Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 10 Antonio Badile Iii darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Antonio Badile Iii garsiausias yra Polyptych of the Four Crowned Saints, Simplicius (1552), esantis Castelvecchio Museum kolekcijoje, Verona. Tiesiog už jų seka Portrait of an unknown woman (1550) ir The Virgin and Child with Saint John the Baptist (1550). Mūsų kataloge yra 10 darbų autoriaus Antonio Badile Iii; galerija išsaugojo 10 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
3 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Antonio Badile Iii darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Castelvecchio Museum |
Verona | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 Museo del Prado |
Madridas | 1 | Portrait of an unknown woman |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Portrait of a Musician |
Vos vos dešimtmetis, nuo 1550 iki 1560, suteikė pasauliui kiekvieną nurodytą Antonio Badile Iii originalą iš šios kolekcijos: štai jie, metus po metų.
Pasirinkite metus, kad pamatytumėte originalus darbus.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
Daugiau nuo 1550
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
Daugiau nuo 1552
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), Castelvecchio Museum, Verona. Toliau seka Portrait of an unknown woman (1550) ir The Virgin and Child with Saint John the Baptist (1550).
34 metų amžiaus: Polyptych of the Four Crowned Saints, Simplicius sukurta 1552 m. Nr. Antonio Badile Iii gimė 1518.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel ir Saints Cecilia, Tiburtius, Valerian. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 10 Antonio Badile Iii darbų, skirtų laikotarpiui nuo 1550 iki 1560.
Daugiausia – Castelvecchio Museum (Verona), Museo del Prado (Madridas) ir National Museum of Art, Architecture and Design (Oslo). Viršuje esančiame muziejų sąraše yra visi jie.
1552 laikotarpiu: 4 iš 10 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Polyptych of the Four Crowned Saints, Simplicius.
Šioje pusėje seniausias darbas yra Portrait of an unknown woman (1550), o naujausias – Tobias and the Angel (1560).
Man (2), Drapery (2) ir Woman (2) iš 10 šioje pusėje esamų darbų.
Oil On Canvas, iš 10 šios puslapio darbų – 3.
Renaissance, vadovaujantis šios puslapio originalais kūriniais.
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia ir Polyptych of the Four Crowned Saints, Claudius: Castelvecchio Museum, Verona kolekcijoje yra 7 šioje pusėje esančių darbų.
