Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 4 Antonio Begarelli darbai mūsų kataloge
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Deposition (1530) yra viena矚 most žiūrėlių pritraukiančių Antonio Begarelli tapierių; originalas saugomas San Francesco, Modena. Po to akmuo patenka į The Adoration of the Shepherds (1526) ir Madonna del Latte (Madonna of the Milk) (1535). Iš 4 Antonio Begarelli darbų mūsų kataloge šios 4 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
The Deposition by Antonio Begarelli captures a moment of heavy, silent stillness. Created about 1530, this large terracotta statuary group depicts the removal of Christ from the cross. The figures are frozen in a choreography of grief, gathered around the central structure of the crucifixion. It is a work of profound weight and presence, a sculptural event that occupies the space of the church with its physical gravity.
The terracotta holds the warmth of the earth from which it was pulled. In the Cathedral of Modena, the figures of 1526 gather in a silent, frozen circle. A central child lies on its side, a small, pale presence amidst the heavy folds of drapery. Around this infant, the shepherds lean in, their bodies caught in a moment of profound stillness. The surface of the clay bears the marks of…
The sculpture presents a quiet, intimate moment of maternal care, capturing the Madonna and Child in a state of serene contemplation. Seated upon a cloud-like base that suggests a divine presence, Mary holds the infant Jesus securely. Her robes drape in heavy, elegant folds, suggesting both the softness of fabric and the physical weight of the form. The child rests against her, his pose reflecting a natural, infant-like comfort. This…
One centre of terracotta sculpture during the High Renaissance was Modena. The highly respected Antonio Begarelli was active there, creating numerous altars with life-size figural groups for Modena and communities in the region. As early as 1842 the Berlin Museums were able to acquire a major work of this type. The four angels from San Salvatore in Modena were combined by the previous owner, who restored a number of Begarelli’s…
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
3 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Antonio Begarelli darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 San Francesco |
Modena | 1 | Deposition |
 Cathedral |
Modena | 1 | The Adoration of the Shepherds |
 Galleria Estense |
Modena | 1 | Madonna del Latte (Madonna of the Milk) |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
One centre of terracotta sculpture during the High Renaissance was Modena. The highly respected Antonio Begarelli was active there, creating numerous altars with life-size figural groups for Modena and communities in the region. As early as 1842 the Berlin Museums were able to acquire a major work of this type. The four angels from San Salvatore in Modena were combined by the previous owner, who restored a number of Begarelli’s…
The terracotta holds the warmth of the earth from which it was pulled. In the Cathedral of Modena, the figures of 1526 gather in a silent, frozen circle. A central child lies on its side, a small, pale presence amidst the heavy folds of drapery. Around this infant, the shepherds lean in, their bodies caught in a moment of profound stillness. The surface of the clay bears the marks of…
The Deposition by Antonio Begarelli captures a moment of heavy, silent stillness. Created about 1530, this large terracotta statuary group depicts the removal of Christ from the cross. The figures are frozen in a choreography of grief, gathered around the central structure of the crucifixion. It is a work of profound weight and presence, a sculptural event that occupies the space of the church with its physical gravity.
Deposition (1530), San Francesco, Modena. Toliau seka The Adoration of the Shepherds (1526) ir Madonna del Latte (Madonna of the Milk) (1535).
40 metų amžiaus: Deposition sukurta 1530 m. Nr. Antonio Begarelli gimė 1490.
Mūsų kataloge yra 4 Antonio Begarelli darbų, skirtų laikotarpiui nuo 1500 iki 1535.
Daugiausia – San Francesco (Modena), Cathedral (Modena) ir Galleria Estense (Modena). Viršuje esančiame muziejų sąraše yra visi jie.
1530s laikotarpiu: 2 iš 4 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Deposition.
Šioje pusėje seniausias darbas yra Altar Group (1500), o naujausias – Madonna del Latte (Madonna of the Milk) (1535).
Medžiagos pasirinkimas: Tikslingas terakotos naudojimas ostriai kontrastavo su Correggio freskos meistriškumu, akcentuojant skulptūrinę formą ir tekstūrą, o ne optinę iliuziją.
Spalvų paletė: Antonio Begarelli teikė pirmenybę monochrominei paletėi – pirmiausia baltai – taip sukuriant marmuro švytėjimo įspūdį, kuris užvargiojo žiūrovus ir nustatė naują dekoratyvinės skulptūros standartą.
