The mocking of Christ
The light fades into the dark.
Trumpai tariant
The mocking of Christ (1699) yra viena矚 most žiūrėlių pritraukiančių Anthoni Schoonjans tapierių; originalas saugomas Kunsthistorisches Museum, Viena. Po to akmuo patenka į The Apple of Eris (1690) ir Portrait of an unknown lady (1690). Iš 15 Anthoni Schoonjans darbų mūsų kataloge šios 15 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.
3 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Anthoni Schoonjans darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
| Miunchas | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Viena | 2 | The mocking of Christ, Vestal virgins | |
| Berlinas | 1 | Portrait of crown prince Frederick William as David with a sling |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The mocking of Christ (1699), Kunsthistorisches Museum, Viena. Toliau seka The Apple of Eris (1690) ir Portrait of an unknown lady (1690).
44 metų amžiaus: The mocking of Christ sukurta 1699 m. Nr. Anthoni Schoonjans gimė 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew ir Elector Johann Wilhelm on Horseback. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 15 Anthoni Schoonjans darbų, skirtų laikotarpiui nuo 1690 iki 1716.
Daugiausia – Bavarijos valstybinės paveikslų kolekcijos (Miunchas), Kunsthistorisches Museum (Viena) ir Charlottenburg rūmai (Berlinas). Viršuje esančiame muziejų sąraše yra visi jie.
1690s laikotarpiu: 10 iš 15 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The mocking of Christ.
Šioje pusėje seniausias darbas yra The Apple of Eris (1690), o naujausias – Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, iš 15 šios puslapio darbų – 2.
The Apple of Eris, Portrait of an unknown lady ir Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Bavarijos valstybinės paveikslų kolekcijos, Miunchas kolekcijoje yra 11 šioje pusėje esančių darbų.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.