Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 123 Bartholomaeus Bruynas Elsenis darbai mūsų kataloge
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Portrait of a knight (1531) yra viena矚 most žiūrėlių pritraukiančių Bartholomaeus Bruynas Elsenis tapierių; originalas saugomas Kunsthistorisches Museum, Viena. Po to akmuo patenka į Portrait of Wilhelm Kannengiesser (1550) ir Portrait of Elisabeth Bellinghausen (1530). Iš 123 Bartholomaeus Bruynas Elsenis darbų mūsų kataloge šios 100 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
To look upon this portrait is to encounter a moment of quiet intention from the year 1538. This is not a grand, sweeping scene, but an intimate half-length study of Elisabeth Bellinghausen, rendered with the meticulous precision characteristic of the Northern Renaissance. She is presented against a deep, solid blue background that pushes her figure forward, making the textures of her attire feel almost tangible. There is a certain stillness…
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The sitter, Cardinal Bernhardus Clesius, is presented in a medium close-up, captured from the waist up against a deep green backdrop. His expression is solemn and contemplative, projecting a sense of gravity and ecclesiastical weight. He is draped in heavy, saturated red robes and a matching cap, the folds of which are defined by sharp, purposeful lines that suggest the substantial weight of silk or satin. Light enters from the…
The work titled Portrait of a young man holding gloves presents a quiet study of identity. Created by the artist Bartholomaeus Bruyn The Elder, the painting captures a single figure in a moment of stillness. The subject is a young man, his presence defined by the weight of his dark attire and the steady gaze directed toward the viewer. He holds gloves, a small detail that anchors the composition and…
The portrait presents a woman in a medium close-up, positioned slightly off-center and facing toward the left. She is depicted against a dark, undifferentiated background that pushes her figure into the foreground. Her attire consists of a heavy black gown and a white headpiece that creates sharp, defined folds. Around her neck, a delicate white ruff or pleated linen collar provides a textural contrast to the smooth, dark fabric of…
In this oil on panel, titled Virgin and Child with Saint Anne, Saint Gereon, and a Donor, we encounter a significant example of the German Renaissance. The work is attributed to Bartholomaeus Bruyn the Elder, a painter who was active in Cologne. Measuring 78.4 x 57.9cm, the panel presents a complex arrangement of figures that bridges the gap between the divine and the earthly through its specific iconographic program.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
The composition is a dense, multi-layered arrangement that fills the frame from foreground to background. At the center of this celestial and earthly convergence lies the infant Jesus, whose presence emanates a divine light that cuts through the nocturnal shadows. Surrounding the manger are the Virgin Mary, Joseph, and various angels, all rendered with the meticulous detail characteristic of the German Renaissance. The scene is framed by the sharp architectural…
Virgin and Child with Saint Margaret and Dorothy and angels playing music1517 · Bavarijos valstybinės paveikslų kolekcijos
12
Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors1517 · Bavarijos valstybinės paveikslų kolekcijos
13
Pietà1514 · Nacionalinis muziejus Varšuvoje
14
Cyriacus Cycle: Saint Cyriacus Baptizes Arthemia1532 · Bavarijos valstybinės paveikslų kolekcijos
15
Lamentation Altarpiece, Outer Wing: Saint Suitbert1531 · Bavarijos valstybinės paveikslų kolekcijos
16
Cyriacus Cycle: Death of Saint Cyriacus1532 · Bavarijos valstybinės paveikslų kolekcijos
17
Cyriakus Cycle: Saint Cyriacus is Welcomed by the Persian King1532 · Bavarijos valstybinės paveikslų kolekcijos
18
Lamentation Altarpiece: Saint Stephen with the Donor Stephan Vell von Wevelinghoven1531 · Bavarijos valstybinės paveikslų kolekcijos
19
Lamentation Altarpiece: A Saint with the Donor Bernhard (?) von Huchtenbroich1531 · Bavarijos valstybinės paveikslų kolekcijos
20
Lamentation Altarpiece, Outer Wing: Saint Kunibert1531 · Bavarijos valstybinės paveikslų kolekcijos
21
Cyriakus Cycle: Emperor Diocletian Shakes Hands with Saint Cyricus1532 · Bavarijos valstybinės paveikslų kolekcijos
22
Cyriacus Cycle: Saint Cyriacus Delivers Jobia from the Evil Spirit1532 · Bavarijos valstybinės paveikslų kolekcijos
23
Christ Bids Farewell to His Mother1532 · Wallraf-Richartz-Museum
24
Sybilla von Aich, born Reidt, with four daughters1520 · Bavarijos valstybinės paveikslų kolekcijos
25
Christ carrying the cross1520 · Bavarijos valstybinės paveikslų kolekcijos
26
Donor image of the Cologne patrician family Rinck: Virgin Mary1530 · Bavarijos valstybinės paveikslų kolekcijos
27
Donor image of the Cologne patrician family Rinck: Saint Anne1530 · Bavarijos valstybinės paveikslų kolekcijos
28
Johann von Aich, mayor of Cologne, with his two sons1520 · Bavarijos valstybinės paveikslų kolekcijos
29
The lamentation of Christ1531 · Bavarijos valstybinės paveikslų kolekcijos
30
The martyrdom of Saint Cyriacus1532 · Bavarijos valstybinės paveikslų kolekcijos
31
Wing of an Altarpiece: Saint Catherine and a Donor1521 · Bavarijos valstybinės paveikslų kolekcijos
32
Portrait Diptych of Johann von Rolinxwerth and his Wife, Christine von Sternberg1529 · Mauritshuis
33
Saint Barbara1520
34
Saint Bartholomew1520
35
Adoration of the Magi1525 · T nacionalinis dailės muziejus
36
Christ appearing to Mary Magdalene1520 · Nacionalinis muziejus Varšuvoje
37
The Annunciation1520 · Nacionalinis muziejus Varšuvoje
38
The Nativity1520 · Thyssen-Bornemisza muziejus
39
Portrait of a Young Man1528 · Antverpio karališkasis gražiųjų menų muziejus
40
Crucifixion1532 · Wallraf-Richartz-Museum
41
Homo bulla: A Boy Blowing Bubbles1532 · Germanisches Nationalmuseum
42
Adoration of the magi1532 · Wallraf-Richartz-Museum
43
Mary with the child, adored by the Duke of Cleves1528 · Gemäldegalerie
44
Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern1528 · Harvard Art Museums
45
Christ appearing before Mary1520 · Nacionalinis muziejus Varšuvoje
46
Founder with two sons (left panel)1549 · Museum Catharijneconvent
47
Foundress with three daughters before landscape (right wing)1549 · Museum Catharijneconvent
48
Portrait of a Woman with Rosary and Carnation1547 · Gemäldegalerie
49
Portrait of Chancellor Balthasar von Kerpen1535 · Kunstmuseum
50
Portrait of Sibylla Kessel1542 · Städel Museum
51
Portrait of Peter Heyman1542 · Städel Museum
52
Portrait of an unknown family: a father with his three sons1549 · Bavarijos valstybinės paveikslų kolekcijos
53
Passion Altarpiece of the Siegen Family: Left Panels1540 · Bavarijos valstybinės paveikslų kolekcijos
54
Passion Altarpiece of the Siegen Family: Right Panels1540 · Bavarijos valstybinės paveikslų kolekcijos
55
Donor image of the Cologne patrician family Rinck: Christ Crowned with Thorns1540 · Bavarijos valstybinės paveikslų kolekcijos
56
Passion Altarpiece of the Siegen family: Central Panel1540 · Bavarijos valstybinės paveikslų kolekcijos
57
Margarethe von Aich (1517–1570)1540 · Museum of Fine Arts
58
Johann von Aich (1510–1549)1540 · Museum of Fine Arts
59
Man's portrait with armour, rear: child wifh skull1544 · Wallraf-Richartz-Museum
60
Portrait of a Woman1534 · Gemäldegalerie
61
Portrait of a Woman1537 · Harvard Art Museums
62
Portrait of a Man1537 · Harvard Art Museums
63
Portrait of a Man1550 · Bavarijos valstybinės paveikslų kolekcijos
64
Rinck Altar II: Saint Benedict1550 · Bavarijos valstybinės paveikslų kolekcijos
65
Saint Barbera and the donor Sibylla Rinck-Kannegießer1550 · Bavarijos valstybinės paveikslų kolekcijos
66
Rinck-Altar II:Saint Catherine with donor Hermann Rinck1550 · Bavarijos valstybinės paveikslų kolekcijos
67
Portrait of a Man with a Book1550 · Bonnefanten muziejus
68
Lamentation over the dead Christ1550 · Musée des Beaux-Arts
69
Kreuzigungs-Triptychon, St. Andreas Köln1550
70
Portrait of a Woman1565 · Saint Louis Art Museum
71
Portrait of a Woman of the Slosgin Family of Cologne1557 · Metropolitano meno muziejus
72
Portrait of a Young Woman with a Pink1660 · Walters Art Museum
73
Bacchus with putti1747 · Plantin-Moretus muziejus
74
Portrait of Scholar Petrus von Clapis1528 · Szépművészeti Múzeum
75
Vanitas Still-lifeKröller-Müller muziejus
76
Portrait of a Woman1539 · Thyssen-Bornemisza muziejus
77
Portrait of a Woman1541 · Yale University Art Gallery
78
German, )1493
79
Crucifixion of christ1515 · Böttcherstraße Museums
80
Portrait of a Woman1533 · Metropolitano meno muziejus
81
Portrait of a Man1533 · Metropolitano meno muziejus
82
Portrait of a Man with Three Sons1530 · Ermitažas
83
Portrait of an Older Man1535 · Gemäldegalerie
84
Burgomaster Arnold von Brauweiler1535 · Wallraf-Richartz-Museum
85
Crucifixion Altar: Emperor Henry II the SaintBavarijos valstybinės paveikslų kolekcijos
86
Crucifixion Altar: Saint HelenaBavarijos valstybinės paveikslų kolekcijos
87
Portrait of a Man (Vanitas Portrait)Bavarijos valstybinės paveikslų kolekcijos
88
Appearance of the Risen Christ before MaryBavarijos valstybinės paveikslų kolekcijos
89
Crucifixion Altar: Saint Bishop (Lambertus of Liège?) with FoundressBavarijos valstybinės paveikslų kolekcijos
90
Portrait of Johannes Draconites
91
Resurrection of ChristAntverpio karališkasis gražiųjų menų muziejus
92
Portrait of a ManAntverpio karališkasis gražiųjų menų muziejus
93
Portrait of a WomanAntverpio karališkasis gražiųjų menų muziejus
94
Triptych with DonorsAntverpio karališkasis gražiųjų menų muziejus
95
Portrait of a ManAntverpio karališkasis gražiųjų menų muziejus
96
Portrait of a Lady
97
Portrait of a Man
98
Portrait of a clergymanNacionalinis muziejus Varšuvoje
99
CATHERINE DE BORECondé muziejus
100
Saint Jérôme pénitent
#9 Crucifixion Altar: Saint Agnes and Donor
#10 The Nativity with the Donors Peter von Clapis and Bela Bonenberg
#11 Virgin and Child with Saint Margaret and Dorothy and angels playing music
#12 Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors
#13 Pietà
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Bartholomaeus Bruynas Elsenis darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 34 | Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music, Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors |
 Antverpio karališkasis gražiųjų menų muziejus |
Antverpys | 6 | Portrait of a Young Man, Resurrection of Christ, Portrait of a Man |
 Wallraf-Richartz-Museum |
Kelnas | 7 | Christ Bids Farewell to His Mother, Crucifixion, Adoration of the magi |
 Nacionalinis muziejus Varšuvoje |
Varšuva | 5 | Pietà, Christ appearing to Mary Magdalene, The Annunciation |
 Gemäldegalerie |
Berlynas | 4 | Mary with the child, adored by the Duke of Cleves, Portrait of a Woman with Rosary and Carnation, Portrait of a Woman |
 Kunsthistorisches Museum |
Viena | 3 | Portrait of a knight, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves |
 Städel Museum |
Frankfurtas | 3 | The Nativity with the Donors Peter von Clapis and Bela Bonenberg, Portrait of Sibylla Kessel, Portrait of Peter Heyman |
 Harvard Art Museums |
Kembrižas | 3 | Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern, Portrait of a Woman, Portrait of a Man |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
The gaze of the viewer meets the steady presence of Founder with two sons (left panel), a work that captures a family moment frozen in time. This portrait, dating to about 1549, presents a man and his children within a structured, formal arrangement. The scene holds a quiet gravity, as if the subjects have just paused their movements to face the observer. Every detail of their attire and the landscape…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
Portrait of a knight (1531), Kunsthistorisches Museum, Viena. Toliau seka Portrait of Wilhelm Kannengiesser (1550) ir Portrait of Elisabeth Bellinghausen (1530).
38 metų amžiaus: Portrait of a knight sukurta 1531 m. Nr. Bartholomaeus Bruynas Elsenis gimė 1493.
Portrait of a knight, Portrait of Wilhelm Kannengiesser, Portrait of Elisabeth Bellinghausen, Portrait of Margaretha von Mochau, wife of Gerhard von Westerburg, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves, Portrait of a Woman with a Prayer Book, Virgin and Child with Saint Anne, Saint Gereon, and a Donor, Crucifixion Altar: Saint Agnes and Donor ir The Nativity with the Donors Peter von Clapis and Bela Bonenberg. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 123 Bartholomaeus Bruynas Elsenis darbų, skirtų laikotarpiui nuo 1514 iki 1550.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Antverpio karališkasis gražiųjų menų muziejus (Antverpys) ir Wallraf-Richartz-Museum (Kelnas). Viršuje esančiame muziejų sąraše yra visi jie.
1530s laikotarpiu: 30 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Portrait of a knight.
Šioje pusėje seniausias darbas yra Pietà (1514), o naujausias – Portrait of Wilhelm Kannengiesser (1550).
Man (41), Woman (35) ir Landscape (22) iš 100 šioje pusėje esamų darbų.
Oil On Panel, iš 100 šios puslapio darbų – 79.
Northern renaissance, vadovaujantis šios puslapio originalais kūriniais.
Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music ir Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors: Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 34 šioje pusėje esančių darbų.
