan Hack sukurta 1794 m. Nr. Benjaminas Marshallas gimė 1768.
A Roan Hack, 'Curricle' with a Huntsman, A Black Horse, Studies of Riders in the Hunting Field, Ispwell lass,, Richard Prince, With Damon, The Late Colonel, The Earl of Coventry's Horse, Lop, Mistake ir Tiger. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 68 Benjaminas Marshallas darbų, skirtų laikotarpiui nuo 1794 iki 1830.
Daugiausia – Yale Center for British Art (New Haven), Royal Collection (Londonas) ir National Portrait Gallery of Sweden (Strängnäs). Viršuje esančiame muziejų sąraše yra visi jie.
1800s laikotarpiu: 7 iš 67 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Studies of Riders in the Hunting Field.
Šioje pusėje seniausias darbas yra A Roan Hack (1794), o naujausias – Priam, (1830).
Horse (13), Man (12) ir Landscape (8) iš 67 šioje pusėje esamų darbų.
Oil On Canvas, iš 67 šios puslapio darbų – 9.
Neoclassicism ir Romanticism, vadovaujantis šios puslapio originalais kūriniais.
Studies of Riders in the Hunting Field, Ohn Hilton, Judge Of The Course At Newmarket ir Portrait Of A Sportsman, Possibly Richard Prince: Yale Center for British Art, New Haven kolekcijoje yra 10 šioje pusėje esančių darbų.
